Web Web x Max Herre - Satori Ways (Live @ State Opera Stuttgart)
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The second single from the upcoming, fourth album #WEBMAX by WEB WEB and MAX HERRE – performed LIVE at @staatsoperstuttgart, accompanied by the @staatsorchesterstuttgart conducted by @magnuslindgrenmusic. GET TICKETS FOR THE NEXT CONCERT – 20.09.2021: https://www.staatsoper-stuttgart.de/spielplan/kalender/web-web/4688/ buy/support WEB MAX here: https://CompostRecords.lnk.to/WEBWEBxMAXHERRE_WEBMAX Song title: Satori Ways Release: OUT NOW Cat.-No.: CPT 584-6 Format: Digital Single …taken from: Album “WEB MAX” release date: 27 August 2021 Band members: Max Herre (p, rhodes, synth, perc) Tony Lakatos (ts, sax) Roberto Di Gioia (p, rhodes, synth, perc) Christian von Kaphengst (b) Peter Gall (dr) Info: In the winter of 2014, German rapper/producer Max Herre and Italian-German pianist Roberto Di Gioia played a tremendous show together. The two had been guest musicians at a few gigs for Gregory Porter, who in turn kindly accepted their invitation to perform at Herre’s MTV Unplugged session (produced by Herre alongside Di Gioia and Samon Kawamura as production team KAHEDI). Porter’s approach to the jazz quartet inspired Max to reflect how a rap artist could work in a more freely-flowingmusical environment. Di Gioia’s inspiration was a bit more straightforward: in the 80s, Di Gioia had played with jazz legends like Woody Shaw, Johnny Griffin, and James Moody, but he’d largely left the jazz stages of his early years behind — just one random jam session with Porter’s musicians during soundcheck relit his passion immensely. A short time later, Herre called Di Gioia saying “Let’s get a spiritual jazz session going.” Now, six years later, the album WEB MAX is the amazing result from the spur of that moment. It is a wonderful homage to the cosmic open-mindedness of early 70s jazz, to the transcendent sublimity of spiritual sound. On the album version of “Satori Ways”, New York-based Brandee Younger brings a touch of atmospheric depth with her harp, evoking the spirit of pioneers like Dorothy Ashby and Alice Coltrane. Tony Lakatos‘s dark-hued alto flute illuminates the unusual timbres and arrangement of this piece. WEB MAX Max Herre Fender Rhodes, Piano, Synthesizers, Percussion, Backing Vocals Roberto Di Gioia Piano, Fender Rhodes, Synthesizers, Percussion, Backing Vocals Tony Lakatos Flute, Alto Flute, Tenor Saxophone Christian Von Kaphengst Upright Bass, Fender Jazzbass Peter Gall Drums, Percussion STAATSORCHESTER STUTTGART Musikalische Leitung: Magnus Lindgren Kamera, Bildregie, Ton: Ton- Und Videoabteilung Staatsoper Stuttgart Editing: Mia Hennig & Eren Aksu / Bear Film LINKS: Web Web Facebook: https://www.facebook.com/webwebmusic Instagram: https://www.instagram.com/webwebmusic Spotify: https://open.spotify.com/artist/4EmIrTN6q1uhLRL8hmhuHF Bandcamp: https://webweb.bandcamp.com/ Max Herre Facebook: https://www.facebook.com/MaxHerre Instagram: https://www.instagram.com/maxherreofficial/ Twitter: https://twitter.com/MaxHerreMusik Spotify: https://open.spotify.com/artist/7IpWQKu80qQvyer3LO6SW3 Compost Records: https://linkin.bio/compostrecords https://compost-rec.com/
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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