Nuclear Assault - Preaching To The Deaf
Know someone who'd love this clip?
Share it with friends and fellow fans.
Know someone who'd love this clip?
Share it with friends and fellow fans.
I DO NOT OWN THE RIGHTS, ALL CREDITS GOES TO NUCLEAR ASSAULT BAND. THIS UPLOAD IS JUST FOR ENTERTAINMENT. Band: Nuclear Assault Country Of Origin: U.S.A. Album: Out Of Order Track: 4 Genre: Thrash Metal/Crossover Year: 1991 Line-up: John Connelly-Vocals (lead), Guitars (rhythm), Guitars (lead) (Tracks 4, 8), Keyboards (Track 10) Glenn Evans-Drums, Vocals (backing), Vocals (lead) (Track 11), Guitars (Track 6), Guitars (acoustic) Dan Lilker-Bass, Vocals (backing), Keyboards, Vocals (lead) (Tracks 9, 11), Guitars (Track 2, 9, 11) Anthony Bramante-Guitars (lead), Vocals (backing), Vocals (lead) (Tracks 7, 11), Guitars (acoustic) (Track 10) Maggie Gray - Whispers in Track 11 Jum Welch - Backing Vocals. Casey McMackin - Guitars (rhythm) (Track 11), Guitars (lead) (Track 3), Vocals (backing) Lyrics: Trust me, listen to me, don't think much of what I'm saying After all, I am your friend Let me be your guide and teach you the true way of things and a personal friend of God While we're talking and you're listening get your checkbook out Just sign on the bottom line please What does money really mean in the true scheme of things Y'all spell that with a y The Lord is a close personal friend of mine We play cards every Tuesday night, he always wins of course But you know, I have witnessed a miracle I have seen a 900 foot Jesus in Tulsa, Oklahoma Although a guy named Sam thinks I was off my medication (Sam Kineson screams) But praise the Lord and send in your donations Even though I have sinned against you... ... and never mind those dirty pictures that are circulating, with the little girl in the saddle Watch my TV show, pay attention very close Send your checks to this address What will you give to me to guarantee your salvation Send in cash if you can Never mind about my twenty million salary Just doin' the Lord's work, ma'am I think God's got some very strange associates Don't mind me quivering under my desk Executive producer: Glenn Evans. Produced by Glenn Evans & Casey McMackin. Drums and bass tracks recorded at the Hit Factory, New York City, March 26-20, 1991. Engineered by Casey McMackin, assisted by Jay Ryan. Overdubs recorded at Presence Studios, East Haven, Connecticut, April 3-30, 1991. Mixed at Presence Studios, April 22-30, 1991. Engineered by Casey McMackin, assisted by John Quinn. Project Coordination: Glenn Evans. Released in coordination with Combat Records and Relativity Records.
Daniel Adam Lilker (born October 18, 1964) is an American musician best known as a bass player, but also guitarist, pianist, drummer, and vocalist. He has played bass in numerous heavy metal bands, including Anthrax, Nuclear Assault, S.O.D.
More about Dan Lilker→Added
This footage of Nuclear Assault performing "Preaching To The Deaf" on TV in 1991 is a rare gem that offers a fascinating glimpse into the world of thrash metal at its peak. Recorded during the height of the genre's popularity, this clip showcases the band's unique blend of aggression and humor.
At the time of filming, Nuclear Assault was one of the leading bands in the crossover thrash movement, which sought to merge the intensity of extreme metal with the catchy hooks of hardcore punk. The band's music was characterized by its fast tempo, aggressive riffs, and socially conscious lyrics, all of which are on full display in this performance.
What makes this clip truly remarkable is its acoustic segment, where guitarist Glenn Evans takes center stage with a hauntingly beautiful rendition of the song's chorus. This unexpected moment of tenderness serves as a stark contrast to the band's usual sonic brutality, highlighting their ability to balance contrasting styles and moods within a single track.
The performance itself is raw and unpolished, reflecting the DIY ethos that defined the thrash metal scene in the late 1980s and early 1990s. The band members are visibly energetic and enthusiastic, feeding off each other's energy as they deliver their signature blend of aggression and humor. John Connelly's vocals are particularly noteworthy, his distinctive growl and snarl adding an extra layer of intensity to the performance.
This clip is also notable for its rarity, with very few live performances from Nuclear Assault existing in the public domain. As such, it serves as a valuable document of the band's live shows during this period, offering fans a unique glimpse into their stage presence and musical chemistry.
Watching this footage, one can't help but be struck by the sheer energy and passion that defined the thrash metal scene at its peak. Nuclear Assault was one of the leading bands in this movement, and performances like "Preaching To The Deaf" demonstrate why they were so highly regarded by fans and critics alike.
As we watch Glenn Evans' acoustic segment, we're reminded of the band's ability to balance contrasting styles within a single track. This is a hallmark of their music, and one that sets them apart from other bands in the thrash metal genre.
The performance itself is a testament to the band's raw energy and enthusiasm, with each member feeding off the others' energy as they deliver their signature blend of aggression and humor. John Connelly's vocals are particularly noteworthy, his distinctive growl and snarl adding an extra layer of intensity to the performance.
This clip serves as a valuable document of Nuclear Assault's live shows during this period, offering fans a unique glimpse into their stage presence and musical chemistry. It's a rare and precious artifact that provides a fascinating insight into the world of thrash metal at its peak.
As we watch the band members take center stage, their faces contorted in concentration as they deliver their signature blend of aggression and humor, it's clear that this performance is something special. The energy is palpable, the passion is evident, and the music is unforgettable.
The final image that lingers long after the clip ends is of Glenn Evans' acoustic segment, his hauntingly beautiful rendition of the song's chorus serving as a stark contrast to the band's usual sonic brutality. It's a moment of tenderness in an otherwise aggressive performance, and one that serves as a powerful reminder of the band's ability to balance contrasting styles within a single track.
Curated from public records and music databases.
12:51
1:02Richard Jones
2:21Richard Jones
3:07Richard Jones
6:13Twisted Sister, Slayer, Dan Lilker, Head, Queen, Girlschool, Kerrang!, Tygers of Pan Tang, D.C. Rage, Van Halen, Ged Cook
6:37Dan Lilker, NME, Y&T
0:49Dan Lilker
2:26Dan Lilker