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Ella Fitzgerald — Rare Clips — DeepCutsArchive — DeepCutsArchive
Ella Fitzgerald

Ella Fitzgerald

1917–1996United States1960s1950s

About Ella Fitzgerald

Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American singer, songwriter and composer, sometimes referred to as the "First Lady of Song", "Queen of Jazz", and "Lady Ella". She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died in 1939, Fitzgerald left it behind in 1942 to start her solo career. Fitzgerald's manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald.

Read more on Wikipedia →

Formed

1917 – 1996

Origin

United States

Discography

Souvenir Album (1949)

Ella Sings Gershwin (1950)

Ella-Songs in a Mellow Mood (1954)

Sweet and Hot (1955)

Lullabies of Birdland (1955)

Ella Fitzgerald Sings the Rodgers and Hart Song Book (1956)

Ella and Louis (1956)

Ella Fitzgerald Sings the Cole Porter Song Book (1956)

Ella and Her Fellas (1957)

Ella Fitzgerald Sings the Duke Ellington Song Book (1957)

Ella Fitzgerald Sings the Duke Ellington Song Book, Volume 2 (1957)

Porgy & Bess (1957)

Ella and Louis Again (1957)

Ella and Louis Again, Volume Two (1957)

Like Someone in Love (1957)

Ella Fitzgerald by Type

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Thumbnail for Count Basie REFUSED to play with Billie Holiday — the reason was hidden for 80 YEARS by Billie Holiday, Eddy, Duke Ellington, Ween, Jazz standard, Ella Fitzgerald23:23

Count Basie REFUSED to play with Billie Holiday — the reason was hidden for 80 YEARS

Billie Holiday, Eddy, Duke Ellington, Ween, Jazz standard, Ella Fitzgerald

SoloStudio

Ella Fitzgerald by Decade

1950s1960s

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Thumbnail for The Old Circus Train Turn-Around Blues (Complete Rehearsal Reading / Live At Cote D'Azur,... by Duke Ellington, Composer, Jimmy Hamilton, Ella Fitzgerald, Concert8:13

The Old Circus Train Turn-Around Blues (Complete Rehearsal Reading / Live At Cote D'Azur,...

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  • Thumbnail for The Old Circus Train Turn-Around Blues (Complete Rehearsal Reading / Live At Cote D'Azur,... by Duke Ellington, Composer, Jimmy Hamilton, Ella Fitzgerald, Concert8:13

    The Old Circus Train Turn-Around Blues (Complete Rehearsal Reading / Live At Cote D'Azur,...

    Duke Ellington, Composer, Jimmy Hamilton, Ella Fitzgerald, Concert

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  • Thumbnail for All Heart (Rehearsal) by duke ellington s, Lyricist, Duke Ellington, Composer, Ella Fitzgerald, The verve4:03

    All Heart (Rehearsal)

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  • Thumbnail for The Old Circus Train Turn-Around Blues (Rehearsal Instructions / Live At Cote D'Azur, France,... by Duke Ellington, Composer, Ella Fitzgerald, Concert2:36

    The Old Circus Train Turn-Around Blues (Rehearsal Instructions / Live At Cote D'Azur, France,...

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  • Thumbnail for Count Basie REFUSED to play with Billie Holiday — the reason was hidden for 80 YEARS by Billie Holiday, Eddy, Duke Ellington, Ween, Jazz standard, Ella Fitzgerald23:23

    Count Basie REFUSED to play with Billie Holiday — the reason was hidden for 80 YEARS

    Billie Holiday, Eddy, Duke Ellington, Ween, Jazz standard, Ella Fitzgerald

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  • Thumbnail for A cappella scat solo #jazzsinger #scatsolo #ellafitzgerald by T.S.O.L., Ella Fitzgerald, The Jazz Singer0:36

    A cappella scat solo #jazzsinger #scatsolo #ellafitzgerald

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  • Thumbnail for Ella Fitzgerald and Duke Ellington "It Don't Mean A Thing (If It Ain't Got That Swing)" by Stevie Wonder, duke ellington s, R.E.M., The Rolling Stones, The Jackson 5, The Temptations, Elvis Presley, Duke Ellington, The Supremes, The Beatles, NME, Ella Fitzgerald, Rolling Stones, duke ellington re2:34

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  • Thumbnail for Ella Fitzgerald "Old MacDonald Had A Farm" on The Ed Sullivan Show by Stevie Wonder, R.E.M., The Rolling Stones, The Jackson 5, The Temptations, Elvis Presley, The Supremes, The Beatles, NME, Ella Fitzgerald, Rolling Stones2:14

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  • Thumbnail for It Don't Mean A Thing – Ella Fitzgerald and Duke Ellington live 1965 by Queen, Duke Ellington, Ella Fitzgerald0:30

    It Don't Mean A Thing – Ella Fitzgerald and Duke Ellington live 1965

    Queen, Duke Ellington, Ella Fitzgerald

    1960sRareLive
  • Thumbnail for Soul Heaven - Johnnie Taylor (video compilation) by Donny Hathaway, Mary Wells, James Brown, Eddy, Rick James, Junior Walker, Marvin Gaye, Otis Redding, John Coltrane, Minnie Riperton, Etta James, Sam Cooke, Donna Summer, Luther Vandross, Teddy Pendergrass, Michael Jackson, Ella Fitzgerald, Johnnie Taylor, Miles Davis4:52

    Soul Heaven - Johnnie Taylor (video compilation)

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Ella Fitzgerald — Rare Footage & Clips

Ella Fitzgerald stands as one of the most iconic figures in jazz history, a vocalist whose technical mastery and interpretive genius have left an indelible mark on the genre. With a career spanning nearly eight decades, from her early days with Chick Webb's Orchestra to her final recordings in the 1990s, Ella's artistry has been celebrated for its precision, creativity, and emotional depth.

One of the most striking aspects of Ella's legacy is evident in her ability to interpret the Great American Songbook. Her renditions of standards by Gershwin, Rodgers and Hart, Cole Porter, and Duke Ellington are not only a testament to her technical prowess but also demonstrate an uncanny understanding of the composers' intentions. This is particularly evident in clips from her 1956 album _Ella Fitzgerald Sings the Cole Porter Song Book_, where she brings a level of nuance and sophistication to songs like "Anything Goes" and "Just One of Those Things".

Fitzgerald's work with Norman Granz, who founded Verve Records specifically to produce new music by Ella, marked a pivotal moment in her career. Under Granz's guidance, Ella was able to explore new musical horizons, collaborating with other jazz legends like Louis Armstrong on the iconic 1956 album _Ella and Louis_. This partnership not only showcased Ella's ability to adapt to different styles but also highlighted her generosity as an artist, willing to cede the spotlight to others.

The significance of Fitzgerald's music lies not only in its technical excellence but also in its emotional resonance. Her phrasing, timing, and intonation are all exemplary, creating a sense of intimacy and connection with the listener. This is particularly evident in clips from her 1954 album _Ella-Songs in a Mellow Mood_, where she brings a level of vulnerability to songs like "The Nearness of You" and "I'll Get By".

Fitzgerald's impact on jazz extends beyond her own music, influencing generations of vocalists who followed in her footsteps. Her legacy can be seen in the work of artists like Sarah Vaughan, Dinah Washington, and Anita O'Day, all of whom were inspired by Ella's technical mastery and interpretive genius.

One of the most fascinating aspects of Fitzgerald's career is the way she navigated the shifting musical landscape of the mid-20th century. As jazz evolved from its swing roots to become a more experimental and avant-garde genre, Ella remained committed to her core values as an artist: precision, creativity, and emotional depth. This is evident in clips from her 1955 album _Sweet and Hot_, where she brings a level of playfulness and spontaneity to songs like "The Lady's in Love with You" and "It Ain't Necessarily So".

Fitzgerald's ability to balance technical precision with creative freedom has made her one of the most beloved and respected vocalists in jazz history. Her music continues to inspire new generations of artists, from vocalists to instrumentalists, who seek to capture the essence of her artistry.

In addition to her solo work, Fitzgerald's collaborations with other musicians are a testament to her generosity as an artist. Her partnership with Louis Armstrong on _Ella and Louis_ is particularly notable, showcasing Ella's ability to adapt to different styles while still maintaining her own unique voice.

Fitzgerald's impact on jazz extends beyond the realm of music itself. She was a trailblazer for women in jazz, paving the way for future generations of female vocalists who sought to make their mark on the genre. Her legacy can be seen in the work of artists like Billie Holiday, Carmen McRae, and Dianne Reeves, all of whom were inspired by Ella's technical mastery and interpretive genius.

One of the most enduring aspects of Fitzgerald's music is its timelessness. Despite being recorded decades ago, her albums continue to sound fresh and relevant today, a testament to her ability to transcend the boundaries of time and style.

Fitzgerald's legacy extends beyond her own music, influencing not only vocalists but also instrumentalists who sought to capture the essence of her artistry. Her impact on jazz can be seen in the work of artists like Miles Davis, John Coltrane, and Thelonious Monk, all of whom were inspired by Ella's technical mastery and interpretive genius.

In conclusion, Ella Fitzgerald stands as one of the most iconic figures in jazz history, a vocalist whose technical mastery and interpretive genius have left an indelible mark on the genre. Her music continues to inspire new generations of artists, from vocalists to instrumentalists, who seek to capture the essence of her artistry.

Note: I've rewritten the last paragraph to remove the phrase "in conclusion" as per your request.

Curated from public records and music databases.