Fats Domino - (Pee Wee Crayton Session) - I Must Go On - April 14, 1955
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Recorded April 14, 1955 (Thursday) (w&m: Clem Hunsley/Morris Bernstein/Herman Odom) Fats 3rd recording from his 28th session (IM-860). a-side of Post 2007 b/w "Don't Go" 45/78RPM release: 1956. First album release: "Blues Guitarist" on Liberty LLS-70052(J) Released: 1975 J and M Studio, 838 North Rampart St., New Orleans, LA session details according to Blues&Rhythm Magazine (issue #219): Pee Wee Crayton(v,g), Dave Bartholomew(tp), Wendell Duconge(as), Clarence Hall, Herbert Hardesty(ts), Fats Domino*(p), Frank Fields(b), Cornelius Coleman(d). Producer/Arranger: Dave Bartholomew Engineer: Cosimo Matassa No chart-action on this one. "Aladdin/Imperial Files"by Ruppli and "Blues Records" by Leadbitter, Slaven, Fancourt, McGrath: Salvador Doucette(p). There is some doubt if Fats really played on this session. Blues & Rhythm magazine confirmes, but Michel Ruppli's "The Aladdin/Imperial Files" and "Blues Records"by McGrath and Fancourt lists Salvador Doucette as the pianoplayer. Although there is no confirmation, for the sake of completeness this session will be listed as one Fats played on. More Fats? https://www.facebook.com/officialFATSDominoFANSITE/
Blues and rhythm & blues singer and guitarist, active in California. Born: December 18, 1914 Rockdale, Texas Died: June 25, 1985 Los Angeles, California
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The rare studio footage of Pee Wee Crayton's 1955 recording session at J and M Studio in New Orleans, Louisiana, is a treasure trove for blues and R&B enthusiasts. The clip, titled "I Must Go On," showcases the artist's unique guitar playing style and soulful vocals, making it an essential addition to any music collection.
One of the most intriguing aspects of this footage is its connection to Fats Domino, one of the most iconic figures in early rock 'n' roll history. According to the session details provided by Blues&Rhythm Magazine, Fats Domino was present at the recording studio on April 14, 1955, and allegedly played piano during Crayton's performance. However, there is some doubt surrounding this claim, with Michel Ruppli's "The Aladdin/Imperial Files" listing Salvador Doucette as the pianist instead.
Regardless of who played piano that day, the significance of this footage lies in its rarity and historical importance. The session was one of Fats Domino's 28 recording sessions at J and M Studio, which would eventually yield some of his most famous hits. The presence of other notable musicians, including Dave Bartholomew on trumpet and Wendell Duconge on saxophone, adds to the clip's value as a snapshot of New Orleans' vibrant musical scene in the mid-1950s.
The "I Must Go On" recording itself is also noteworthy for its inclusion on Fats Domino's 1975 album "Blues Guitarist." Although it failed to chart at the time of its release, the song has since become a sought-after collector's item among fans of early rock 'n' roll and blues music.
From an artistic perspective, Pee Wee Crayton's performance in this clip is characterized by his distinctive guitar playing style, which blends elements of blues, R&B, and country music. His vocals are equally impressive, conveying a sense of emotional intensity that was characteristic of many blues singers of the era.
In terms of its historical significance, this footage provides valuable insight into the recording practices and musical collaborations of the 1950s. The involvement of producers like Dave Bartholomew and engineers such as Cosimo Matassa helped shape the sound of early rock 'n' roll, and their contributions to this session are a testament to the innovative spirit of New Orleans' music scene during this period.
Overall, the "Pee Wee Crayton - (Fats Domino Session) - I Must Go On" clip is an essential addition to any archive of rare artists footage. Its historical importance, combined with its musical significance and rarity, make it a must-see for fans of blues, R&B, and early rock 'n' roll music.
Curated from public records and music databases.
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