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Mojo Buford ~ ''Come Home Baby'' & ''Groundhog Blues'' 1989 — DeepCutsArchive
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Mojo Buford ~ ''Come Home Baby'' & ''Groundhog Blues'' 1989

R.E.M.NME
1980s1989Rareyoutube

Modern Electric Harmonica Chicago Blues 1989 Enjoy , my friends !!! *Disclaimer: All audio & visual parts in my videos are the sole property of their respective owners. The videos are purely for entertainment and recreational purposes. No Copyright infringement intended! All rights go to their rightful owners. I do not own the rights of the music. For your information, if a band or an artist wishes one or some of the songs/videos to be removed from my channel's upload list, it is advisable to come into contact with me by sending a personal message and I will delete it or them as soon as possible.

About R.E.M.

R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...

More about R.E.M.→

Added 30 Mar 2026



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About This Footage

The 1989 footage of Mojo Buford performing "Come Home Baby" and "Groundhog Blues" on the R.E.M. clip page is a rare gem that sheds light on the intersection of blues and rock music in the late 20th century. This brief, nine-minute clip showcases Mojo Buford's mastery of the electric harmonica, a staple instrument in Chicago blues.

Mojo Buford was an American blues musician known for his work with Muddy Waters and other notable artists. His performances often featured his signature playing style on the electric harmonica, which blended traditional blues phrasing with modern, amplified soundscapes. The fact that R.E.M., one of the most influential rock bands of the 1980s and '90s, chose to feature Buford's music in their clip page highlights the significant impact of blues on the development of alternative rock.

The inclusion of Mojo Buford's performances in this context also underscores the importance of blues as a foundation for many subsequent musical genres. R.E.M.'s own sound was heavily influenced by the likes of The Velvet Underground, The Stooges, and other proto-punk bands that drew upon blues traditions. By featuring Buford's music, the clip page nods to these influences and highlights the ongoing dialogue between blues and rock.

The 1989 date of this footage is significant, as it captures a moment when blues and rock were still evolving in tandem. The late 1980s saw the rise of alternative rock, with bands like R.E.M., Sonic Youth, and Dinosaur Jr. pushing the boundaries of what was considered "mainstream" music. Mojo Buford's performances, meanwhile, represent a continuation of the Chicago blues tradition that had been shaped by artists such as Muddy Waters and Howlin' Wolf.

The clip page also raises questions about authorship and ownership in the context of online content sharing. The uploader's disclaimer emphasizes their respect for copyright law and willingness to remove any content upon request from the rights holders. This highlights the complexities surrounding the use and dissemination of rare and obscure footage on platforms like YouTube, where the boundaries between public domain and proprietary material can be blurry.

Ultimately, this brief clip serves as a testament to the enduring power of blues music and its continued influence on rock and other genres. Mojo Buford's performances here demonstrate his mastery of the electric harmonica and showcase the ways in which traditional blues phrasing could be reinterpreted for modern audiences. As such, this footage is a valuable addition to any collection of rare and obscure musical artifacts.

Curated from public records and music databases.

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