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Dir. Leslie McCleave 89 min, US, Documentary Legendary gospel quartet The Blind Boys of Alabama has an amazing career—since meeting at a state-run, segregated vocational institute for the blind in the 1930s, they have toured continuously, amassing five Grammy Awards and universal acclaim. They soared through the golden era of gospel in the 1950s, experienced difficult times when rock ’n’ roll took over, and resurged with the Broadway hit Gospel at Colonus. Now, as the group enters its seventh decade, they are as artistically vital as ever, collaborating with musicians like Peter Gabriel, Ben Harper, and others. As the surviving band members recount their unlikely success story, we see a rare, remarkable view of life on the road and in the studio with a group of renowned performers. For more festival information, film schedule, and ticket links check out our website at https://reelabilities.org/newyork Stay up-to-date on the latest festival news and events with our newsletter: https://mmjccm.org/film-email-signup Follow us on social media Facebook: https://www.facebook.com/ReelAbilities/ Twitter: https://twitter.com/ReelAbilities Instagram: https://www.instagram.com/reelabiliti... #ReelAbilities #ReelAbilitiesNY ReelAbilities Film Festival is the largest festival in the U.S. dedicated to promoting awareness and appreciation of the lives, stories, and artistic expressions of people with disabilities. Founded in New York City in 2007, the festival presents international and award-winning films by and about people with disabilities in multiple locations throughout each hosting city. Post-screening discussions and other engaging programs bring together the community to explore, discuss, embrace, and celebrate the diversity of our shared human experience.
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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