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Sigur Rós HEIMA Full Extended Re-Edit without interviews voice-overs vintage clips etc - Live 2006 — DeepCutsArchive
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Sigur Rós HEIMA Full Extended Re-Edit without interviews voice-overs vintage clips etc - Live 2006

R.E.M.Y&TSting
2000s


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This is a re-cut, extended and very different version of the wonderful Sigur Ros tour movie Heima. A unique selection and combination of all available audio-visual material connected to this film. The result is full, uninterupted performaces, beautiful landscapes and not much more. Straight to the core. No interviews, voice-overs or other distracting stuff. I've also rearranged the track order and cut out more than a few segments completely. All to my taste. This edit is very much "me", for better or worse. The aim has been to get to the point and focus on the music. More timeless if you will. Make it a film _out of_ the tour, rather than _about_ it. Less a teaser-trailer for something and more a chance to, in some small way, experince it as it was. This way I hope my version can serve as a companion piece to the original. Most things left out are both good and interesting but without a place in this particular version. Without the interviews you don´t get the feeling of meeting the band and getting to know them. Instead there is a much more impersonal but closer fly-on-the-wall perspective, witch I for one, think is more rewarding in the long run. Less info - more magic... I´ve touched pretty much every part of the film in one way or another so a lot has changed. Not only concerning the interviews, voice overs etc. But also things that I (in my humble opinion) find... problematic... More than a few jump- and axial cuts removed. I won´t get into details about that but feel free to ask questions and I will try to remember what I've done... If you know this film by heart you will of couse notice the crazy amount of tweaks. My set goal has been to make a newcomer think everything is totaly natural and normal. This new cut is made completely from scratch and is an improvement over the 2018 version on all accounts. If you liked the previous one I dare to say you will absolutely adore this one. (You will be hard pressed to find a more complete experince of Popplagið from this tour I think...) Enjoy /// spiderbite 0:00 Intro - Smáskifa 3 (Excerpt) 1:30 Takk... 3:10 Glósóli 9:25 Sé Lest 19:10 Ágætis Byrjun 25:58 Heysátan 30:48 Olsen Olsen 39:42 Von 48:10 Gítardjamm 53:30 Vaka 59:40 Dauðalagið 1:09:35 Hoppípolla / Með Blóðnasir 1:16:40 Sigur Rós (Excerpt) / Starálfur 1:22:40 Smáskifa 2 (Live excerpt) / Popplagið 1:39:08 Samskeyti 1:44:19 Credits - Svo Hljótt

About R.E.M.

R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...

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Added 11 Apr 2026

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The clip page in question offers a unique re-edit of the 2006 tour documentary "Heima" by Sigur Rós, stripped of interviews, voice-overs, and extraneous material. This extended version clocks in at an impressive 1:50:40, providing an unadulterated experience of the band's live performances.

The re-cutting process has been meticulous, with the editor rearranging the track order and excising segments that didn't quite fit their vision. The result is a film that eschews the more traditional documentary approach in favor of a raw, fly-on-the-wall perspective. This shift in focus allows viewers to immerse themselves in the music, unencumbered by the distractions of interviews or narrative voice-overs.

The editor's intention was to create a companion piece to the original "Heima" film, one that would allow newcomers to experience the tour as it truly was – an exercise in sonic exploration and visual poetry. By stripping away the extraneous elements, the re-edit achieves a sense of timelessness, rendering the performances more immediate and visceral.

The changes made by the editor are numerous, with even the most seemingly innocuous moments subject to revision. The removal of jump cuts and axial edits has resulted in a smoother viewing experience, one that prioritizes the music above all else. While some may lament the loss of context provided by interviews or voice-overs, this re-edit offers a refreshing respite from the more traditional documentary format.

It's worth noting that the editor's approach is not without its controversies. Some viewers may find certain aspects of the original film problematic, and the re-cut version has undoubtedly tackled these issues head-on. The editor's willingness to revise and refine their work is admirable, even if it means deviating from the original vision.

Ultimately, this re-edit of "Heima" stands as a testament to the power of creative reinterpretation. By distilling the essence of the tour down to its most fundamental elements – the music, the landscapes, and the performances – the editor has created something truly unique. This is not simply a revised version of an existing film; it's a new work in its own right, one that invites viewers to experience Sigur Rós' 2006 tour with fresh eyes.

For fans of the band or those interested in live performance documentaries, this re-edit is an absolute must-see. The sheer scope and ambition of the project are awe-inspiring, even if some viewers may find certain aspects of the edit jarring or unconventional. As a companion piece to the original "Heima" film, it succeeds admirably, offering a more intimate and immersive experience that will leave viewers spellbound.

The 2018 version of this re-edit was already an improvement over its predecessors, but this latest iteration takes things to new heights. With its streamlined approach and emphasis on sonic exploration, this re-cut version is sure to captivate audiences for years to come.

Curated from public records and music databases.

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