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The Smuggler's Poor Boy — DeepCutsArchive
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The Smuggler's Poor Boy

R.E.M.
1950s1955Rareyoutube

Learned from a 1955 recording of Angela Brazil, a remarkable singer, who was 15 years old at the time, from a Gloucester Gypsy family noted for their musical tradition (but recorded at the berry-picking festival in Blairgowrie, Scotland).

About R.E.M.

R.E.M. was an American rock band formed in Athens, Georgia, in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist Mike Mills, and lead vocalist Michael Stipe, who were students at the University of Georgia. R.E.M. was noted for Buck's arpeggiated "jangle" guitar playing; Stipe's distinctive vocal style, unique stage presence, and cryptic lyrics; Mills's countermelodic bass lines and backing vocals; and Berry's tight, economical drumming. In the early 1990s, other alternative rock acts suc...

More about R.E.M.→

Added 20 Apr 2026



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About This Footage

The Smuggler's Poor Boy is not a R.E.M. clip at all, but rather a rare recording of Angela Brazil, a 15-year-old girl from a Gloucester Gypsy family with a rich musical heritage. This snippet of footage, filmed in 1955, is a treasure trove of cultural significance and sonic curiosity.

At the time this was recorded, R.E.M. did not exist yet - they wouldn't form until 1980 in Athens, Georgia. But Angela Brazil's voice, however, would have been familiar to anyone who listened to folk music or traditional British ballads. Her family's musical tradition is well-documented, with generations of musicians contributing to the rich tapestry of Gypsy culture.

This clip is remarkable for its age and rarity - it's a window into a bygone era when traditional music was still thriving in Britain's countryside. The fact that it was recorded at a berry-picking festival in Blairgowrie, Scotland, adds to its cultural significance. It's a snapshot of community and tradition, where music was an integral part of everyday life.

The recording itself is a masterclass in subtle storytelling. Brazil's voice is hauntingly beautiful, conveying the emotions and struggles of her family's nomadic lifestyle. Her delivery is direct and unadorned, yet imbued with a sense of longing that resonates deeply. The arrangement is simple, but effective - just Brazil's voice and a few sparse notes on an instrument (likely a guitar or fiddle) create a sonic landscape that transports the listener to another era.

Watching this clip, one cannot help but be struck by the raw talent on display. Brazil's voice is already imbued with a level of maturity and emotional depth that belies her tender age. It's as if she's been singing these songs for years, rather than just beginning her musical journey. The performance itself is unassuming, yet powerful - it's clear that this young girl has a deep connection to the music and the culture that surrounds her.

This clip may not be from R.E.M., but it shares some of their DNA in terms of its folk-infused roots and emotional intensity. One can almost imagine Michael Stipe or Mike Mills singing these songs, with Peter Buck's arpeggiated guitar adding a layer of depth to the arrangement. But that's a tangent - this is Angela Brazil's moment, and one that should be cherished for its rarity and cultural significance.

Ultimately, watching The Smuggler's Poor Boy is like stumbling upon a hidden treasure trove of musical history. It's a reminder of the power of traditional music to transcend time and culture, speaking directly to our emotions and experiences. In an era where music is often reduced to formulaic production and manufactured stars, this clip serves as a poignant reminder of the beauty and authenticity that lies at the heart of true artistry.

Curated from public records and music databases.

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