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Steve Arvey Encore Fender Club Madrid Spain March 2008

2000s2008Rareyoutube

Steve Arvey performs at the Fender club in Madrid Spain March 13th 2008. This was the Encore of a fun packed evening on the first of a string of dates in Spain. Steve performs his classic Yo Soy El Rey De les Barrachos (I am the King of The Drunks) Also a snippet of Mucho Trabajo Poco Dinero (hard work no pay) Pino Sambataro on the Drums and Paul Larnaudie on the Bass

Added 30 Mar 2026



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Steve Arvey Encore Fender Club Madrid Spain March 2008 — DeepCutsArchive

About This Footage

This clip, "Steve Arvey Encore Fender Club Madrid Spain March 2008," is a rare gem that offers a glimpse into the live performance of Steve Arvey, an artist whose work has likely flown under the radar for many music enthusiasts. The footage, shot in 2008 at the Fender club in Madrid, Spain, captures the encore segment of a show that was part of a string of dates in Spain.

The presence of Pino Sambataro on drums and Paul Larnaudie on bass adds depth to the performance, as these musicians undoubtedly brought their own unique styles and expertise to the table. The fact that they are credited alongside Arvey suggests a collaborative effort, which is often lost in live performances where individual contributions can be overlooked.

The song selection is also noteworthy, with Arvey performing "Yo Soy El Rey De les Barrachos" (I am the King of The Drunks) and a snippet of "Mucho Trabajo Poco Dinero" (hard work no pay). These titles give insight into Arvey's lyrical themes, which appear to focus on everyday struggles and perhaps even the artist's own experiences. This type of songwriting can be both relatable and authentic, making it all the more compelling for listeners.

The fact that this footage is tagged as "Rare" implies that it may not have been widely available or documented elsewhere. As such, this clip serves as a valuable resource for fans and researchers looking to delve deeper into Arvey's live performances and musical style. The 9:53 duration provides ample opportunity to observe the artist's stage presence, interaction with his bandmates, and overall energy.

While it is impossible to gauge the full extent of Arvey's popularity or influence without more information, this clip does suggest that he was an active performer in the late 2000s. The fact that he had a string of dates in Spain indicates a level of international recognition or at least interest in his work.

The Fender club in Madrid is also worth noting as a venue, particularly for those familiar with the city's music scene. This setting likely provided an intimate atmosphere, allowing Arvey to connect with his audience and showcase his talents in a more stripped-down environment.

Ultimately, this clip offers a unique window into Steve Arvey's live performances during a specific period in time. As such, it is a valuable addition to any archive of rare artists footage, providing insight into the artist's style, collaborations, and overall musical output.

Curated from public records and music databases.

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