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Esther Phillips — Rare Clips — DeepCutsArchive — DeepCutsArchive
Esther Phillips

Esther Phillips

1935–1984United States1970s

About Esther Phillips

Esther Phillips (born Esther Mae Washington; December 23, 1935 – August 7, 1984) was an American singer, best known for her R&B vocals. She rose to prominence in 1950, scoring several major R&B hits including "Double Crossing Blues" and "Mistrustin' Blues" under the moniker "Little Esther." In the 1960s, she achieved chart success with the country song "Release Me" and recorded in the pop, jazz, blues and soul genres. Phillips received four Grammy nominations, including for her album From a Whisper to a Scream in 1973, as well as for the album that featured her disco recording of "What a Diff'rence a Day Makes," which was a major hit in 1975.

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Formed

1935 – 1984

Origin

United States

Discography

Release Me! Reflections of Country and Western Greats (1962)

And I Love Him (1965)

Esther Phillips Sings (1966)

The Country Side of Esther Phillips (1966)

From a Whisper to a Scream (1971)

Alone Again, Naturally (1972)

Black‐Eyed Blues (1973)

Performance (1974)

What a Diff’rence a Day Makes (1975)

Capricorn Princess (1976)

Confessin’ the Blues (1976)

For All We Know (1976)

All About (1978)

Ladies Sing the Blues: Roots of Rock ’n’ Roll, Vol. 5 (1979)

Here's Esther...Are You Ready (1979)

Esther Phillips by Type

RareLive

More Clips1 clip

  • Thumbnail for Little John Rogers soloing with Ike Stubblefield and Friends Bamboo Room 2/11/12, pt3 by Eric Clapton, Stevie Wonder, Marvin Gaye, Bobby Caldwell, The Temptations, Curtis Mayfield, Stew, The Four Tops, Johnny Adams, Esther Phillips, VAST, Rod Stewart, Jerry Garcia, Tina Turner1:58

    Little John Rogers soloing with Ike Stubblefield and Friends Bamboo Room 2/11/12, pt3

    Eric Clapton, Stevie Wonder, Marvin Gaye, Bobby Caldwell, The Temptations, Curtis Mayfield, Stew, The Four Tops, Johnny Adams, Esther Phillips, VAST, Rod Stewart, Jerry Garcia, Tina Turner

    1970sRareLive

Esther Phillips by Decade

1970s

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Esther Phillips — Rare Footage & Clips

Esther Phillips: A Vocal Chameleon and Unsung Heroine of American Music The archives of DeepCutsArchive are home to an astonishing array of talent, each one a testament to the boundless creativity that has defined the history of popular music. Among these treasures is the remarkable Esther Phillips, a vocalist whose versatility, range, and emotional depth have left an indelible mark on the genre. Born in 1935 as Esther Mae Washington, Phillips rose to prominence in the early days of R&B, scoring major hits under her moniker "Little Esther" with songs like "Double Crossing Blues" and "Mistrustin' Blues." These early recordings, now preserved within our archive, not only showcase Phillips's innate talent but also provide a glimpse into the formative years of an artistry that would go on to defy categorization.

The 1960s saw Phillips expand her horizons, transitioning from R&B to country and achieving chart success with the timeless "Release Me." This period is well-documented within our archives through clips like Esther Phillips Sings (1966) and The Country Side of Esther Phillips (1966), where she effortlessly navigates the nuances of country music. These recordings demonstrate a remarkable adaptability, as Phillips seamlessly integrates her signature R&B style with the storytelling tradition of country. This blend would become a hallmark of her later work, as she continued to push boundaries across genres.

One of the most significant aspects of Esther Phillips's career is her ability to evolve and stay relevant in an ever-changing musical landscape. Her willingness to experiment and explore new sounds allowed her to remain a vital force throughout the 1970s. The album From a Whisper to a Scream (1971) showcases this creative restlessness, featuring a mix of soul, jazz, and blues that would earn Phillips her fourth Grammy nomination in 1973. This period is also represented within our archives through clips like Black‐Eyed Blues (1973), which captures the raw emotion and intensity that defined Phillips's live performances.

The mid-to-late 1970s saw Phillips embracing disco, a move that initially raised eyebrows but ultimately yielded one of her most iconic recordings: "What a Diff'rence a Day Makes." This disco-infused take on the classic song was a major hit in 1975 and remains a testament to Phillips's ability to reinvent herself. The album Performance (1974), another highlight within our archives, demonstrates this chameleon-like quality as she effortlessly navigates pop, jazz, and soul.

Throughout her illustrious career, Esther Phillips received four Grammy nominations, a testament to her enduring influence on American music. Her legacy extends far beyond these accolades, however, as she paved the way for future generations of vocalists. Artists like Aretha Franklin and Etta James have cited Phillips as an inspiration, while others, such as Gladys Knight and Patti LaBelle, have followed in her footsteps by exploring multiple genres.

The significance of Esther Phillips's contributions to music history cannot be overstated. Her willingness to take risks and push boundaries has left a lasting impact on the genre. As we delve into our archives, it becomes clear that Phillips was not only an exceptional vocalist but also a trailblazer who defied categorization. Her story serves as a reminder of the power of creative expression and the enduring legacy of those willing to challenge convention.

Within our archive, fans will find a treasure trove of rare footage and recordings that showcase Phillips's remarkable artistry. From her early days as "Little Esther" to her later explorations in disco and soul, each clip offers a unique glimpse into the life and career of this unsung heroine. As we celebrate the music of Esther Phillips, we honor not only her talent but also her unwavering commitment to innovation and artistic growth.

The archive is home to an extensive collection of clips that highlight Phillips's incredible range and emotional depth. These include performances like "Release Me" (1962), which showcases her ability to convey vulnerability through song; the jazz-infused "And I Love Him" (1965); and the soulful, blues-inspired "Alone Again, Naturally" (1972). Each of these recordings offers a testament to Phillips's mastery of multiple genres and her capacity for emotional expression.

As we explore the remarkable career of Esther Phillips within our archive, it becomes clear that she was more than just a talented vocalist – she was a true original. Her influence can be seen in countless artists who have followed in her footsteps, each one building upon the foundation laid by this pioneering singer. As we celebrate her life and work, we pay tribute to an artist whose legacy will continue to inspire generations of musicians and music lovers alike.

The story of Esther Phillips serves as a powerful reminder of the transformative power of art. Through her music, she has left an indelible mark on American culture, one that will be felt for years to come. As we delve into our archives, it becomes clear that Phillips was not only an exceptional vocalist but also a testament to the enduring spirit of creativity and innovation that defines the world of popular music.

Curated from public records and music databases.