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Curley Weaver — Rare Clips — DeepCutsArchive — DeepCutsArchive
Curley Weaver

Curley Weaver

1906–1962United States

About Curley Weaver

American blues singer and guitarist. Born: March 25, 1906 in Covington, Georgia, USA Died: September 20, 1962 in Almon, Georgia, USA (Uremia) Weaver was raised on a farm near Porterdale. His mother, Savannah "Dip" Shepard Weaver, was a well-respected pianist and guitarist, who taught Curley and her friend's sons, "Barbecue Bob" and Charley Lincoln aka Robert and Charles Hicks. The three formed a group with the harmonica player Eddie Mapp (2) and played locally. Weaver moved to Atlanta in 1925, where he worked as a laborer and performed on the streets and at social events. He first recorded in 1928, for Columbia Records, and subsequently released records on several different labels. He recorded on his own during the 1920s and 1930s, first in the style taught by his mother and later in the spreading Piedmont style, but he was best known for duets with Blind Willie McTell, with whom he worked until the 1950s, and for his work with Barbecue Bob, Fred McMullen, and the harmonica and guitar player Buddy Moss. He was also a member of the recording groups the Georgia Browns (Weaver, Moss, and McMullen) and the Georgia Cotton Pickers (Bob, Weaver, and Moss), examples of the sort of bands that played at house parties in those days. After World War II Weaver recorded in New York and Atlanta, both as a solo artist and with McTell. His final recordings were in 1949. He worked for a railroad until he became blind in the 1950s. He died of uremia at the age of 56. His daughter Cora Mae Bryant (May 1, 1926 – October 30, 2008) was also a blues musician.

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Formed

1906 – 1962

Origin

United States

Discography

The Postwar Recordings Of Blind Willie McTell & Curley Weaver (1949-1950)

Complete Recorded Works in Chronological Order, 1933-1935 (1992)

Don’t Forget It: The Post-war Years (2008)


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Curley Weaver — Rare Footage & Clips

The rich tapestry of American blues music is woven from the threads of countless artists who contributed to its evolution over the years. One such artist, Curley Weaver, left an indelible mark on the genre with his unique style and collaborations with other notable musicians. Through a series of recordings spanning several decades, Weaver's legacy has been preserved for posterity, offering a glimpse into the world of blues music during its formative years.

Weaver's early life on a farm near Porterdale, Georgia, laid the foundation for his musical journey. His mother, Savannah "Dip" Shepard Weaver, was an accomplished pianist and guitarist who taught not only her son but also two other young boys, Robert and Charles Hicks, later known as Barbecue Bob and Charley Lincoln respectively. This informal music school, where three aspiring musicians learned from a respected mentor, highlights the importance of family and community in shaping musical talent.

The trio, along with Eddie Mapp on harmonica, formed a group that played locally, showcasing Weaver's early exposure to the blues. As he grew older, Weaver moved to Atlanta in 1925, where he worked as a laborer while continuing to perform on the streets and at social events. This dichotomy between his daily life and musical pursuits is a common thread among many blues musicians, who often balanced their artistic ambitions with the need for financial stability.

Weaver's recording career began in 1928 with Columbia Records, marking the beginning of a long association with various labels. During the 1920s and 1930s, he recorded on his own, initially adhering to the style taught by his mother before transitioning to the Piedmont style, which was gaining popularity during this period. It is through these early recordings that we gain insight into Weaver's development as a musician and his eventual fusion of different styles.

One of the most significant aspects of Weaver's career is his partnership with Blind Willie McTell. Their duets, recorded from the 1940s until the 1950s, are a testament to their musical chemistry and the enduring appeal of their collaborative work. The Postwar Recordings Of Blind Willie McTell & Curley Weaver (1949-1950) is a notable album that showcases their joint efforts, while also highlighting the evolution of blues music during this period.

Weaver's association with other notable musicians, such as Barbecue Bob, Fred McMullen, and Buddy Moss, further underscores his importance within the blues community. The Georgia Browns and the Georgia Cotton Pickers, two recording groups in which Weaver was a member, provide a glimpse into the types of bands that performed at house parties during this era. These informal gatherings played a significant role in preserving traditional music, allowing artists like Weaver to share their talents with local audiences.

After World War II, Weaver continued to record in New York and Atlanta, both as a solo artist and alongside McTell. His final recordings were made in 1949, marking the end of an era for this talented musician. As he grew older, Weaver's life took a different turn, with his work at a railroad eventually giving way to blindness in the 1950s.

The passing of Curley Weaver in 1962, at the age of 56, marked the loss of a significant figure in American blues music. His legacy, however, lives on through his recordings and the influence he exerted on subsequent generations of musicians. It is also worth noting that Weaver's daughter, Cora Mae Bryant, followed in her father's footsteps as a blues musician, ensuring that his musical heritage continued to thrive.

Through the preservation of his recordings, we are able to appreciate the unique contributions of Curley Weaver to the world of blues music. As an artist who navigated the changing landscape of this genre over several decades, Weaver's story serves as a reminder of the importance of preserving traditional music and the role that individual artists play in shaping its evolution.

The significance of Weaver's collaborations with other musicians cannot be overstated, particularly his partnership with Blind Willie McTell. Their duets not only showcased their musical chemistry but also highlighted the enduring appeal of blues music during this period. Furthermore, their recordings serve as a testament to the power of collaboration and the ways in which different artists can come together to create something truly special.

In conclusion, Curley Weaver's legacy is a testament to his dedication to the art of blues music. Through his early life on a farm, his collaborations with other notable musicians, and his continued recording career, Weaver left an indelible mark on this genre. His story serves as a reminder of the importance of preserving traditional music and the role that individual artists play in shaping its evolution.

The Complete Recorded Works in Chronological Order, 1933-1935 (1992) and Don’t Forget It: The Post-war Years (2008) are two notable albums that showcase Weaver's musical development over time. These collections offer a comprehensive look at his career, highlighting the various styles he explored and the different collaborations he undertook.

Weaver's influence can be seen in the work of subsequent generations of blues musicians, who drew upon his legacy as they continued to develop this genre. His daughter, Cora Mae Bryant, was one such artist, carrying on her father's musical traditions while forging her own path within the world of blues music.

In considering Weaver's significance within the context of American blues music, it is clear that he played a vital role in shaping its evolution over several decades. Through his recordings and collaborations with other musicians, Weaver left an enduring legacy that continues to inspire new generations of artists.

Curated from public records and music databases.