Nuclear Assault - Preaching To The Deaf
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I DO NOT OWN THE RIGHTS, ALL CREDITS GOES TO NUCLEAR ASSAULT BAND. THIS UPLOAD IS JUST FOR ENTERTAINMENT. Band: Nuclear Assault Country Of Origin: U.S.A. Album: Out Of Order Track: 4 Genre: Thrash Metal/Crossover Year: 1991 Line-up: John Connelly-Vocals (lead), Guitars (rhythm), Guitars (lead) (Tracks 4, 8), Keyboards (Track 10) Glenn Evans-Drums, Vocals (backing), Vocals (lead) (Track 11), Guitars (Track 6), Guitars (acoustic) Dan Lilker-Bass, Vocals (backing), Keyboards, Vocals (lead) (Tracks 9, 11), Guitars (Track 2, 9, 11) Anthony Bramante-Guitars (lead), Vocals (backing), Vocals (lead) (Tracks 7, 11), Guitars (acoustic) (Track 10) Maggie Gray - Whispers in Track 11 Jum Welch - Backing Vocals. Casey McMackin - Guitars (rhythm) (Track 11), Guitars (lead) (Track 3), Vocals (backing) Lyrics: Trust me, listen to me, don't think much of what I'm saying After all, I am your friend Let me be your guide and teach you the true way of things and a personal friend of God While we're talking and you're listening get your checkbook out Just sign on the bottom line please What does money really mean in the true scheme of things Y'all spell that with a y The Lord is a close personal friend of mine We play cards every Tuesday night, he always wins of course But you know, I have witnessed a miracle I have seen a 900 foot Jesus in Tulsa, Oklahoma Although a guy named Sam thinks I was off my medication (Sam Kineson screams) But praise the Lord and send in your donations Even though I have sinned against you... ... and never mind those dirty pictures that are circulating, with the little girl in the saddle Watch my TV show, pay attention very close Send your checks to this address What will you give to me to guarantee your salvation Send in cash if you can Never mind about my twenty million salary Just doin' the Lord's work, ma'am I think God's got some very strange associates Don't mind me quivering under my desk Executive producer: Glenn Evans. Produced by Glenn Evans & Casey McMackin. Drums and bass tracks recorded at the Hit Factory, New York City, March 26-20, 1991. Engineered by Casey McMackin, assisted by Jay Ryan. Overdubs recorded at Presence Studios, East Haven, Connecticut, April 3-30, 1991. Mixed at Presence Studios, April 22-30, 1991. Engineered by Casey McMackin, assisted by John Quinn. Project Coordination: Glenn Evans. Released in coordination with Combat Records and Relativity Records.
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