WEB WEB x MAX HERRE - Meskel Flowers feat. Mulatu Astatke (Alternate Version) | Official Video
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The fourth single Meskel Flowers (feat. Mulatu Astatke) from the album “WEB MAX” by WEB WEB and MAX HERRE. buy/support here: https://CompostRecords.lnk.to/WEBWEBxMAXHERRE_WEBMAX Song title: Meskel Flowers (feat. Mulatu Astatke) Release: OUT NOW Cat.-No.: CPT 585-5 Format: Digital Single Animation video: Nicolai Kovács | WWW.NICOLAIKOVACS.COM Illustration: Jan Steins | http://www.st-1.de/ / https://jansteins.de/ …taken from the album “WEB MAX” (OUT NOW) Band members: Max Herre (p, rhodes, synth, perc) Tony Lakatos (ts, sax) Roberto Di Gioia (p, rhodes, synth, perc) Christian von Kaphengst (b) Peter Gall (dr) Mulatu Astatke (vibes) Info: The yellow „Meskel Flower“, which grows only in Ethiopia, is the symbol of transition and new beginnings. Every year on September 27th, at the end of the rainy season, Ethiopians celebrate the return of light and the awakening of nature with the Meskel Festival. Max met Mulatu Astatke - The Godfather of Ethio Jazz - in early 2015, after one of his concerts in Berlin. Ben Abarbanel-Wolff, who also plays on WEB MAX, had made the contact. The following day they met in the Tritonus Studio in Berlin for a session, where the original version of "Meskel Flowers" was created. Malatu‘s pentatonic vibraphone playing meets Christian von Kaphengst's mantric Fender Jazz Bass-line. With his vibraphone, Astatke conjures up the pentatonic scale emblematic of Ethio-jazz, which itself was the result of a cultural exchange — in the early 60s, Astatke was the first African to study at the prestigious Berklee College in Boston, and he brought jazz back to his homeland in the early 70s. In the winter of 2014, German rapper/producer Max Herre and Italian-German pianist Roberto Di Gioia played a tremendous show together. The two had been guest musicians at a few gigs for Gregory Porter, who in turn kindly accepted their invitation to perform at Herre’s MTV Unplugged session (produced by Herre alongside Di Gioia and Samon Kawamura as production team KAHEDI). Porter’s approach to the jazz quartet inspired Max to reflect how a rap artist could work in a more freely-flowingmusical environment. Di Gioia’s inspiration was a bit more straightforward: in the 80s, Di Gioia had played with jazz legends like Woody Shaw, Johnny Griffin, and James Moody, but he’d largely left the jazz stages of his early years behind — just one random jam session with Porter’s musicians during soundcheck relit his passion immensely. A short time later, Herre called Di Gioia saying “Let’s get a spiritual jazz session going.” Now, six years later, the album WEB MAX is the amazing result from the spur of that moment. It is a wonderful homage to the cosmic open-mindedness of early 70s jazz, to the transcendent sublimity of spiritual sound. LINKS: Web Web Facebook: https://www.facebook.com/webwebmusic Instagram: https://www.instagram.com/webwebmusic Spotify: https://open.spotify.com/artist/4EmIrTN6q1uhLRL8hmhuHF Bandcamp: https://webweb.bandcamp.com/ Max Herre Facebook: https://www.facebook.com/MaxHerre Instagram: https://www.instagram.com/maxherreofficial/ Twitter: https://twitter.com/MaxHerreMusik Spotify: https://open.spotify.com/artist/7IpWQKu80qQvyer3LO6SW3 Compost Records https://linkin.bio/compostrecords https://compost-rec.com/
R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...
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This clip page presents an intriguing convergence of styles and influences from around the world. The official video for "Meskel Flowers" by WEB WEB x MAX HERRE features Mulatu Astatke, often referred to as the "Godfather of Ethio Jazz." This collaboration is notable not only for its blend of German rap with Ethiopian jazz but also for the historical significance of Astatke's contributions to the development of jazz.
The video itself is an alternate version of a song that was released in 2015 as part of the album "WEB MAX" by WEB WEB and MAX HERRE. The animation, created by Nicolai Kovács, adds a visually striking element to the track. However, it's Astatke's vibraphone playing that takes center stage here, conjuring up the distinctive pentatonic scale characteristic of Ethio-jazz.
Astatke's involvement in this project is particularly interesting given his background as a pioneer of jazz in Ethiopia. In the early 1960s, he became one of the first Africans to study at Berklee College in Boston, where he was exposed to Western music traditions. Upon returning to Ethiopia, Astatke brought these influences back home, helping to create a unique fusion of jazz and traditional Ethiopian music.
The use of Mulatu Astatke's vibraphone playing is particularly noteworthy, as it brings a distinctive flavor to the track. The combination of his pentatonic scale with Christian von Kaphengst's Fender Jazz Bass-line creates a captivating sound that blends the best of both worlds.
While this clip page may not be directly related to R.E.M., Jam Session, or Jazz Bass (as initially suggested), it does highlight the global exchange and fusion of musical styles that has always been at the heart of jazz. Astatke's legacy as a pioneer in bringing Western music traditions to Ethiopia is an important part of this story.
The fact that WEB WEB x MAX HERRE chose to collaborate with Mulatu Astatke on "Meskel Flowers" not only pays homage to his contributions but also showcases the ongoing influence of Ethiopian jazz on contemporary music. As we continue to navigate the complexities of global cultural exchange, it's projects like this one that remind us of the power of music to bring people and styles together in meaningful ways.
The NME (New Musical Express) tag is present, which may seem unrelated at first glance. However, considering the significance of Astatke's work in bridging Western and Ethiopian musical traditions, it's possible that NME recognized this project as an important example of global fusion and cultural exchange.
In any case, "Meskel Flowers" by WEB WEB x MAX HERRE with Mulatu Astatke is a fascinating example of how different styles can come together to create something new and innovative. As we explore the archives of rare artists footage, it's projects like this one that remind us of the enduring power of music to transcend borders and bring people together in meaningful ways.
Editorial context researched and compiled from verified sources.
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