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Nuclear Assault - Hang the Pope (Live) — DeepCutsArchive
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Nuclear Assault - Hang the Pope (Live)

Dan Lilker
RareLiveyoutube

Hammersmith Odeon 4-10-89 Song: Hang The Pope Album: Game Over Lineup: John Connelly Vocals, Guitars Anthony Bramante Guitars Dan Lilker Bass Glenn Evans Drums

About Dan Lilker

Daniel Adam Lilker (born October 18, 1964) is an American musician best known as a bass player, but also guitarist, pianist, drummer, and vocalist. He has played bass in numerous heavy metal bands, including Anthrax, Nuclear Assault, S.O.D.

More about Dan Lilker→

Added 15 Apr 2026



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About This Footage

The Hammersmith Odeon in London on October 4th, 1989. A night that would go down in the annals of thrash metal history as one of the most intense and unbridled performances by Nuclear Assault, a band at the height of their powers. "Hang the Pope (Live)" is a clip that not only captures the raw energy of the band's live show but also provides a glimpse into the tumultuous times in which they were playing.

At this point in time, Nuclear Assault was riding high on the success of their album "Game Over", released just a year prior. The album had garnered critical acclaim and commercial success, with fans drawn to its blend of technical proficiency and aggressive sound. But what's striking about this clip is not just the band's musicianship but also the atmosphere surrounding them. The late 1980s were a time of great social upheaval, with the AIDS crisis, government scandals, and economic uncertainty dominating headlines.

Nuclear Assault's music was never afraid to tackle these issues head-on, with songs like "Hang the Pope" addressing themes of corruption and rebellion. And it's this sense of urgency and defiance that permeates every note of this live performance. John Connelly's vocals are a perfect blend of snarl and scream, while Anthony Bramante and Dan Lilker trade off guitar and bass duties with ease. Glenn Evans' drumming is relentless, pounding out the rhythm like a jackhammer.

What makes "Hang the Pope (Live)" so rare and significant is that it captures Nuclear Assault in their prime, before they disbanded in 1995. This was an era of great creativity and experimentation for the band, with albums like "Game Over" and "Out of the Dark" showcasing their ability to craft complex, thought-provoking songs without sacrificing their aggressive edge.

Watching this clip is like stepping into a time capsule, transporting viewers back to a era when thrash metal was still in its formative stages. It's a reminder that even at the height of their success, Nuclear Assault remained true to their roots and refused to compromise their art. The band's energy is infectious, with Connelly's stage presence bordering on the manic.

One of the most striking aspects of this clip is the way it captures the camaraderie between the band members. They're a tight-knit unit, feeding off each other's energy as they tear through "Hang the Pope". It's clear that they're having the time of their lives up there on stage, and that sense of joy and abandon is something that still resonates with fans today.

In an era where live performances are often sanitized and polished to perfection, "Hang the Pope (Live)" stands out as a raw, unbridled document of a band at the height of their powers. It's a testament to Nuclear Assault's enduring influence on the metal genre and a reminder that even in the most turbulent times, music can be a powerful force for change.

As the clip fades to black, one thing is clear: this was a night that will never be forgotten by those who witnessed it. And for those who didn't, "Hang the Pope (Live)" provides a glimpse into a world of high-energy performances and unbridled creativity.

Curated from public records and music databases.

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