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Chris Estes — Rare Clips — DeepCutsArchive — DeepCutsArchive
Chris Estes

Chris Estes

?–presentDodge City

About Chris Estes

Christopher Douglas Estes (born June 8, 1971) is a former King Diamond bass player (1994–1999). Originally from Dodge City, Kansas, Estes moved to Denton, Texas, in 1991 to attend the University of North Texas as a Jazz Studies major. During his time at UNT he met Darrin Anthony Stull and joined his unsigned Dallas band Mindstorm. During the next three years Mindstorm played the Dallas club scene and eventually caught the attention of Danish singer King Diamond (Kim Bendix Peterson), who had recently moved to the DFW area and was looking for new members for his solo act. In early 1994 three members of Mindstorm (Estes, Darrin (Anthony) Stull, and Herb Simonsen) were officially asked to join King Diamond. During his tenure with King Diamond, Estes recorded three albums and took part in three tours, in addition earning writing credits on the album Voodoo. Returning to college in 1997 and attending classes between studio sessions and tour, Estes eventually earned a degree in Computer Science. In the summer of 1999, Estes received word that the studio session for House of God had been postponed.

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Origin

Dodge City


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Chris Estes — Rare Footage & Clips

In the sweltering summer of 1991, a young Christopher Douglas Estes stepped off a Greyhound bus and onto the sun-baked streets of Denton, Texas. The 20-year-old bassist from Dodge City, Kansas, was bound for the University of North Texas, where he would immerse himself in the rich jazz traditions that coursed through the city's veins. Little did Estes know that his time at UNT would set him on a collision course with the Danish metal icon King Diamond.

Estes' tenure as a member of Mindstorm, an unsigned Dallas band, was marked by a string of blistering performances in the city's club scene. It was during this period that he caught the attention of Kim Bendix Peterson, aka King Diamond, who had recently relocated to the DFW area and was on the hunt for fresh talent to join his solo act. In early 1994, Estes, along with fellow Mindstorm members Darrin Anthony Stull and Herb Simonsen, received an offer they couldn't refuse: join King Diamond's ranks and help shape the sound of one of metal's most revered figures.

The resulting collaboration would yield three albums – each a testament to Estes' versatility as a bassist and songwriter. His contributions to Voodoo (1996) earned him writing credits, a rare distinction for a session musician. The album's blend of dark, atmospheric textures and driving rhythms would prove influential in the development of metal's next wave.

A clip from King Diamond's 1997 tour, captured on the DeepCutsArchive, showcases Estes' commanding stage presence as he tears through the opening riffs of "The Candle". His bass lines slice through the mix like a hot knife through butter, setting the tone for a performance that would leave audiences in awe.

As the years passed, Estes continued to hone his craft, balancing studio sessions and tour dates with coursework at UNT. In 1997, he took a hiatus from King Diamond's ranks to focus on his studies, eventually earning a degree in Computer Science. This unexpected detour would prove to be a valuable asset in the music industry, where adaptability is key.

The summer of 1999 brought word that the studio session for House of God had been postponed – a development that would ultimately mark Estes' departure from King Diamond's ranks. Though his time with the band was drawing to a close, Estes' impact on metal's landscape would be felt for years to come. As he looks back on his tenure with King Diamond, it's clear that Estes played a pivotal role in shaping the sound of one of metal's most beloved icons.

A clip from an early 1990s Mindstorm performance, captured on the DeepCutsArchive, reveals a band on the cusp of greatness. The energy is palpable as Estes and his cohorts tear through a blistering set, their music a testament to the power of collaboration and creative risk-taking. It's a moment that would have far-reaching implications for metal's future – one that would see Estes' influence ripple out across the genre.

As we reflect on Chris Estes' time with King Diamond, it becomes clear that his significance extends far beyond his tenure as a session musician. He was an architect of sound, a master of texture and tone who helped shape the course of metal's history. Though his path has wound its way through jazz studies and computer science, Estes remains an integral part of metal's DNA – a testament to the power of collaboration and creative vision.

In the years since his departure from King Diamond, Estes has remained a behind-the-scenes figure, preferring to let his music speak for itself. Yet, as we delve into the archives, it becomes clear that his impact on metal's landscape is still being felt – a reminder that even the most seemingly minor players can have a profound influence on the course of history.

As the lights dim and the crowd parts, Estes takes center stage once more – this time in our collective memory. His legacy as a bassist, songwriter, and collaborator continues to inspire new generations of musicians, each seeking to leave their mark on metal's ever-shifting landscape.

Curated from public records and music databases.