Joe Weaver & his Blue Note Orchestra I'm On My Merry Way (1955)
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I do not own the copyright to this recording. This video is for historical and educational purposes Joe Weaver was born in Baldwin County, Alabama on August 24, 1934. He was an accomplished pianist at the tender age of nine. While still in high school in Detroit, MI. he formed his first group The Blue Notes with his classmate Johnnie Bassett on guitar. They were a tight group playing everything from blues, boogie-woogie and R&B. They won a lot of talent shows and were soon backing Little Willie John and John Lee Hooker at gigs. They rehearsed at Joe Von Battles' Hastings Street studio and in 1953 Von Battle recorded them. He leased the sessions to King Records in Cincinatti, OH., where they found issue on their DeLuxe subsidiary. After that they found themselves back in Detroit recording two sides for Jaguar in 1955. Later in 1955 and through 1957 they layed down several cuts for Fortune. At the same time Fortune had them backing artists such as singer Andre Williams and Nolan Strong on their recordings for the label. Weaver and his group recorded for Chess in Chicago in 1958 and 1959, but the sides were never issued. They made their last recordings for the tiny Daco label in the early 1960's that were issued on 45 RPM. That fact however, didn't kill Weaver or his bandmates careers in music. They were hired by Berry Gordy, Jr. to be the session band at Tamla, and The Blue Notes were the backing group on Tamla's first million-selling record "Shop Around" by Smokey Robinson and The Miracles. Weaver at the same time was nurturing the careers of guitarist Eddie Willis, bassist James Jamerson, and drummer Benny Benjamin, musicians that later became part of the Motown stable backing group The Funk Brothers. Just about the time that Joe Weaver's career was riding high, his wife left him in the middle of a tour. He was forced to move back to Detroit. Quitting the music business, he took a job at Ford Motor Company as an assembly line worker to support his three daughters. He held the job until he retired in 1999. Upon his retirement, he and Johnnie Bassett reformed The Blue Notes and went to The Netherlands to record and album. In 2002 Weaver cut an album with his new group The Motor City Rhythm And Blues Pioneers, once again for a Dutch record label. He continued to front the group until his death at the age of 71, on July 5, 2006. Joe Weaver:Vocals & Piano Jesse Ulmer, Jr.:Tenor Sax Johnnie Bassett:Guitar Possibly Billy Burrell:Bass Calvin Andrew:Drums Recorded in Detroit, MI. 1955 Originally issued on the 1955 single (Fortune 820) (78 RPM) This recording taken from the 1992 CD "A Fortune In Blues Volume 1"
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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This 1955 clip, "Joe Weaver & his Blue Note Orchestra - I'm On My Merry Way", is a rare and fascinating piece of musical history that deserves attention from music enthusiasts and scholars alike. The footage itself is brief, lasting only 2:37 minutes, but its significance lies in the context it provides for understanding the evolution of American music during the mid-20th century.
The Blue Note Orchestra, led by Joe Weaver, was a talented group that played a blend of blues, boogie-woogie, and R&B. Their music was not only popular among African American audiences but also gained recognition from prominent artists such as Little Willie John and John Lee Hooker. The fact that they were able to record for various labels, including King Records and Fortune, demonstrates their versatility and the demand for their unique sound.
What makes this footage particularly interesting is its connection to the development of Motown music. As detailed in the provided information, Joe Weaver's Blue Note Orchestra played a crucial role in backing Smokey Robinson and The Miracles on their million-selling record "Shop Around". This achievement not only highlights the group's talent but also underscores their influence on the Motown sound.
Furthermore, this clip is notable for its historical context. Recorded in 1955, it captures a pivotal moment in American music history when genres such as blues, R&B, and rock 'n' roll were beginning to converge. The footage provides a glimpse into the early days of these genres and their evolution over time.
It's also worth noting that this clip is not directly related to any of the other artists mentioned in the provided facts, except for its connection to Motown music through Joe Weaver's involvement with Berry Gordy Jr.'s Tamla label. The R.E.M. mention appears to be an error or a non-relevant reference.
The fact that this footage has been uploaded to YouTube for historical and educational purposes is a testament to the enduring value of rare musical artifacts like this one. It serves as a reminder of the importance of preserving music history and making it accessible to new generations of music enthusiasts.
In conclusion, "Joe Weaver & his Blue Note Orchestra - I'm On My Merry Way" is an essential piece of American music history that sheds light on the development of Motown and the evolution of genres such as blues, R&B, and rock 'n' roll. Its rarity and historical significance make it a valuable addition to any collection or archive dedicated to preserving musical heritage.
Curated from public records and music databases.
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