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Furry Lewis Worried Blues — DeepCutsArchive
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Furry Lewis Worried Blues

Sleepy John EstesR.E.M.Piano RedThe Rolling Stones


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Walter E. "Furry" Lewis (March 6, 1893 – September 14, 1981) was an American country blues guitarist and songwriter from Memphis, Tennessee. He was one of the first of the blues musicians active in the 1920s to be brought out of retirement and given new opportunities to record during the folk blues revival of the 1960s. Lewis was born in Greenwood, Mississippi. His birth year is uncertain. Many sources give 1893, the date he gave in his later years, but the researchers Bob Eagle and Eric LeBlanc suggest 1899, based on his 1900 census entry, and other sources suggest 1895 or 1898. His family moved to Memphis when he was seven. He acquired the nickname "Furry" from childhood playmates. By 1908, he was playing solo at parties, in taverns, and on the street. He was also invited to play several dates with W. C. Handy's Orchestra. In his travels as a musician, he was exposed to a wide variety of performers, including Bessie Smith, Blind Lemon Jefferson, and Alger "Texas" Alexander. Like his contemporary Frank Stokes, he grew tired of traveling and took a permanent job in 1922. His position as a street sweeper for the city of Memphis, a job he held until his retirement in 1966, allowed him to continue performing music in Memphis. Lewis made his first recordings for Vocalion Records in Chicago in 1927. A year later he recorded for Victor Records at the Memphis Auditorium, in a session with the Memphis Jug Band, Jim Jackson, Frank Stokes, and others. He again recorded for Vocalion in Memphis in 1929.The tracks were mostly blues but included two-part versions of "Casey Jones" and "John Henry". He sometimes fingerpicked and sometimes played with a slide. He made many successful records in the late 1920s, including "Kassie Jones", "Billy Lyons & Stack-O-Lee" and "Judge Harsh Blues" (later called "Good Morning Judge"). In July 1968, Bob West recorded Furry along with Bukka White in Furry's Memphis apartment. In 1972 West, with Bob Graf, in Seattle, released the recording on a 12-inch vinyl record.In 2001 the recording was released on CD as "Furry Lewis, Bukka White & Friends, Party! at Home", by Arcola Records. In 1969, the record producer Terry Manning recorded Lewis in his Fourth Street apartment in Memphis, near Beale Street. These recordings were released in Europe at the time by Barclay Records and again in the early 1990s by Lucky Seven Records in the United States and in 2006 by Universal Records. In 1972 he was the featured performer in the Memphis Blues Caravan, which included Bukka White, Sleepy John Estes, Clarence Nelson, Hammie Nixon, Memphis Piano Red, Sam Chatmon, and Mose Vinson. He opened twice for the Rolling Stones, performed on The Tonight Show Starring Johnny Carson, had a part in a Burt Reynolds movie (W.W. and the Dixie Dancekings, 1975), and was profiled in Playboy magazine. Joni Mitchell's song "Furry Sings the Blues" (on her album Hejira), is about her visit to Lewis's apartment and a mostly ruined Beale Street on February 5, 1976. Lewis despised the Mitchell song and felt she should pay him royalties for being its subject. Lewis began to lose his eyesight because of cataracts in his final years. He contracted pneumonia in 1981, which led to his death from heart failure in Memphis on September 14 of that year, at the age of 88. He is buried in the Hollywood Cemetery, in South Memphis, where his grave bears two headstones, the second purchased by fans.

About Sleepy John Estes

John Adam Estes, known as Sleepy John Estes, was an American blues guitarist, songwriter and vocalist. His music influenced such artists as The Beatles, Bob Dylan and Led Zeppelin.

More about Sleepy John Estes→

Added 30 Mar 2026

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The clip page for "Furry Lewis Worried Blues" from 1981 is a rare gem that showcases the country blues style of Walter E. "Furry" Lewis, an American guitarist and songwriter from Memphis, Tennessee. This solo performance is notable not only because it features one of the earliest blues musicians to be brought out of retirement during the folk blues revival of the 1960s but also due to its relatively late recording date.

Lewis's career spanned over six decades, with his first recordings made in 1927 for Vocalion Records. His unique style, which blended fingerpicking and slide playing, was influenced by a wide range of performers he encountered during his travels as a musician, including Bessie Smith, Blind Lemon Jefferson, and Alger "Texas" Alexander.

The fact that this footage is from 1981 makes it all the more remarkable. By this time, Lewis had already retired from his job as a street sweeper in Memphis, which he held until 1966. The clip provides a glimpse into the artist's later years, showcasing his continued dedication to music despite his advanced age.

The "Furry Lewis Worried Blues" clip is also significant because of its rarity. With only a duration of 4:27, this performance is a concise yet powerful example of Lewis's style and artistry. The fact that it was recorded for TV adds an extra layer of interest, as it provides insight into how artists from different genres interacted with each other during the early days of music television.

The context in which this clip was made is also noteworthy. The 1980s saw a resurgence of interest in blues and roots music, with artists like R.E.M., who were influenced by the likes of Sleepy John Estes and Furry Lewis, achieving mainstream success. This clip serves as a reminder of the rich musical heritage that these artists helped shape.

The influence of Memphis blues on the development of rock music is well-documented, with The Rolling Stones being one of the many bands to draw inspiration from this style. The fact that "Furry Lewis Worried Blues" was recorded in 1981, just a year before Lewis's passing, makes it an even more poignant reminder of the debt that modern musicians owe to their predecessors.

In conclusion, the "Furry Lewis Worried Blues" clip is a rare and valuable addition to any blues or roots music collection. Its significance extends beyond its artistic merit, as it provides a unique glimpse into the life and career of one of the most influential country blues musicians of all time.

Curated from public records and music databases.

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