Skip to main content
DeepCutsArchive
BrowseArtistsTimelineMapDecadesSubmit

DeepCutsArchive

Preserving the footage that shaped music history. Rare clips, studio sessions, and moments lost to time.

BrowseArtistsGenresDecadesLocationsSubmit a ClipAboutContactEditorial PolicyArticles

© 2026 DeepCutsArchive. All footage remains the property of its original creators.

Privacy PolicyTerms of UseSupport

Developed with love as a personal project by Jamie McDonnell

ui-ux-design.comai-consultancy.company
Forrest McDonald Acoustic Blues Guitar Solo Southern Exposure — DeepCutsArchive
PreviousUse arrow keysNext
0 views
Share this clip

Forrest McDonald Acoustic Blues Guitar Solo Southern Exposure

Acoustic blues
1950s1957Solo


Know someone who'd love this clip?

Share it with friends and fellow fans.

Share this clip

Keep Exploring

1960sAll ArtistsAll GenresAll DecadesBrowse by Tag
Acoustic
Rare
Live
youtube

#forrestmcdonaldbluesguitar #bluessolos #forresthowiemcdonaldoldtimerockandroll Forrest McDonald Acoustic Blues Guitar Solo Southern Exposure. I first recorded Southern Exposure on my What's it Gonna Take CD. I learned it from Josh White Junior. He was the first performer I saw live. It was last summer 1957 about 2:00 on a Sunday Afternoon. We threw a blanket down on the rolling hills surrounding the University of WI campus. Josh sang folk songs blues and spirituals. My dad had his album Josh White At Midnight and another one called Southern Exposure. I loved this song and learned it the best I could. I hope you enjoy Forrest McDonald Acoustic Blues Guitar Solo Southern Exposure. Social Media Twitter https://twitter.com/forrest_mcd?lang=en Facebook https://www.facebook.com/Forrest-McDonald-Band-1478474335701831/ YouTube https://www.youtube.com/results?search_query=Forrest+McDonald Reverb Nation https://www.reverbnation.com/forrestmcdonaldband Website https://www.forrestmcdonald.com Instagram: https://www.instagram.com/forrest_h_mcdonald/ Reddit: https://www.reddit.com/user/Forrest_McDonald TickToc: https://www.tiktok.com/@forrestmcdonald621?lang=en

About Acoustic blues

Country blues (also folk blues, rural blues, backwoods blues, or downhome blues) is one of the earliest forms of blues music, but also refers to a blend of country music and blues. The mainly solo vocal with acoustic fingerstyle guitar accompaniment developed in the rural Southern United States in the early 20th century.

More about Acoustic blues→

Added 30 Mar 2026

More from 1950s
All solo

More from the 1950s

View all →
Thumbnail for Darrell McCall - Crazy Arms by Darrell McCall4:06

Darrell McCall - Crazy Arms

Darrell McCall

1950s
Thumbnail for Carole King - Oh Neil   (1959) by Carole King2:14

Carole King - Oh Neil (1959)

Carole King

1950s
Thumbnail for Oh! Carol - Neil Sedaka (1959) & Oh! Neil - Carole King (1960) by Carole King4:27

Oh! Carol - Neil Sedaka (1959) & Oh! Neil - Carole King (1960)

Carole King

1950s
Thumbnail for Bud Powell Trio at Massey Hall - Jubilee by Max Roach4:07

Bud Powell Trio at Massey Hall - Jubilee

Max Roach

1950sRare

About This Footage

The 1957 acoustic blues guitar solo by Forrest McDonald, titled "Southern Exposure," is a rare and captivating piece of music history. This 56-second clip stands out for its raw, emotive quality, transporting listeners to the rural landscapes of the American South in the mid-20th century.

As an artist of the country blues genre, Forrest McDonald's work embodies the spirit of this early style, characterized by solo vocals and acoustic fingerstyle guitar accompaniment. The bio provided offers insight into the evolution of country blues, noting its roots in the rural Southern United States during the early 20th century. This clip is a testament to the enduring influence of these pioneers on modern music.

The YouTube description hints at Forrest McDonald's personal connection to this song, having learned it from Josh White Junior, an influential performer he saw live in 1957. The fact that McDonald recorded "Southern Exposure" for his album "What's it Gonna Take" underscores its significance as a treasured piece of his repertoire.

The clip itself is remarkable for its intimacy and emotional depth. Without the embellishments typical of later blues styles, McDonald's acoustic guitar work shines in all its simplicity. The sparse arrangement allows each note to resonate with unbridled passion, evoking the raw energy of live performances from that era.

Forrest McDonald's music career spans multiple decades, as evidenced by his active presence on social media platforms and his official website. This clip serves as a poignant reminder of the artist's dedication to preserving traditional blues styles while continuing to innovate within the genre.

The fact that this performance is being shared online offers a unique opportunity for new audiences to discover the rich history and emotional resonance of country blues music. As such, "Forrest McDonald Acoustic Blues Guitar Solo Southern Exposure" stands as an invaluable addition to any collection of rare musical artifacts, inviting listeners to immerse themselves in the unbridled passion of this 1957 performance.

In light of its historical significance and artistic merit, it is essential that this clip be preserved for future generations. As a testament to the enduring power of country blues, Forrest McDonald's "Southern Exposure" serves as a poignant reminder of the genre's capacity to evoke deep emotions through simple yet powerful arrangements.

The artist's own words, shared in the YouTube description, offer a glimpse into his creative process and personal connection to this song. By sharing his story with listeners, McDonald underscores the importance of preserving traditional music while continuing to innovate within the genre.

This clip is not only an exceptional example of country blues but also a poignant reminder of the human experience that underlies all great music. As such, Forrest McDonald's "Southern Exposure" stands as a timeless masterpiece, inviting listeners to step into its raw, emotive world and experience the unbridled passion of this 1957 performance.

Curated from public records and music databases.