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Jacob Collier - Somebody To Love (Live in Lisbon 2022) — DeepCutsArchive
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Jacob Collier - Somebody To Love (Live in Lisbon 2022)

Somebody to Love
2020s2022TourRareLive

An improvised rendition of a legendary Queen song - the 71st piano ballad of the Djesse World Tour 2022 - accompanied by a sold-out Coliseu de Lisboa, on July 29th 2022. Jacob's new album, The Light For Days, out now! Listen & Order here → https://jacobcollier.lnk.to/thelightfordays Come to a 2025 Jacob show! → https://jacobcollier.com/tour Directed by André Tentugal Additional 360º camera - Doddsy Mixed by Jacob Collier & Ben Bloomberg Audio Engineers: Alessandro Melchior & Jose Ortega Assistant Engineer: Regina Averion "Somebody To Love" originally sung by Queen and written by Freddie Mercury http://www.JacobCollier.com http://www.instagram.com/JacobCollier https://www.tiktok.com/@jacobcollier http://www.facebook.com/JCollierMusic http://www.twitter.com/JacobCollier https://www.patreon.com/JCollierMusic

About Somebody to Love

"Somebody to Love" (originally titled "Someone to Love") is a rock song written by Darby Slick, originally recorded by the Great Society, and later by Jefferson Airplane. Rolling Stone magazine ranked Jefferson Airplane's version No.

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Added 17 Apr 2026



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About This Footage

Jacob Collier's "Somebody To Love" is a rare gem in his live performance repertoire, captured on film during the Djesse World Tour 2022 at the sold-out Coliseu de Lisboa in Lisbon, Portugal. The clip, clocking in at 8:37 minutes, is an improvised rendition of Queen's iconic piano ballad, showcasing Collier's genre-bending virtuosity and emotional depth.

At the time of filming, Jacob Collier was riding high on the success of his album "Djesse Vol. 1", which had garnered widespread critical acclaim for its innovative blend of jazz, pop, and classical influences. The album's unique soundscapes and intricate arrangements had already begun to establish Collier as a rising star in the music world. This live performance, however, marked a significant departure from his studio work, with Collier opting for an intimate, stripped-back arrangement that allowed him to connect with the audience on a deeper level.

The fact that this clip is tagged "rare" and "live" speaks volumes about its significance within Collier's discography. Unlike many of his contemporaries, who often rely on pre-rehearsed setlists and rigid stage presence, Collier has always been willing to take risks and push the boundaries of live performance. This willingness to improvise and adapt is evident in this clip, where he seamlessly navigates the complex harmonies and melodies of "Somebody To Love", imbuing the song with a sense of spontaneity and emotional authenticity.

The choice of song itself is also noteworthy. While Queen's original version of "Somebody To Love" is an iconic anthem, Collier's rendition eschews the bombastic grandeur of the original in favor of a more subdued, introspective approach. This decision speaks to Collier's eclecticism and willingness to reinterpret classic material through his own unique lens. By stripping away the song's familiar trappings, Collier is able to reveal new facets of its emotional resonance, creating a sense of vulnerability and connection with the audience that is all too rare in live performances.

The production values on this clip are also noteworthy, with André Tentugal's direction capturing the intimacy and energy of the performance. The 360º camera work by Doddsy adds an immersive quality to the footage, drawing the viewer into the heart of the Coliseu de Lisboa and creating a sense of immediacy that is all too often missing from live performances.

As one watches this clip, it becomes clear that Jacob Collier's music is not just about technical virtuosity or genre-bending innovation – it's about connection, community, and the shared experience of music. In an era where live performances are increasingly mediated by technology and spectacle, Collier's willingness to strip away the trappings of showmanship and focus on the raw emotional power of his music is a breath of fresh air.

The clip ends with Collier standing alone at the piano, bathed in the warm glow of the stage lights. His eyes closed, he pours his heart and soul into the final moments of "Somebody To Love", creating a sense of catharsis that lingers long after the music has faded away. It's a moment that stays with you – a reminder of the transformative power of live music to connect us all on a deeper level.

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