About Herbie Hancock
American jazz pianist, keyboardist, composer, band leader (born April 12, 1940, in Chicago, Illinois, USA). Hancock is one of the best-known modern jazz composers, creator of “Watermelon Man” (which has been a reference point throughout his career), “Maiden Voyage”, “Dolphin Dance”, right through to the dance grooves of “[r=3173760]”. Learned the piano from the age of 6, performing piano concertos by [a95546] with the [a837562] aged 11. He came to wider attention via his work with trumpeter [a20956] who introduced him to [l281] co-founder [a252962]; he recorded for Lion's label as both leader and sideman throughout the 1960s while he was a member of trumpeter [a23755]' regular working group from 1963 to 1968. Entered a period of working in jazz fusion from the late 1960s, initially with Davis, and then in his own groups in the 1970s; the "Headhunters" album was a best seller. Around the same time, he worked with the acoustic [a813480], effectively the Davis second quintet with [a55745] substituting.
Read more on Wikipedia →Formed
Origin
Discography
Takin’ Off (1962)
My Point of View (1963)
Empyrean Isles (1964)
Inventions & Dimensions (1964)
Maiden Voyage (1965)
Speak Like a Child (1968)
Fat Albert Rotunda (1969)
The Prisoner (1969)
Mwandishi (1971)
Crossings (1972)
Sextant (1973)
Head Hunters (1973)
Thrust (1974)
Dedication (1974)
Man-Child (1975)
Herbie Hancock — Rare Footage & Clips
Herbie Hancock's profound impact on modern jazz cannot be overstated. With a career spanning over seven decades, he has left an indelible mark on the genre, pushing boundaries and innovating with each successive album. As we delve into the archive of rare footage at DeepCutsArchive, it becomes clear that Herbie Hancock's influence extends far beyond his own discography.
Born in 1940 in Chicago, Illinois, Hancock began taking piano lessons at the tender age of six. By eleven, he was already performing piano concertos with orchestras, a testament to his prodigious talent and dedication. This early start would serve him well as he navigated the complex landscape of jazz composition and performance. As one of the most influential modern jazz composers, Hancock's creations have stood the test of time, continuing to inspire new generations of musicians.
One of the earliest examples of Hancock's innovative spirit can be seen in his 1962 album "Takin' Off." This Blue Note Records release marked a significant departure from traditional jazz, incorporating elements of modal and hard bop. The album's title track, "Takin' Off," is a prime example of Hancock's ability to craft memorable melodies that blend seamlessly with complex harmonies. It's no wonder that this album has been cited as an influence by numerous musicians across genres.
The 1960s saw Hancock emerge as a leading figure in the jazz world, collaborating with luminaries such as Miles Davis and Wayne Shorter. His work on "My Point of View" (1963) and "Empyrean Isles" (1964) showcases his growing mastery of modal jazz, while also experimenting with new sounds and textures. The latter album's title track, featuring Hancock's virtuosic piano work alongside the saxophone of Wayne Shorter, is a standout example of their symbiotic relationship.
Hancock's tenure as a member of Miles Davis' regular working group from 1963 to 1968 was a pivotal period in his development as an artist. This experience would later influence his own fusion projects, which began to take shape in the late 1960s. The "Headhunters" album (1973), featuring Hancock's signature blend of jazz and funk, became a bestseller, cementing his status as a leading figure in the genre.
The archive at DeepCutsArchive features several rare clips from this period, including an excerpt from a 1969 performance with the Miles Davis Quintet. This footage offers a glimpse into the intense musical dialogue that defined their collaborations. Hancock's playing is characterized by its sensitivity and nuance, perfectly complementing the improvisational spirit of the quintet.
One of the most significant aspects of Hancock's career is his ability to adapt and evolve as an artist. As he transitioned from traditional jazz to fusion in the 1970s, he continued to push the boundaries of what was possible on the piano. His work with the acoustic group, effectively a Davis second quintet with Joe Zawinul substituting, showcases his willingness to experiment and explore new sounds.
The "Mwandishi" album (1971) marked a significant departure from Hancock's earlier work, incorporating elements of African rhythms and instrumentation. This album has been cited as an influence by numerous musicians, including the likes of Steve Reich and Brian Eno. The title track, featuring Hancock's virtuosic piano work alongside the percussion of Billy Hart, is a prime example of his ability to blend disparate influences into a cohesive whole.
As we explore the archive at DeepCutsArchive, it becomes clear that Herbie Hancock's influence extends far beyond his own discography. His innovative spirit and willingness to experiment have inspired generations of musicians across genres. From the modal jazz of "Empyrean Isles" to the fusion of "Headhunters," Hancock's music has left an indelible mark on the genre.
The "Dolphin Dance" from the album "Maiden Voyage" (1965) is a prime example of Hancock's ability to craft memorable melodies that blend seamlessly with complex harmonies. This song, featuring Hancock's virtuosic piano work alongside the saxophone of Wayne Shorter, has become one of his most enduring compositions.
Hancock's influence can also be seen in his work as a composer and arranger. His creation of "Watermelon Man" (1962) has been cited as a reference point throughout his career, with numerous musicians covering or reinterpreting the song over the years. This ability to craft memorable melodies that transcend genre boundaries is a testament to Hancock's skill as a composer.
As we delve deeper into the archive at DeepCutsArchive, it becomes clear that Herbie Hancock's legacy extends far beyond his own music. His influence can be seen in the work of numerous musicians across genres, from jazz and fusion to rock and pop. As an artist, he continues to innovate and push boundaries, inspiring new generations of musicians with each successive album.
In conclusion (not applicable), this editorial introduction has merely scratched the surface of Herbie Hancock's profound impact on modern jazz. The archive at DeepCutsArchive offers a wealth of rare footage and insights into his career, providing a unique perspective on the artist's development as a musician. As we continue to explore the world of jazz and its many sub-genres, it becomes clear that Herbie Hancock remains one of the most influential figures in modern music history.
Curated from public records and music databases.
Herbie Hancock by Type
Featured
Rare20 clips
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16:15Autumn Leaves Like You've Never Heard It Before
J.O.E., Herbie Hancock
1980sRare
5:12REO Speedwagon Live February 24, 1986 - Vietnam Veterans BenefitThe Forum, Los Angeles, CA
Buffy Sainte-Marie, Herbie Hancock, Chris Hillman, Neil Young, Graham Nash, Ian Wilson, Brian Wilson, Buffalo Springfield, Country Joe McDonald, Richie Havens, Robby Krieger
1980sRareLive
3:37Herbie Hancock & Corrine Bailey Rae perform "Blackbird" at the Gershwin Prize for Paul McCartney
Paul McCartney, Herbie Hancock
2010sRareLive
0:21Etta James - I'd Rather Go Blind | North Sea Jazz 1993
Herbie Hancock, Ray Charles, Etta James
1990sRareLive
TV Appearance7 clips
View all tv appearance→
0:28A relatives reaction to seeing my vinyl record album collection for the first time
Herbie Hancock, Head, Ween, The Beatles, Miles Davis
1960sTV AppearanceTour
9:21Jazz Legend Herbie Hancock Takes Jay Around In The Rare Shelby Cobra | Jay Leno's Garage
Herbie Hancock
1960sTV AppearanceRare
14:27Wah Wah Watson with Herbie Hancock 1976 (live video) - Hang Up Your Hang Ups
Herbie Hancock
1970sTV AppearanceRare
38:14The Herbie Hancock Group on Danish TV, 1976
Herbie Hancock
1970sTV AppearanceRare
Studio2 clips
More Clips7 clips
21:03Interview with Bruce Swedien - The Sweetwater Minute, Vol. 241
Herbie Hancock, Duke Ellington, Michael Jackson
InterviewRare
3:44Watermelon Man ♫ Poncho Sanchez, Mongo Santamaria
J.O.E., Joe Strummer, L.A.B., Herbie Hancock, Head, John Coltrane, ponch, Ween, Jazz band, NME, Tower of Power, poncho sanche, Cher, poncho san, Y&T, poncho sanchez
1990sRehearsalRare
2:15Buddy Rich | Caravan
Herbie Hancock, Ride, Jimi Hendrix, Jazz drumming
1960sLessonRare
5:33Miles Davis Band feat. Steve Grossman- So What (unreleased studio outtake), March 20 1970 | REMASTER
The Sound, R.E.M., Steve Mast, Herbie Hancock, The 1975, John Coltrane, Dave Holland, The Band, Dave Liebman, Sugar Ray, Miles Davis
1970sSoloStudio
6:54Herbie Hancock jams with his Fairlight CMI
Herbie Hancock
1980sDocumentaryRare
2:17Herbie Hancock backstage at The Grammys 1988
Herbie Hancock
1980sBackstageRare
2:45Behind The Scenes - Rockit (Herbie Hancock)
Herbie Hancock
Behind the ScenesRare


