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Frank Zappa & The Grand Wazoo Orchestra - For Calvin, Deutschlandhalle, Berlin, September 15, 1972 — DeepCutsArchive
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Frank Zappa & The Grand Wazoo Orchestra - For Calvin, Deutschlandhalle, Berlin, September 15, 1972

Sarrusophone
1970s1972Studio


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This is the second and last live performance of For Calvin (And His Next Two Hitch-hikers) Frank Zappa - guitar, baton The Grand Wazoo Orchestra (in alphabetical order): Mike Altschul - piccolo, bass clarinet and other winds Earle Dumler - oboe, contrabass sarrusophone and other winds Tony Duran - slide guitar Glenn Ferris - trombone and euphonium Bruce Fowler - trombone Jim Gordon - electric drums Jerry Kessler - electric cello Tom Malone - trumpet in Bb and tuba Sal Marquez - trumpet in Bb Joann McNab - bassoon Malcolm McNab - trumpet in D Jay Migliori - flute, tenor sax and other winds Charles Owens - soprano sax, alto sax and other winds Dave Parlato - bass Tom Raney - vibes and electric percussion Ray Reed - clarinet, tenor sax and other winds Kenny Shroyer - trombone and baritone horn Ian Underwood - piano and synthesizer Ruth Underwood - marimba and electric percussion The True Story of Calvin & His Hitch-hikers" by Cal Schenkel: "My 39 Pontiac was in the shop & so I had borrowed a car from Frank. It was this 1959 white Mark VIIII Jaguar that used to belong to Captain Beefheart that Janet was using at the time. When it worked. You know, the one they slashed the seats in (but I don't remember that). I just left Frank's house & I'm stopped at the corner of Mulholland & Laurel Canyon Blvd waiting for a red light to change, when I notice these 2 hitch-hikers, a hippie couple standing there waiting for a ride. The next thing I know they are getting in the back of the car. I guess they must have thought I offered them a ride (I didn't tell them to come into my car or motion them or anything-- I wasn't even thinking of it), so I ask them where they are going & they didn't say ANYTHING! I drive down Laurel Canyon Blvd past the Log Cabin, past Harry Houdini's, past the country store & into Hollywood. (I'm with Sherri at the time, but I forgot that until she told me a couple of months ago-- & she remembers all this too!) I get to the bottom of the hill, I was going to turn right. I kind of asked them "look I'm turning right, do you want to get out here?" They didn't say anything. They were just blank. I figured they were on acid or something. I just couldn't communicate with them. I wasn't sure what to do, so I just continued on to my destination. When I get there I said, "OK, this is where I'm going. Good-bye!" They just stayed in the car & didn't get out. So I parked the car, got out & went up to my studio & started to work. I was working on the album cover for Uncle Meat. This is in my studio that was a dentist's office over a hotdog joint on Melrose. Every once in a while I'd look out of the window to see if they were gone but they were still sitting in the back seat of the car. An hour or two later, I looked out the window & I noticed they were gone. I thought, "finally!" Then shortly afterwards, I saw that they were back! They went to the supermarket for a loaf of bread & lunchmeat & started making sandwiches in the back of the car. They were eating their lunch! Then they left." The Black Page - The Zappa Page https://www.facebook.com/zblackpage/

About Sarrusophone

The sarrusophones are a family of metal double reed conical bore woodwind instruments patented and first manufactured by French instrument maker Pierre-Louis Gautrot in 1856. Gautrot named the sarrusophone after French bandmaster Pierre-Auguste Sarrus (1813–1876), whom he credited with the concept of the instrument, though it is not clear whether Sarrus benefited financially. The instruments were intended for military bands, to serve as replacements for oboes and bassoons which at the time lacke...

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Added 15 May 2026

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