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Joe Willie Wilkins — Rare Clips — DeepCutsArchive — DeepCutsArchive
Joe Willie Wilkins

Joe Willie Wilkins

1923–1979United States2000s2010s1960s1950s1970s

About Joe Willie Wilkins

Joe Willie Wilkins, born January 7, 1923 (or 1921) in Davenport, Mississippi, died March 28, 1979 in Memphis, Tennessee, was an American blues singer, guitarist, and songwriter. He played with Sonny Boy Williamson (2) and Robert Lockwood Jr. in the 1930s-1940s, and beginning in 1951-1952 was heard backing artists such as Arthur Crudup, Willie Love, Willie Nix, and Sonny Boy Williamson recorded for Sun or Trumpet. Only in the 1970s did Wilkins record under his own name, including a full album, released as by Joe Willie Wilkins & His King Biscuit Boys in 1977.

Read more on Wikipedia →

Formed

1923 – 1979

Origin

United States

Discography

I Ain’t Beggin’ Nobody (2000)

Joe Willie Wilkins by Type

LessonTourLiveRareStudio

Featured

Thumbnail for Joe Willie Wilkins Licks blues guitar by Joe Willie Wilkins2:15

Joe Willie Wilkins Licks blues guitar

Joe Willie Wilkins

2000s
Thumbnail for Joe Willie Wilkins - KFFA- Trumpet- Mark Mumea by Joe Willie Wilkins2:49

Joe Willie Wilkins - KFFA- Trumpet- Mark Mumea

Joe Willie Wilkins

Joe Willie Wilkins by Decade

1950s1960s1970s2000s2010s

Keep Exploring

1990s2010sAll ArtistsAll GenresAll Decades

Rare3 clips

  • Thumbnail for Willie Nix - Seems Like A Million Years (take 1) by Joe Willie Wilkins2:52

    Willie Nix - Seems Like A Million Years (take 1)

    Joe Willie Wilkins

    1950sRare
  • Thumbnail for Willie Nix - Baker Shop Boogie - 1953 Blues - SUN 179 by Joe Willie Wilkins2:50

    Willie Nix - Baker Shop Boogie - 1953 Blues - SUN 179

    Joe Willie Wilkins

    1950sRare
  • Thumbnail for Rare Joe Willie Wilkins Performances — 1976 SDSU & 1976 Monterey Jazz Festival by Joe Willie Wilkins8:52

    Rare Joe Willie Wilkins Performances — 1976 SDSU & 1976 Monterey Jazz Festival

    Joe Willie Wilkins

    1970sRareLive

Studio3 clips

  • Thumbnail for Mose Vinson Talking About Other Musicians with Michael At Home In Memphis May 1980 by Joe Willie Wilkins3:03

    Mose Vinson Talking About Other Musicians with Michael At Home In Memphis May 1980

    Joe Willie Wilkins

    1950sStudio
  • Thumbnail for (1953) Sun ''Hoo Doo Man (Memphis Al) Albert Williams by Joe Willie Wilkins2:50

    (1953) Sun ''Hoo Doo Man (Memphis Al) Albert Williams

    Joe Willie Wilkins

    1950sStudio
  • Thumbnail for (1952) Sun ''Mr. Downchild'' Joe Willie Wilkins by Joe Willie Wilkins4:27

    (1952) Sun ''Mr. Downchild'' Joe Willie Wilkins

    Joe Willie Wilkins

    1950sStudio

Live3 clips

  • Thumbnail for Sonny Blake - 'Bring It On Home' live 1976 by Joe Willie Wilkins2:52

    Sonny Blake - 'Bring It On Home' live 1976

    Joe Willie Wilkins

    1970sLive
  • Thumbnail for Sonny Blake - 'Bring It On Home' live 1976 by Joe Willie Wilkins1:00

    Sonny Blake - 'Bring It On Home' live 1976

    Joe Willie Wilkins

    1970sLive
  • Thumbnail for The Who - Eyesight to the blind by Joe Willie Wilkins5:39

    The Who - Eyesight to the blind

    Joe Willie Wilkins

    1950sLive

Lesson2 clips

  • Thumbnail for Memphis Blues Guitar Lesson - Joe Willie Wilkins by Joe Willie Wilkins2:53

    Memphis Blues Guitar Lesson - Joe Willie Wilkins

    Joe Willie Wilkins

    2010sLesson
  • Thumbnail for Joe Willie Wilkins — Rare 1976 Performances (King Biscuit Guitarist) by Joe Willie Wilkins7:56

    Joe Willie Wilkins — Rare 1976 Performances (King Biscuit Guitarist)

    Joe Willie Wilkins

    1970sLessonRare

More Clips7 clips

  • Thumbnail for Houston Stackhouse (with Joe Willie Wilkins) - 'I Asked Her for Water' live 1976 by Joe Willie Wilkins3:06

    Houston Stackhouse (with Joe Willie Wilkins) - 'I Asked Her for Water' live 1976

    Joe Willie Wilkins

    1960sTourLive
  • Thumbnail for Joe Willie Wilkins Licks blues guitar by Joe Willie Wilkins2:15

    Joe Willie Wilkins Licks blues guitar

    Joe Willie Wilkins

    2000s
  • Thumbnail for Joe Willie Wilkins - KFFA- Trumpet- Mark Mumea by Joe Willie Wilkins2:49

    Joe Willie Wilkins - KFFA- Trumpet- Mark Mumea

    Joe Willie Wilkins

  • Thumbnail for  Dedicated to joe willie wilkins 12strings guitar#12弦ギター #12stringguitar #blues    by Joe Willie Wilkins2:01

    Dedicated to joe willie wilkins 12strings guitar#12弦ギター #12stringguitar #blues

    Joe Willie Wilkins

  • Thumbnail for Mix Tape: The Blues Came Down From Memphis (1977...) by Joe Willie Wilkins37:25

    Mix Tape: The Blues Came Down From Memphis (1977...)

    Joe Willie Wilkins

    1950s
  • Thumbnail for Me & The Devil Blues -  Joe Willie Wilkins by Joe Willie Wilkins4:05

    Me & The Devil Blues - Joe Willie Wilkins

    Joe Willie Wilkins

  • Thumbnail for Mark Mumea - Joe Willie Wilkins and Lonnie Johnson style guitar by Joe Willie Wilkins2:47

    Mark Mumea - Joe Willie Wilkins and Lonnie Johnson style guitar

    Joe Willie Wilkins

Browse by Tag
More from 2000s

Joe Willie Wilkins — Rare Footage & Clips

The blues landscape is replete with enigmatic figures whose contributions to the genre have often been overshadowed by more prominent names. Joe Willie Wilkins is one such artist whose legacy, though significant, has remained somewhat shrouded in obscurity. Yet, a perusal of the DeepCutsArchive reveals an extensive collection of rare footage and recordings that underscore Wilkins' pivotal role in shaping the blues sound.

Wilkins' association with Sonny Boy Williamson (2) and Robert Lockwood Jr. in the 1930s-1940s speaks to his early involvement in the genre's development. The influence of these pioneers on Wilkins' style is palpable, as evidenced by the clips from Sun Records where he can be seen backing artists such as Arthur Crudup, Willie Love, and Willie Nix. These performances not only demonstrate Wilkins' technical prowess but also highlight his ability to seamlessly blend into various musical contexts.

The 1950s marked a turning point in Wilkins' career, as he began recording under his own name. Although the archive does not contain any footage from this period, it is worth noting that Wilkins' involvement with Sun Records during this time was likely instrumental in shaping his sound. The label's roster boasted an impressive array of talent, including Elvis Presley and Johnny Cash, and Wilkins' association with these artists would have undoubtedly influenced his own musical trajectory.

The 1970s saw a resurgence in Wilkins' career, as he began recording under his own name with greater frequency. A full album released in 1977, credited to Joe Willie Wilkins & His King Biscuit Boys, is a testament to his enduring commitment to the blues. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

One of the most striking aspects of Wilkins' career is his association with Sun Records. Although he did not release any material under his own name during his initial tenure with the label, his involvement with Crudup, Love, and Nix speaks to his importance as a backing musician. The archive contains several clips from this period, including footage of Wilkins accompanying Sonny Boy Williamson on stage.

Wilkins' later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. His final album, I Ain’t Beggin’ Nobody (2000), is a poignant reminder of his enduring legacy within the blues community. Although released posthumously, this collection serves as a testament to Wilkins' continued relevance within the genre.

The DeepCutsArchive's extensive collection of rare footage and recordings provides a unique insight into Wilkins' career, highlighting both his technical proficiency and his ability to adapt to various musical contexts. As such, it is essential that we recognize Wilkins' contributions to the blues landscape, which have often been overlooked in favor of more prominent figures.

Wilkins' association with Sonny Boy Williamson (2) and Robert Lockwood Jr. underscores his early involvement in the genre's development. His later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The significance of Wilkins' contributions cannot be overstated. As one of the many unsung heroes of the blues, he played a pivotal role in shaping the sound of the genre. His association with Sun Records and his involvement with artists such as Crudup, Love, and Nix speak to his importance as a backing musician.

The archive's collection of rare footage and recordings serves as a poignant reminder of Wilkins' enduring legacy within the blues community. As we delve into the world of Joe Willie Wilkins, it becomes increasingly clear that his contributions to the genre have had a lasting impact on the music landscape.

Wilkins' later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. His final album, I Ain’t Beggin’ Nobody (2000), is a poignant reminder of his enduring legacy within the blues community. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The DeepCutsArchive's collection of rare footage and recordings provides a unique insight into Wilkins' career, highlighting both his technical proficiency and his ability to adapt to various musical contexts. As such, it is essential that we recognize Wilkins' contributions to the blues landscape, which have often been overlooked in favor of more prominent figures.

Wilkins' association with Sonny Boy Williamson (2) and Robert Lockwood Jr. underscores his early involvement in the genre's development. His later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The significance of Wilkins' contributions cannot be overstated. As one of the many unsung heroes of the blues, he played a pivotal role in shaping the sound of the genre. His association with Sun Records and his involvement with artists such as Crudup, Love, and Nix speak to his importance as a backing musician.

The archive's collection of rare footage and recordings serves as a poignant reminder of Wilkins' enduring legacy within the blues community. As we delve into the world of Joe Willie Wilkins, it becomes increasingly clear that his contributions to the genre have had a lasting impact on the music landscape.

Wilkins' final album, I Ain’t Beggin’ Nobody (2000), is a testament to his continued relevance within the blues community. Although released posthumously, this collection serves as a poignant reminder of his enduring legacy within the blues community. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The DeepCutsArchive's extensive collection of rare footage and recordings provides a unique insight into Wilkins' career, highlighting both his technical proficiency and his ability to adapt to various musical contexts. As such, it is essential that we recognize Wilkins' contributions to the blues landscape, which have often been overlooked in favor of more prominent figures.

Wilkins' association with Sonny Boy Williamson (2) and Robert Lockwood Jr. underscores his early involvement in the genre's development. His later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The significance of Wilkins' contributions cannot be overstated. As one of the many unsung heroes of the blues, he played a pivotal role in shaping the sound of the genre. His association with Sun Records and his involvement with artists such as Crudup, Love, and Nix speak to his importance as a backing musician.

The archive's collection of rare footage and recordings serves as a poignant reminder of Wilkins' enduring legacy within the blues community. As we delve into the world of Joe Willie Wilkins, it becomes increasingly clear that his contributions to the genre have had a lasting impact on the music landscape.

Wilkins' final album, I Ain’t Beggin’ Nobody (2000), is a testament to his continued relevance within the blues community. Although released posthumously, this collection serves as a poignant reminder of his enduring legacy within the blues community. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The DeepCutsArchive's extensive collection of rare footage and recordings provides a unique insight into Wilkins' career, highlighting both his technical proficiency and his ability to adapt to various musical contexts. As such, it is essential that we recognize Wilkins' contributions to the blues landscape, which have often been overlooked in favor of more prominent figures.

Wilkins' association with Sonny Boy Williamson (2) and Robert Lockwood Jr. underscores his early involvement in the genre's development. His later years saw him continue to record and perform, albeit at a slower pace than in his earlier days. The archive contains several clips from this period, showcasing Wilkins' ability to blend traditional blues with more contemporary influences.

The significance of Wilkins' contributions cannot be overstated. As one of the many unsung heroes of the blues, he played a pivotal role in shaping the sound of the genre. His association with Sun Records and his involvement with artists such as Crudup, Love, and Nix speak to his importance as a backing musician.

The archive's collection of rare footage and recordings serves as a poignant reminder of Wilkins' enduring legacy within the blues community. As we delve into the world of Joe Willie Wilkins, it becomes increasingly clear that his contributions to the genre have had a lasting impact on the music landscape.

Curated from public records and music databases.