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National Youth Folk Ensemble Performance, Cecil Sharp House, 10 April 2025 — DeepCutsArchive
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National Youth Folk Ensemble Performance, Cecil Sharp House, 10 April 2025

Jo Freya
2020s2025Liveyoutube


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Running Order Introduction from Jo Freya Polka Piqué (traditional) taught by Jo Freya – arranged by NYFE Introduction by Barney Maracangalha (by Dorival Caymmi) taught by Adriano Adewale – arranged by NYFE Introduction by Stan Red Brick (by Freya) – arranged and performed by Arlo (flute), Barney (fiddle), Freya (piano), Leandro (fiddle), Silas (cello) and Stan (concertina) Introduction by Kitty and Emily Monday’s Terror (by Kitty) and Hash Brown (by Sophie and Emily) – arranged and performed by Ella (cello), Emily (bassoon), Kitty (fiddle), Saul (recorder), Sophie (accordion) and Woody (double bass). Introduction by Sophie Kuching (by Kathryn Locke) taught by Kathryn Locke – arranged by NYFE Introduction by Saul Camp Jig (from Henry Atkinson 1694 collection) taught by Nancy Kerr – arranged by NYFE Interval Fubu Mazurka (by Thierry Mirabeau) taught by Dave Gray – arranged by NYFE Introduction by Shayla and Isabelle Mama Tamba (traditional) taught by Suntou Susso – arranged by NYFE Dylan’s Playtime (by Jackie) and The Lost Keys (by Julian Sutton) arranged and performed by Alf (cello), Euan (fiddle), Jackie (melodeon), Meg (fiddle) and Tamara (guitar) Fish Tune (by Finn and Shayla) – arranged and performed by Finn (trombone), Isabelle (fiddle), Matthew (guitar), Leo (accordion) and Shayla (fiddle). Thank you’s by Ella Introduction by Kitty Clog Jig (by Hannah James) taught by Hannah James – arranged by NYFE The Meersbrook Jig (by Vincent Leautreau) taught by Hannah James – arranged by NYFE Introduction by Jo Freya Halling Polka (by Kristin Olsen) taught by Jo Freya – arranged by NYFE National Youth Folk Ensemble: Cohort 9 Alf (cello), Arlo (flute), Barney (fiddle), Ella (cello), Emily (bassoon), Euan (fiddle), Finn (trombone), Freya (piano), Isabelle (fiddle), Jackie (melodeon), Kitty (fiddle), Leandro (fiddle), Leo (accordion), Matthew (guitar), Meg (fiddle), Saul (recorder), Shayla (fiddle), Silas (cello), Sophie (accordion), Stan (concertina), Tamara (guitar), Woody (double bass). Artistic Director: Jo Freya Tutors: Adriano Adewale, Camilo Menjura, Dave Gray, Grace Smith, Hannah James, Kathyrn Locke, Miranda Rutter, Nancy Kerr, Rob Harbron, Sarah Matthews and Suntou Susso Sound engineer: Rob Harbron Sound engineer assistant: Ellen McGovern Film maker: Martin Collins Support Team: Alasdair Paul, Lucy Rushton, Yusra Supdarowa Programme Manager: Hannah Mears-Young EFDSS Education Director: Rachel Elliott Copyright EFDSS, 2025 https://www.efdss.org/learning/young-people/national-youth-folk-ensemble

About Jo Freya

Jo Freya is an English saxophonist, clarinettist and singer.

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Added 20 Apr 2026

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About This Footage

The dusty corridors of Cecil Sharp House, a London institution for traditional music, reverberate with the sounds of youth in motion. On April 10, 2025, Jo Freya, an English saxophonist, clarinettist, and singer, takes center stage alongside the National Youth Folk Ensemble (NYFE). This footage is more than just a live performance – it's a snapshot of a vibrant community celebrating its rich heritage.

At this point in her career, Jo Freya has already established herself as a respected figure in British folk music. With a string of critically acclaimed albums to her name and collaborations with some of the genre's most influential artists, she embodies the very spirit of innovation within tradition. Her presence on stage is not just about showcasing her own talents but also about guiding the next generation of musicians.

What makes this footage rare and significant is its unbridled energy. The NYFE, comprised of talented young musicians from diverse backgrounds, comes together to perform a carefully curated selection of traditional and contemporary pieces. From the lively polka "Polka Piqué" to the poignant "Monday's Terror," each song is imbued with a sense of collective ownership and passion. The arrangements, often credited to NYFE, demonstrate a keen understanding of how to breathe new life into timeless melodies.

Throughout the performance, Jo Freya moves seamlessly between her own compositions, such as "Red Brick," and traditional pieces like "Camp Jig." Her collaborations with other artists – including Nancy Kerr's arrangement of the 17th-century Camp Jig and Thierry Mirabeau's Fubu Mazurka – underscore her commitment to preserving and evolving folk music. The interval between sets is a brief respite from the non-stop energy, allowing viewers to catch their breath before being swept up in the next sequence of performances.

The clip's running order reveals a thoughtful curation of pieces that not only showcase individual talents but also highlight the ensemble's collective strength. From the opening notes of "Introduction by Jo Freya" to the final strains of Fish Tune," the performance is a testament to the power of music to bring people together.

Watching this footage, one cannot help but be struck by the infectious enthusiasm of these young musicians. As they take turns introducing songs and sharing their passion for traditional music, it becomes clear that this is not just about performing – it's about preserving a cultural heritage that transcends generations. The energy is palpable, with each musician feeding off the others' creativity and drive.

The significance of this footage lies in its ability to capture the essence of a moment in time. On April 10, 2025, at Cecil Sharp House, Jo Freya and the National Youth Folk Ensemble came together to celebrate their shared love of traditional music. This performance is more than just a live recording – it's a snapshot of a community that will continue to evolve and thrive long after this moment has passed.

As the final notes fade away, one is left with an image: Jo Freya standing amidst her fellow musicians, surrounded by the rich history of Cecil Sharp House. It's a moment frozen in time, a testament to the enduring power of music to unite and inspire generations to come.

Curated from public records and music databases.

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