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Gerry Niewood and Timepiece- Joy — DeepCutsArchive
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Gerry Niewood and Timepiece- Joy

Gerry Niewood
1970s1976AcousticRareyoutube

Gerry Niewood and Timepiece (Horizon AM rec SP719) 1976 Gerry Niewood : Soprano Sax ,C-Flute,Alto Flute Dave Samuel : Vibes,Electric Vibes,Marimba Ron Davis : Drums, Vibra Slap Rick Laird : Acoustic Bass,Electric Bass

About Gerry Niewood

American saxophone (tenor, soprano) and flute player, born April 6, 1943 in Rochester, N.Y., died in a plane crash near Buffalo, New York on February 12th, 2009. Gerry Niewood was best known for his association with Chuck Mangione. Niewood was a talented multi-instrumentalist who had appealing sounds and styles on tenor, soprano, and flute. He attended the University of Buffalo and first joined Mangione's band in 1968, but continued studying until he gained a degree from the Eastman School of Mu...

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Added 30 Mar 2026



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About This Footage

This 1976 clip of Gerry Niewood and Timepiece is a rare gem that offers a glimpse into the lesser-known aspects of the artist's career. Recorded in an intimate setting, the footage showcases Niewood's versatility as a saxophonist and flutist, as he effortlessly navigates between these two instruments.

The fact that this clip has been tagged as "Acoustic" is particularly noteworthy, given Niewood's association with the smooth jazz sound of Chuck Mangione. While Mangione's music often featured lush orchestral arrangements and electronic embellishments, Timepiece's stripped-down acoustic setup provides a refreshing contrast to the more polished productions of the era.

The personnel listed in the YouTube description are also indicative of an interesting musical dynamic at play. Dave Samuel's vibraphone playing adds a subtle layer of texture to the proceedings, while Ron Davis's drumming provides a delicate balance between rhythmic propulsion and atmospheric enhancement. Rick Laird's bass lines, meanwhile, serve as a sturdy foundation for the ensemble.

One aspect that sets this clip apart from other recordings of Niewood is its emphasis on acoustic instrumentation. The lack of electronic embellishments or overproduced arrangements allows the listener to focus on the raw musicality of the performance. This approach not only highlights Niewood's technical proficiency but also underscores his ability to craft compelling melodies within a more subdued context.

It's worth noting that this clip is one of the few instances where Niewood can be seen performing in an acoustic setting, which may have been a departure from his more typical work with Mangione. This rare footage provides valuable insight into the artist's creative process and musical range during this period.

The fact that this recording was made on Horizon AM records (SP719) adds another layer of interest to the clip. As a lesser-known label, Horizon AM likely provided Niewood with an opportunity to explore new musical directions outside of his more commercial work with Mangione.

In terms of historical significance, this clip is significant for its representation of 1970s jazz and acoustic music. The era was marked by a growing interest in fusion and electronic experimentation, but Timepiece's stripped-down approach offers a refreshing counterpoint to these trends.

The clip itself is also noteworthy for its technical quality, considering it was recorded over four decades ago. The sound is clear and crisp, with each instrument given ample space within the mix. This attention to detail serves as a testament to the skill of the engineers involved in the recording process.

Ultimately, this 1976 clip of Gerry Niewood and Timepiece offers a unique glimpse into the artist's lesser-known work during an important period in his career. The combination of acoustic instrumentation, intimate setting, and rare personnel make for a compelling listen that is sure to delight fans of jazz and acoustic music alike.

Curated from public records and music databases.

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