DUKES Dixieland "Blues My Naughty Sweetie Gave To Me" — DeepCutsArchive

DeepCutsArchive

DUKES Dixieland "Blues My Naughty Sweetie Gave To Me" — DeepCutsArchive

DUKES Dixieland Album - BarnBurners 2001 http://dukesofdixieland.com/barnburners www.facebook.com/dukesofdixieland @dukesdixieland CD Review: TWENTY-SEVEN YEARS young, the indefatigable Dukes of Dixieland close in with two new releases that tout the benefits of injecting fresh blood into an old body of work. The makers of Bose audio systems produce the "Bose Select" CD series to demonstrate the capabilities of their equipment. In liner notes to "Riverboat Dixieland," company producer Mark Schilling describes spending eight fruitless days and nights in the summer of 1995 scouring New Orleans for a Dixieland band with the right combination of skill and spontaneity. On his final night, he found it aboard the riverboat Natchez, in the form of the Dukes. This version of the Dukes included leader/drummer Richard Taylor, bassist Everett Link, trombonist Ben Smith, young-gun trumpeter Kevin Clark, clarinetist Tim Laughlin and pianist Tom McDermott. When Schilling returned in April 1996 to record the music that ended up on this CD, he found the sextet playing with a fire and grace uncommon in acts that toil mostly for tourists. Witness the spirited ensemble playing, recorded live aboard the Natchez, in "Milneberg Joys," taken out by Clark's clarion call of a trumpet. Or the way Laughlin's sweet-toned clarinet chaperones the trumpet and trombone on "Royal Garden Blues" until engaging them head-on. Or how McDermott positively storms through "Honky tonk Train Blues." These players are not afraid to mess with tradition. Link deposits an unconventional bass solo in "Just a Little While to Stay Here." On "Big Noise from Winnetka," Taylor taps and scratches his drumsticks against the strings of Link's upright bass; Link slips in bits of "Mary Had a Little Lamb" and other playful covers (the Natchez also gets into the act with an impromptu blast from its steam whistle). On "Just a Closer Walk with Thee," the inventive Laughlin toys with the familiar melody, answered by trumpet and trombone. Oddly, no proper vocal microphone was used to record the between-song introductions, which come across muddied and small. But the main priority, the music, shines through beautifully. More recently, a revamped version of the Dukes — Earl Bonie replaced Laughlin on clarinet and Jamie Wight took over for McDermott on piano — recorded "BarnBurners." While the playing is lively once again, the overall program does not jell as consistenlty as on "Riverboat Dixieland;" with 17 cuts, "BarnBurners" might have benefited from judicious editing. After a big intro by Taylor — who, at every pause, gives his snare drum a workout — Clark and the others speed through the appropriately named opener, "Running Wild." Smith turns in a nicely muted trombone in "Hindustan" and Bonie shows off his clarinet tone in "Avalon." However, the vocals that appear periodically are mostly a distraction; Taylor's boogie-woogie "Big Bend in the River" is also out of place. But, mostly, the Dukes demonstrate that they still have much to offer Dixieland.

About This Footage

The 2001 live performance by DUKES Dixieland, captured in the clip "Blues My Naughty Sweetie Gave To Me", is a rare gem that showcases the band's unique blend of traditional and modern elements. As part of their album "BarnBurners", this footage offers a glimpse into the band's energetic live performances.

One of the most striking aspects of DUKES Dixieland's music is their ability to balance tradition with innovation. The clip features the band playing a lively rendition of "Blues My Naughty Sweetie Gave To Me", showcasing their collective energy and spontaneity. This performance style is reminiscent of the classic jazz ensembles that emerged in New Orleans during the early 20th century, but with a modern twist.

The band's leader, Richard Taylor, has been instrumental in shaping DUKES Dixieland's sound over the years. As mentioned in the CD review, Taylor was part of the original lineup that caught the attention of Mark Schilling, producer for Bose audio systems, who went on to record their music for the "Bose Select" series. This collaboration resulted in the release of "Riverboat Dixieland", which featured a young and talented lineup, including trumpeter Kevin Clark and clarinetist Tim Laughlin.

The clip's duration of 3:36 offers a concise yet captivating glimpse into DUKES Dixieland's live performances. The band's ability to create infectious energy is evident in the way they interact with each other on stage, trading solos and engaging in playful banter. This camaraderie is a testament to their experience and chemistry as a unit.

The CD review highlights the band's willingness to experiment and push boundaries within the traditional Dixieland genre. Tracks such as "Just a Little While to Stay Here" feature unconventional bass solos, while songs like "Big Noise from Winnetka" showcase the band's playful side with impromptu covers and humorous interactions.

As a rare live performance, this clip is a valuable addition to any jazz enthusiast's collection. DUKES Dixieland's unique sound, which blends classic elements with modern flair, makes them stand out in the world of traditional jazz. This footage serves as a reminder of the band's enduring legacy and their continued influence on the genre.

In the context of the "BarnBurners" album, this clip provides a window into the band's live performances during the early 2000s. The album itself is notable for its blend of classic and modern tracks, showcasing DUKES Dixieland's ability to adapt and evolve while remaining true to their roots.

For fans of traditional jazz, this clip offers a rare opportunity to experience DUKES Dixieland in their element. With their energetic performances and willingness to experiment, the band continues to captivate audiences with their unique sound. As a testament to their enduring legacy, this footage is a must-see for anyone interested in exploring the world of traditional jazz.

Curated from public records and music databases.