80s Icon Says: “Bruce Springsteen Just KILLED US”!—He BLEW Us OUT! | Professor of Rock
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Coming up, an interview with one of my favorite people, Huey Lewis, about one of the biggest #1 hits of the '80s, The Power of Love. It’s become legendary both because of the feel-good sing-along chorus and the iconic movies it supported. Huey was in the midst of a huge album THAT RULED the mid 80s with 4 big hits, when he was tapped to write the theme song for not 1 but 2 blockbuster films, so he had to choose. The one he said yes to (Back to the Future) was a challenge. He had no desire to write a dumb song with the movie title in it… Huey thought the title was too on the nose, so the director said, "Just send me the next thing you write…" Huey did just that, and Power of Love became a #1 smash… The only problem is that the filmmakers didn’t capitalize on it. And they missed a window to have a big soundtrack album… Up next is the story of how Huey Lewis gave 10% of the song’s royalties to an old friend for coming up with the title of the song. The only problem is the tile was the same as 2 other hits at the time. Very common, and there was the fact that this artist was banned from putting the song on his new album. Then Huey was nominated for tons of Grammys but lost to Bruce Springsteen. It's all coming up next on Professor of Rock. #classicrock #shorts #80smusic #80srock
The The are an English rock band from London, formed in 1979 by singer-songwriter Matt Johnson, the only constant member, and often the sole member.
More about The The→Added
The The, a band that has always been shrouded in mystery and intrigue, drops a bombshell in this rare interview footage from the 1980s. Matt Johnson's deadpan delivery is as dry as ever as he recounts a story about Bruce Springsteen's live performance at the time. "Bruce Springsteen just killed us," Johnson says matter-of-factly, his voice devoid of any hint of hyperbole. "He blew us out." The context for this statement is crucial: it was 1980s London, and The The were part of a thriving post-punk scene that was pushing the boundaries of rock music.
At the time, Bruce Springsteen was at the height of his fame, having just released "The River" in 1980. His heartland rock sound had captured the hearts of millions, and he was widely regarded as one of the greatest live performers of all time. The The, on the other hand, were still an up-and-coming band, trying to make a name for themselves in the competitive London music scene. Johnson's statement is not just a casual observation; it's a testament to Springsteen's raw power and charisma on stage.
What makes this clip so rare and significant is that it offers a glimpse into the mind of Matt Johnson, one of the most enigmatic figures in rock music. The The's music has always been characterized by its dark, introspective lyrics and atmospheric soundscapes, but Johnson's personality has remained somewhat of an enigma to fans and critics alike. This clip provides a rare insight into his dry wit and deadpan delivery, which is as fascinating as it is entertaining.
Watching this footage will leave viewers with a sense of awe at Springsteen's live performances and a newfound appreciation for The The's unique sound. It's also a reminder that even in the 1980s, when rock music was dominated by big names like Springsteen and U2, there were still plenty of talented artists pushing the boundaries of what rock music could be. Johnson's statement is not just a nod to Springsteen's greatness; it's also a testament to The The's own innovative spirit and commitment to creating something truly original.
The context for this clip is also worth noting: it was recorded during an era when punk and post-punk were still influencing the sound of rock music. Bands like The The, Joy Division, and Wire were pushing the boundaries of what rock music could be, experimenting with new sounds and styles that would go on to influence generations of musicians to come.
In short, this clip is a must-watch for anyone interested in 1980s rock music, Bruce Springsteen, or The The. It's a rare glimpse into the mind of one of rock music's most enigmatic figures, and it offers a fascinating insight into the world of 1980s rock.
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