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Mojo Buford - Tell Me Watcha' Gonna Do - 1963 Blues — DeepCutsArchive
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Mojo Buford - Tell Me Watcha' Gonna Do - 1963 Blues

R.E.M.Ray Charles
1960s1963RareLiveyoutube

Vernon 519. Ray Charles Recorded Live On Stage At The Palladium. Even by 1960's standards this album title is remarkably deceptive. None of it is "live" and it's barely Ray Charles. The first cut on each side are 2 songs recorded by Ray Charles before signing to Atlantic Records in 1952. The good news is that all of the remaining tracks are by Mojo Buford - on this album billed as "Mo Jo and The Mo Jo Chi Fours". These tracks were recorded in Minneapolis in 1963 at the same sessions that produced his album "Shades of Folk Blues" on the Folk Art label. The track posted here bares more than a little resemblance to Junior Wells' "Messin' With The Kid". Thanks to Damon for digging this up at the flea market.

About R.E.M.

R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...

More about R.E.M.→

Added 30 Mar 2026



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About This Footage

The clip page in question presents a fascinating convergence of blues and rock music, featuring an artist who is not typically associated with either genre: Mojo Buford. Recorded live on stage in 1963, "Tell Me Watcha' Gonna Do" showcases Buford's unique style, which bears a striking resemblance to Junior Wells' classic track "Messin' With The Kid".

What makes this footage notable is the rare opportunity to witness a lesser-known artist performing live during a pivotal moment in music history. Mojo Buford, as it turns out, was part of the Mo Jo and The Mo Jo Chi Fours, a group that recorded several tracks in Minneapolis in 1963. These sessions produced his album "Shades of Folk Blues" on the Folk Art label, but it's the live performance captured here that truly sets this clip apart.

The fact that Mojo Buford was active during the same era as Ray Charles, another blues legend, adds to the significance of this footage. While Charles is often associated with the genre, his influence extends far beyond the confines of traditional blues. His innovative blend of gospel, jazz, and rhythm and blues helped shape the sound of modern music.

The presence of R.E.M., an American rock band formed in 1980, may seem out of place on this clip page at first glance. However, it serves as a reminder that even the most influential artists draw inspiration from their predecessors. As one of the pioneering bands of alternative rock, R.E.M.'s music was deeply rooted in the blues and folk traditions.

The YouTube description provides valuable context for this footage, highlighting the album's misleading title and the fact that only Mojo Buford's tracks were recorded live on stage. The mention of Damon digging up this rare clip at a flea market adds to the sense of discovery and rarity surrounding this performance.

In terms of musical significance, "Tell Me Watcha' Gonna Do" offers a glimpse into the evolution of blues music during the 1960s. Mojo Buford's style, as mentioned earlier, bears a striking resemblance to Junior Wells', underscoring the influence of Chicago blues on the genre. This clip serves as a testament to the enduring power of blues music and its ability to transcend generations.

The rarity and historical significance of this footage make it an essential addition to any collection of live performances. As such, it is a valuable resource for music historians, researchers, and enthusiasts alike.

Curated from public records and music databases.

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