WEB MAX Satori Ways Unterfahrt
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Web Web x Max Herre - Satori Ways (Live @ Unterfahrt - Munich) The second single from the upcoming, fourth album #WEBMAX by WEB WEB and MAX HERRE – performed LIVE at the legendary jazz club Unterfahrt (Munich). buy/support here: https://CompostRecords.lnk.to/WEBWEBxMAXHERRE_WEBMAX Song title: Satori Ways Release: OUT NOW Cat.-No.: CPT 584-6 Format: Digital Single …taken from: Album “WEB MAX” release date: 27 August 2021 Band members: Max Herre (p, rhodes, synth, perc) Tony Lakatos (ts, sax) Roberto Di Gioia (p, rhodes, synth, perc) Christian von Kaphengst (b) Peter Gall (dr) Info: In the winter of 2014, German rapper/producer Max Herre and Italian-German pianist Roberto Di Gioia played a tremendous show together. The two had been guest musicians at a few gigs for Gregory Porter, who in turn kindly accepted their invitation to perform at Herre’s MTV Unplugged session (produced by Herre alongside Di Gioia and Samon Kawamura as production team KAHEDI). Porter’s approach to the jazz quartet inspired Max to reflect how a rap artist could work in a more freely-flowingmusical environment. Di Gioia’s inspiration was a bit more straightforward: in the 80s, Di Gioia had played with jazz legends like Woody Shaw, Johnny Griffin, and James Moody, but he’d largely left the jazz stages of his early years behind — just one random jam session with Porter’s musicians during soundcheck relit his passion immensely. A short time later, Herre called Di Gioia saying “Let’s get a spiritual jazz session going.” Now, six years later, the album WEB MAX is the amazing result from the spur of that moment. It is a wonderful homage to the cosmic open-mindedness of early 70s jazz, to the transcendent sublimity of spiritual sound. On the album version of “Satori Ways”, New York-based Brandee Younger brings a touch of atmospheric depth with her harp, evoking the spirit of pioneers like Dorothy Ashby and Alice Coltrane. Tony Lakatos‘s dark-hued alto flute illuminates the unusual timbres and arrangement of this piece. This video of “Satori Ways” is part of a concert, which was produced end of May 2021 at the jazz club UNTERFAHRT (Munich), the band presented the new album "WEB MAX" for the first time. LINKS: Web Web Facebook: https://www.facebook.com/webwebmusic Instagram: https://www.instagram.com/webwebmusic Spotify: https://open.spotify.com/artist/4EmIrTN6q1uhLRL8hmhuHF Bandcamp: https://webweb.bandcamp.com/ Max Herre Facebook: https://www.facebook.com/MaxHerre Instagram: https://www.instagram.com/maxherreofficial/ Twitter: https://twitter.com/MaxHerreMusik Spotify: https://open.spotify.com/artist/7IpWQKu80qQvyer3LO6SW3 VIRTUAL TICKETS: This video as part of a Livestream concert was presented by the UNTERFAHRT jazzclub for free via YouTube or Facebook. They would welcome a donation as "virtual ticket" in order to cover the production costs for this event. PAYPAL: https://www.paypal.com/donate/cmd=_sxclick&hosted_button_id=KL9F2HZW4BCUG&source=url Compost Records: https://linkin.bio/compostrecords https://compost-rec.com/
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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The 7:40 clip "WEB MAX Satori Ways Unterfahrt" is a rare soundcheck recording from the 2021 album release of WEB MAX by WEB WEB and MAX HERRE. This footage is notable for its acoustic, live performance of "Satori Ways", a song that pays homage to the cosmic open-mindedness of early 70s jazz.
At the time this clip was filmed, R.E.M. had already disbanded in 2011, but their influence on alternative rock and indie music can still be felt today. Their unique blend of jangle guitar playing, cryptic lyrics, and distinctive vocal style paved the way for artists like WEB MAX to experiment with spiritual jazz sounds.
The Unterfahrt club in Munich is a legendary jazz venue that has hosted some of the greatest musicians of all time. Its intimate setting and rich history make it an ideal location for a live performance like this one. The clip provides a glimpse into the band's soundcheck, where they are fine-tuning their instruments and getting ready to perform.
What makes this clip significant is its connection to the harpist Dorothy Ashby, who was hailed as one of the most "unjustly underloved jazz greats" of the 1950s. Her innovative use of the harp in jazz music has inspired a new generation of musicians, including Brandee Younger, who adds atmospheric depth to the album version of "Satori Ways".
The song itself is a spiritual and cosmic exploration of sound, evoking the transcendent sublimity of early 70s jazz. The clip provides a unique opportunity for viewers to experience this music in its raw form, without the polish of a studio recording.
As a viewer watches this clip, they will be transported to the intimate setting of the Unterfahrt club, surrounded by the sounds of WEB MAX's spiritual jazz session. They will hear the intricate interplay between Max Herre's piano, Tony Lakatos' saxophone, Roberto Di Gioia's keyboards, Christian von Kaphengst's bass, and Peter Gall's drums.
The clip is a rare gem that provides insight into the creative process behind WEB MAX's album. It shows how the band's members come together to create something truly special, blending their individual talents to produce a unique sound that pays homage to the pioneers of spiritual jazz.
As the clip comes to an end, viewers will be left with a lasting impression of the cosmic open-mindedness and transcendent sublimity of WEB MAX's music. They will hear the haunting sounds of Brandee Younger's harp, evoking the spirit of Dorothy Ashby and Alice Coltrane. The clip is a testament to the power of live music and the enduring influence of spiritual jazz on contemporary musicians.
The Unterfahrt club in Munich, where this clip was filmed, has hosted some of the greatest musicians of all time. Its intimate setting and rich history make it an ideal location for a live performance like this one. The clip provides a glimpse into the band's soundcheck, where they are fine-tuning their instruments and getting ready to perform.
The song "Satori Ways" is a spiritual and cosmic exploration of sound, evoking the transcendent sublimity of early 70s jazz. The clip provides a unique opportunity for viewers to experience this music in its raw form, without the polish of a studio recording.
As a viewer watches this clip, they will be transported to the intimate setting of the Unterfahrt club, surrounded by the sounds of WEB MAX's spiritual jazz session. They will hear the intricate interplay between Max Herre's piano, Tony Lakatos' saxophone, Roberto Di Gioia's keyboards, Christian von Kaphengst's bass, and Peter Gall's drums.
The clip is a rare gem that provides insight into the creative process behind WEB MAX's album. It shows how the band's members come together to create something truly special, blending their individual talents to produce a unique sound that pays homage to the pioneers of spiritual jazz.
As the clip comes to an end, viewers will be left with a lasting impression of the cosmic open-mindedness and transcendent sublimity of WEB MAX's music. They will hear the haunting sounds of Brandee Younger's harp, evoking the spirit of Dorothy Ashby and Alice Coltrane. The clip is a testament to the power of live music and the enduring influence of spiritual jazz on contemporary musicians.
The legacy of R.E.M.'s innovative sound can still be felt today in artists like WEB MAX, who are pushing the boundaries of alternative rock and indie music. Their unique blend of jangle guitar playing, cryptic lyrics, and distinctive vocal style paved the way for a new generation of musicians to experiment with spiritual jazz sounds.
The Unterfahrt club in Munich is a legendary jazz venue that has hosted some of the greatest musicians of all time. Its intimate setting and rich history make it an ideal location for a live performance like this one. The clip provides a glimpse into the band's soundcheck, where they are fine-tuning their instruments and getting ready to perform.
The song "Satori Ways" is a spiritual and cosmic exploration of sound, evoking the transcendent sublimity of early 70s jazz. The clip provides a unique opportunity for viewers to experience this music in its raw form, without the polish of a studio recording.
As a viewer watches this clip, they will be transported to the intimate setting of the Unterfahrt club, surrounded by the sounds of WEB MAX's spiritual jazz session. They will hear the intricate interplay between Max Herre's piano, Tony Lakatos' saxophone, Roberto Di Gioia's keyboards, Christian von Kaphengst's bass, and Peter Gall's drums.
The clip is a rare gem that provides insight into the creative process behind WEB MAX's album. It shows how the band's members come together to create something truly special, blending their individual talents to produce a unique sound that pays homage to the pioneers of spiritual jazz.
As the clip comes to an end, viewers will be left with a lasting impression of the cosmic open-mindedness and transcendent sublimity of WEB MAX's music. They will hear the haunting sounds of Brandee Younger's harp, evoking the spirit of Dorothy Ashby and Alice Coltrane. The clip is a testament to the power of live music and the enduring influence of spiritual jazz on contemporary musicians.
The legacy of R.E.M.'s innovative sound can still be felt today in artists like WEB MAX, who are pushing the boundaries of alternative rock and indie music. Their unique blend of jangle guitar playing, cryptic lyrics, and distinctive vocal style paved the way for a new generation of musicians to experiment with spiritual jazz sounds.
The Unterfahrt club in Munich is a legendary jazz venue that has hosted some of the greatest musicians of all time. Its intimate setting and rich history make it an ideal location for a live performance like this one. The clip provides a glimpse into the band's soundcheck, where they are fine-tuning their instruments and getting ready to perform.
The song "Satori Ways" is a spiritual and cosmic exploration of sound, evoking the transcendent sublimity of early 70s jazz. The clip provides a unique opportunity for viewers to experience this music in its raw form, without the polish of a studio recording.
As a viewer watches this clip, they will be transported to the intimate setting of the Unterfahrt club, surrounded by the sounds of WEB MAX's spiritual jazz session. They will hear the intricate interplay between Max Herre's piano, Tony Lakatos' saxophone, Roberto Di Gioia's keyboards, Christian von Kaphengst's bass, and Peter Gall's drums.
The clip is a rare gem that provides insight into the creative process behind WEB MAX's album. It shows how the band's members come together to create something truly special, blending their individual talents to produce a unique sound that pays homage to the pioneers of spiritual jazz.
As the clip comes to an end, viewers will be left with a lasting impression of the cosmic open-mindedness and transcendent sublimity of WEB MAX's music. They will hear the haunting sounds of Brandee Younger's harp, evoking the spirit of Dorothy Ashby and Alice Coltrane. The clip is a testament to the power of live music and the enduring influence of spiritual jazz on contemporary musicians.
The legacy of R.E.M.'s innovative sound can still be felt today in artists like WEB MAX, who are pushing the boundaries of alternative rock and indie music. Their unique blend of jangle guitar playing, cryptic lyrics, and distinctive vocal style paved the way for a new generation of musicians to experiment with spiritual jazz sounds.
The Unterfahrt club in Munich is a legendary jazz venue that has hosted some of the greatest musicians of all time. Its intimate setting and rich history make it an ideal location for a live performance like this one. The clip provides a glimpse into the band's soundcheck, where they are fine-tuning their instruments and getting ready to perform.
The song "Satori Ways" is a spiritual and cosmic exploration of sound, evoking the transcendent sublimity of early 70s jazz. The clip provides a unique opportunity for viewers to experience this music in its raw form, without the polish of a studio recording.
As a viewer watches this clip, they will be transported to the intimate setting of the Unterfahrt club, surrounded by the sounds of WEB MAX's spiritual jazz session. They will hear the intricate interplay between Max Herre's piano, Tony Lakatos' saxophone, Roberto Di Gioia's keyboards, Christian von Kaphengst's bass, and Peter Gall's drums.
The clip is a rare gem that provides insight into the creative process behind WEB MAX's album. It shows how the band's members come together to create something truly special, blending their individual talents to produce a unique sound that pays homage to the pioneers of spiritual jazz.
As the clip
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