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ROCKET 88 - JOHNNY MARS & OAKLAND BOOGIE — DeepCutsArchive
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ROCKET 88 - JOHNNY MARS & OAKLAND BOOGIE

Johnny Mars
1970s1976Rareyoutube

I know that most folks would say that there's nothing better than the original by Jackie Brenston & Ike Turner's 'Kings Of Rhythm' - so please don't castigate me for THIS one being my personal favourite version of "Rocket 88". Harmonica player Johnny Mars recorded several renditions over time, but I simply get off on the rumbling sound he achieved here for an LP called "Johnny Mars & The Oakland Boogie" in 1976. That was also the name he collectively gave the London musicians accompanying him on that occasion: Bob Hall - piano Pat Grover - guitar Paul Riley - bass John Hunt - drums So even if for you nothing can come close to the original - please enjoy anyway!

About Johnny Mars

US electric blues vocalist, harmonica player, band leader (born in Laurens, South Carolina, December 7, 1942). Has led own bands and worked with Magic Sam, Earl Hooker, B.B. King, Jesse Fuller, Spencer Davis and Ian Gillan. Began playing clubs in the late 50's, recorded for Mercury as member of the group Burning Bush. By the mid 1960s, now as Johnny Mars Band, he toured with Magic Sam and shared billings with Earl Hooker, B.B. King and Jesse Fuller. In 1972 Mars' band toured UK, recorded with l...

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Added 30 Mar 2026



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About This Footage

This 1976 clip of Johnny Mars and his Oakland Boogie ensemble performing "Rocket 88" is a rare gem that showcases the artist's unique take on this blues classic. As an American electric blues harmonica player, singer, and songwriter with a career spanning over seven decades, Mars has had the privilege of collaborating with some of the most iconic figures in music history.

The fact that Mars recorded multiple versions of "Rocket 88" over time highlights his dedication to interpreting this song, which was originally made famous by Jackie Brenston & Ike Turner's Kings Of Rhythm. While the original version is undoubtedly a masterpiece, Mars' rendition offers a distinct flavor that sets it apart from the pack. The YouTube description notes that Mars achieved a "rumbly" sound on this particular recording, which adds to its allure.

The Oakland Boogie ensemble accompanying Mars on this track consists of Bob Hall on piano, Pat Grover on guitar, Paul Riley on bass, and John Hunt on drums. Together, they create a rich sonic tapestry that complements Mars' harmonica playing perfectly. The interplay between the musicians is seamless, with each member contributing to the overall energy of the performance.

One of the most fascinating aspects of this clip is its historical significance. Recorded in 1976, it captures a moment in time when blues music was still evolving and influencing new generations of artists. Mars' involvement with various British bands, such as Spencer Davis and Ian Gillan, also underscores the cross-pollination of musical styles that occurred during this period.

The fact that this clip is tagged as "Rare" further emphasizes its value to fans and researchers alike. For those interested in blues history or Johnny Mars' discography, this performance offers a unique opportunity to experience his interpretation of "Rocket 88" in all its glory. Even if the original version remains the most well-known, Mars' rendition has its own merits that warrant attention.

In terms of musical context, "Rocket 88" is often cited as one of the first rock and roll songs ever recorded. Its influence can be heard in countless other artists who have covered or referenced it over the years. Mars' take on this song, while not necessarily a radical departure from the original, adds to the rich tapestry of blues-rock interpretations that have emerged since its creation.

Ultimately, this clip is a testament to Johnny Mars' enduring legacy as a blues harmonica player and singer. His ability to reinterpret classic songs like "Rocket 88" in his own distinctive style has made him a beloved figure among fans of American roots music. As such, this 1976 performance is not only a rare treat but also a valuable addition to the archives of blues history.

Curated from public records and music databases.

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