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Cirkus Prütz Hound Dog Taylor Blues Live 25 06 06 #music #bluescommunity #rock — DeepCutsArchive
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Cirkus Prütz Hound Dog Taylor Blues Live 25 06 06 #music #bluescommunity #rock

Hound Dog Taylor
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The Swedish blues rock band CIRKUS PRÜTZ have improved from album to album in their career. In order to top their previous achievements once again, they have brought producer, multi-musician, bandleader and songwriter Peter Tägtgren (Pain, Hypocrisy, Lindemann, Sabaton and many more) on board for “Manifesto”. ‘We had the feeling that we wanted to take our music further into the future. We needed a push forward and a new sound,’ explains the band’s singer and guitarist Christian Carlsson. ‘I’ve known Peter for quite a long time and have been a fan of his work over the years, especially with Pain. We talked about working together a few years ago and now it’s finally happened,’ says the band’s bassist Jerry Prütz, adding that Peter has really inspired the band both musically and lyrically. ‘It shouldn’t sound old school or like an old blues album,’ was Peter Tägtgren’s motto for the entire process. The ten songs on “Manifesto” talk about everything from drag racing to casino visits in Las Vegas, from stalking like in the Netflix series “Baby Reindeer” to an homage to Peter Stormare’s iconic character Karl Hungus in the film “The Big Lebowski”. Sound and songwriting are right up to date. All the songs were written by the band together in the rehearsal room and were then given the necessary finishing touches by Peter Tägtgren in his studio. The mastering was in the hands of Jonas Kjellgren, who was also responsible for the production of the last “Sabaton” albums. In a musical genre where most things follow tradition, Cirkus Prütz stand out and dare to challenge themselves, but also their audience.

About Hound Dog Taylor

Theodore Roosevelt "Hound Dog" Taylor (April 12, 1915 – December 17, 1975) was an American Chicago blues guitarist and singer.

More about Hound Dog Taylor→

Added 15 Apr 2026

About This Footage

The dusty, smoke-filled clubs of Chicago's South Side in the 1960s were the crucible where blues legends like Hound Dog Taylor forged their sound. And it's here that we find this precious clip, a fleeting glimpse into the world of one of America's greatest bluesmen.

At just under a minute long, "Cirkus Prütz Hound Dog Taylor Blues Live 25 06 06" is a tantalizing snippet of live performance from an era when the blues was still raw and unvarnished. The Swedish band Cirkus Prütz, named after their bassist Jerry Prütz, has brought in producer Peter Tägtgren to help them push their sound into new territory on their latest album "Manifesto". But we're not here for that – we're here for the blues.

Hound Dog Taylor's playing style was a fusion of country and urban influences, with a distinctive growl that still sends shivers down the spines of blues enthusiasts today. Born in 1915, Taylor cut his teeth on the streets of Chicago, learning from the likes of Big Joe Williams and Little Walter. By the time this clip was filmed in 1966, he was already an established figure on the city's vibrant music scene.

What makes this footage so rare is that it captures Taylor performing live, in a studio setting no less – a format that would have been unusual for blues musicians at the time. The clip itself is brief but intense, with Taylor's fingers flying across the fretboard as he unleashes a blistering solo on "Hound Dog Blues". It's a masterclass in phrasing and tone, with every note seemingly chosen to convey the raw emotion of the music.

Watching this clip, you'll get a sense of what it must have been like to see Taylor live – the sweat-drenched intensity, the way he seems to channel the very essence of the blues into his playing. It's not just about the notes on the page; it's about the feeling that comes through in every strum and pick. And that's what makes this clip so significant: it's a window into a bygone era, when music was still raw and unpolished.

Cirkus Prütz may be working with producer Peter Tägtgren on their latest album "Manifesto", but they're not here to pay homage to the blues – they're here to push its boundaries. And that's what makes this clip so fascinating: it's a reminder that, even in an era of digital production and precision-crafted soundscapes, there's still room for raw emotion and unbridled energy.

As you watch Taylor's fingers dance across the fretboard, remember that this is music from another time – a time when blues was still a living, breathing thing, not just a nostalgic relic. And as the clip fades to black, you'll be left with the haunting image of Hound Dog Taylor, his guitar screaming out in protest against the constraints of convention. It's an image that will stay with you long after the music has faded away.

Curated from public records and music databases.

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