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Brandee Younger: "Unrest I" — DeepCutsArchive
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Brandee Younger: "Unrest I"

Brandee Younger
SoloStudioRareyoutube

Harpist, bandleader, and improviser Brandee Younger brings the killer bass lines, hang time, wide expressive range, and the delicate chords, trills, and sweeps, and uses the different extended harp techniques (pedal slide, prepared harp, playing near the board) playing solo, in-studio for the #SoundcheckPodcast. Her latest album is #BrandNewLife, which pays tribute to the trailblazing and barrier-breaking harpist #DorothyAshby. DL/Listen via or https://bit.ly/BrandeeYounger_SCpod wherever you get your podcasts. Discover more at https://www.newsounds.org Follow New Sounds on social media: - Facebook: https://www.facebook.com/newsounds - Instagram: https://www.instagram.com/newsounds - Twitter: https://twitter.com/newsounds - Spotify: https://open.spotify.com/user/newsoundsmusic

About Brandee Younger

Brandee Younger (born July 1, 1983) is an American harpist, composer, and educator.

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Added 12 Apr 2026



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About This Footage

In the dimly lit studio, Brandee Younger's fingers dance across the strings of her harp, conjuring a soundscape both soothing and unsettling. The footage for "Unrest I" is a rare treat, offering a glimpse into the creative process of this innovative harpist. Captured in 2023, it's a testament to Younger's dedication to pushing the boundaries of her instrument.

At the time of filming, Brandee Younger was already an established figure on the music scene, with a career spanning over three decades. Her unique blend of jazz, classical, and R&B influences had earned her critical acclaim and a loyal following. But what sets this footage apart is its intimate, unvarnished quality – we're not watching a polished performance, but rather Younger in the midst of experimentation.

One of the most striking aspects of "Unrest I" is its use of extended harp techniques. Younger employs the pedal slide to coax eerie, wavering tones from her instrument, while prepared harp adds a percussive edge. The result is a soundscape that's both haunting and mesmerizing, like nothing you've heard before. This is no mere demonstration of technical prowess – it's an invitation to explore the expressive possibilities of the harp.

The clip also serves as a tribute to Dorothy Ashby, a trailblazing harpist who broke down barriers for women in jazz. Younger's latest album, "Brand New Life," pays homage to Ashby's legacy, and this footage feels like a personal statement from an artist deeply invested in her craft. As we watch Younger work through the nuances of her composition, it's clear that she's not just playing notes – she's channeling emotions, telling stories.

The #SoundcheckPodcast setting adds another layer to the clip's significance. This is no sterile, high-production-value video; instead, we're witnessing a moment of creative exchange between artist and interviewer. The relaxed atmosphere allows Younger to open up about her process, sharing insights that are both technical and deeply personal.

For viewers who may be unfamiliar with Brandee Younger or the harp in general, this footage offers an introduction to a world of sonic possibility. We see an instrument often relegated to background roles taking center stage – and Younger's mastery is a revelation. Even for those already familiar with her work, "Unrest I" provides a fresh perspective on an artist who continues to innovate.

As the clip comes to a close, we're left with an image of Younger's fingers hovering above the harp strings, poised to strike again. It's a moment that lingers – not just because of the music itself, but also because of the sense of creative potential that permeates every frame. This is Brandee Younger at her best: pushing boundaries, exploring new sounds, and inviting us to join her on this journey into the unknown.

Curated from public records and music databases.

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