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John Dee Holeman & Algia Mae Hinton: Yall Come (1983) — DeepCutsArchive
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John Dee Holeman & Algia Mae Hinton: Yall Come (1983)

John Dee Holeman
1980s1983Rareyoutube

John Dee Holeman, Algia Mae Hinton (on guitar), and friends extemporize on "Yall Come," with flat-footing and train-imitation shuffling. Shot by Alan Lomax and crew at Hinton's home in Johnston County, North Carolina, July 29, 1983. For more videos from the American Patchwork fieldwork and information about Alan Lomax and his collections, visit: https://culturalequity.org. [03.28.20]

About John Dee Holeman

John Dee Holeman (April 4, 1929 – April 30, 2021) was an American Piedmont blues guitarist, singer, and songwriter. His music includes elements of Texas blues, R&B and African-American string-band music.

More about John Dee Holeman→

Added 30 Mar 2026



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About This Footage

The 1983 footage of John Dee Holeman and Algia Mae Hinton performing "Yall Come" is a rare and fascinating glimpse into the world of American Piedmont blues. Shot by Alan Lomax and his crew at Hinton's home in Johnston County, North Carolina, this clip offers a unique opportunity to witness the musical traditions of the region firsthand.

One of the most striking aspects of this footage is the informal setting in which it was captured. The performance takes place in Hinton's home, with Holeman and their friends playing and dancing on the porch. This relaxed atmosphere allows for an unbridled expression of music and dance, free from the constraints of a formal recording studio or concert venue.

The musicality on display is equally captivating. Holeman's guitar work is characteristic of his Piedmont blues style, which blends elements of Texas blues, R&B, and African-American string-band music. His playing is marked by a strong emphasis on rhythm and melody, with intricate fingerpicking patterns that evoke the spirit of traditional blues.

Algia Mae Hinton, meanwhile, brings her own unique energy to the performance. As she plays guitar, her movements are characterized by a sense of fluidity and spontaneity, as if she is improvising in real-time. Her flat-footing and train-imitation shuffling add an extra layer of rhythmic complexity to the music, underscoring the importance of dance in traditional blues.

The involvement of Alan Lomax and his crew adds another layer of significance to this footage. As a renowned folklorist and fieldworker, Lomax was dedicated to preserving and documenting American musical traditions. His presence here serves as a reminder that music is not simply entertainment, but also an integral part of cultural heritage.

The clip's rarity is also noteworthy. With a duration of 5:58, it provides an extended look at Holeman and Hinton's musical partnership, allowing viewers to appreciate the nuances of their playing and singing. The fact that this footage has been preserved and made available on YouTube underscores the importance of digital archiving in preserving cultural heritage for future generations.

In terms of historical context, the 1983 date of this performance is significant. By the early 1980s, traditional blues was already beginning to fall out of favor with younger audiences, who were increasingly drawn to more commercial forms of music. This footage serves as a poignant reminder of the importance of preserving and celebrating traditional musical styles, even in the face of changing cultural trends.

Overall, this clip offers a unique window into the world of American Piedmont blues, showcasing the musical talents of John Dee Holeman and Algia Mae Hinton in an informal and intimate setting. The involvement of Alan Lomax and his crew adds to its historical significance, while the rarity of the footage makes it all the more precious.

Curated from public records and music databases.

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