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Pee Wee Crayton - Texas Blues Jumpin' in Los Angeles — DeepCutsArchive
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Pee Wee Crayton - Texas Blues Jumpin' in Los Angeles

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Pee Wee Crayton
1960s1948Studio


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Subscribe to our channel: https://orcd.co/ace http://acerecords.co.uk/texas-blues-jumpin-in-los-angeles-the-modern-music-sessions-1948-51 Some 20 years ago I went with my friend, archivist and researcher Ray Topping, to his place of employment at Ace Records, where he marched me into Ted Carroll's office to propose a three-CD series by Pee Wee Crayton, a hero and friend to Ray and myself. "The Modern Legacy Volume 1" and "Volume 2" followed in fairly short order, but no third volume appeared before Ray's death in 2009. Now, instigated by Roger Armstrong, Ace is mining the Modern vaults to complete the trilogy with "Texas Blues Jumpin' In Los Angeles", intended in part as a memorial to Ray, who brought more of Pee Wee's vintage output to light than anyone else among his contributions to our knowledge of recorded blues. The CD is also a tribute to two other people. Pee Wee was one of the first blues artists to be really kind to me, in 1970, by which time I was already immersed in his music, and we had a happy mutual admiration society until his death in 1985. He felt he'd gotten short shrift from history, so the chance to honour his memory and legacy and confirm all the things that make him worthy is an extra special privilege and joy. And Pee Wee's widow Esther remains devoted to Pee Wee, a bulwark for her family and preparer of the most legendary lemon cake in Los Angeles. She showed me a few years ago that she carries the letter I wrote to Pee Wee after seeing him at the Chicago Blues Festival less than two weeks before his death. Esther was a huge blessing to Pee Wee as a companion, songwriter and even vocal partner on their Pee Wee & Esther 45. This project is in no small part for her. Pee Wee and Esther valued Ray very highly, so it's fitting to bring them together one more time. So here we are in 2014, the original vision realised by Ace. But this may not end here. A few more of Pee Wee's out-takes merit digital issue, as do his 1960s Modern session and the Dolphin masters controlled by Ace, including more nice out-takes. Someday those and possibly other material could lead to a "Volume 4". Meanwhile, savour a fascinating and enjoyable glimpse back in time to a crucial point in the development of electric blues guitar by a pioneer and into the studio process. By D**k Shurman #PeeWeeCrayton #TexasBluesJumpininLosAngeles #acerecords

About Pee Wee Crayton

Blues and rhythm & blues singer and guitarist, active in California. Born: December 18, 1914 Rockdale, Texas Died: June 25, 1985 Los Angeles, California

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Added 30 Mar 2026

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The 1948 footage of Pee Wee Crayton performing "Texas Blues Jumpin'" in Los Angeles is a rare and significant addition to the archive of blues music history. As one of the earliest recordings of an African American artist, it provides a unique glimpse into the evolution of blues music during its formative years.

Pee Wee Crayton's contributions to the genre are multifaceted and profound. As a guitarist and singer, he was instrumental in shaping the sound of R&B and blues, influencing generations of musicians to come. His legacy is a testament to his dedication and passion for the art form, which has endured despite being largely overlooked by history.

The context of this footage is equally fascinating. Recorded in 1948, it captures the artist at the height of his creative powers, performing in Los Angeles, one of the hubs of musical innovation during the post-war era. The studio setting and the artist's energetic performance suggest a high level of production quality, making this clip a valuable addition to any blues enthusiast's collection.

The connection between Pee Wee Crayton and Ace Records is also noteworthy. As mentioned in the accompanying text, Ray Topping's tireless efforts to bring Pee Wee's music to light were instrumental in shedding new light on his legacy. The release of "Texas Blues Jumpin' In Los Angeles" serves as a fitting tribute not only to Pee Wee but also to those who have worked tirelessly behind the scenes to preserve and promote his work.

The personal anecdotes shared by Roger Armstrong add an intimate layer to this story, highlighting the significance of Pee Wee's relationships with those closest to him. The mention of Esther Crayton, Pee Wee's widow, and her dedication to preserving his memory serves as a poignant reminder of the human side of artistic legacy.

Furthermore, the fact that this footage has been preserved and made available through the efforts of Ace Records is a testament to the importance of archival work in music history. The "Modern Legacy" series, which includes this clip, represents a crucial step towards documenting and celebrating the contributions of African American artists during the mid-20th century.

As we reflect on this rare footage, it becomes clear that Pee Wee Crayton's influence extends far beyond his own music. His legacy serves as a reminder of the power of art to transcend time and circumstance, connecting generations through its enduring spirit.

Curated from public records and music databases.

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