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Live at North Star Bar Rochester, Minnesota http://www.myspace.com/spacebike Formed in 1994, the trio of Casey Virock (guitar, vocals), David Reinders (bass), and Brian Meusy (drums), wasted no time getting their s**t together. Armed with a Tascam 388 8-track recorder, they quickly rehearsed and recorded a 7-song demo, jumped into a Ford Econoline van and played out of town as much as their crappy jobs would allow. Before the end of the year they played across the U.S., performed at the Independent Music Seminar in San Diego and shared the stage with Babes in Toyland, Everclear, Possum Dixon, Buck Pets, and Tripmaster Monkey. In 1995, Space Bike saw the release of the "Carnival"/"In a Jar" 7" single in clear vinyl on Zero Budget Records. The record was released to hundreds of college radio stations and press outlets. Many fine reviews and shows followed. The single found it's way into a used bin in a record store in Los Angeles where it was picked up by Chris Cass of Che' Records (London, UK). He liked it. Papers were signed and Space Bike released a split 7" single with London band Ligament on shiny silver vinyl. The single reached 23 on the UK Melody Maker singles chart and was aired by the famous British D.J., Mr. John Peel. More shows, more nice reviews. Another gatefold double split 7" with Bombpop, Hick, and Norm's Headache was released on Zero Budget Records in March of 1996. In 1997, Spacebike played with the Melvins, Babes in Toyland, Everclear, Walt Mink, The Poster Children, and a Miniature. In November, they released a seven song EP on compact disc to very nice reviews indeed. They added Jon Nygren on guitar, played with The Descendents, Frank Black, and No Knife. Spacebike broke up in 1998. .. ..The sound of Space Bike lives on in Casey and Dave's new band "Porcupine"... ....www.porcupineband.com.. LA CROSSE, Wisconsin, US
Possum Dixon was an American rock band, which existed between 1989 and 1999. Fronted by singer-songwriter and bassist Rob Zabrecky, the group's neo-new wave pop and post punk style first appeared among a string of early independently released 7 inch singles and on their self-titled debut on Interscope Records in 1993. Zabrecky's lyrical content often described love lost and slacker life in Los Angeles.
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This rare footage of Possum Dixon, a neo-new wave pop and post-punk rock outfit from the United States, is notable for its candid portrayal of the artist in a live setting. The clip, titled "SpaceBike 'Wind Monkey'", was recorded in 1994 at the North Star Bar in Rochester, Minnesota.
The footage's significance lies not only in its rarity but also in its documentation of Possum Dixon's early days as a touring band. Formed in 1989 and active until 1999, the group's style blended elements of post-punk and new wave with a distinctly LA-inspired sound. Frontman Rob Zabrecky's lyrics often focused on themes of love lost and slacker life in Los Angeles.
The clip's context is further enriched by its connection to another band, Space Bike, which emerged in 1994 as a trio consisting of Casey Virock (guitar, vocals), David Reinders (bass), and Brian Meusy (drums). This short-lived project shares some sonic similarities with Possum Dixon, although its output was largely confined to a handful of releases on small labels.
The YouTube description provides additional context for the Space Bike footage, highlighting their DIY ethos and early touring exploits. The band's determination to get their music out there is evident in their decision to record and release a 7-song demo, which they then used as a springboard for live performances across the United States.
This clip serves as a fascinating glimpse into the underground music scene of the mid-1990s. At this time, bands like Space Bike and Possum Dixon were part of a thriving network of independent artists who relied on small labels, college radio, and word-of-mouth promotion to reach their audiences. The fact that they managed to secure shows with notable acts such as Babes in Toyland, Everclear, and the Melvins speaks to their dedication and perseverance.
The clip itself is a raw, unpolished document of a live performance, capturing the energy and intensity of the band's stage presence. While it may not be the most polished or refined example of 1990s rock music, its rough-around-the-edges quality only adds to its charm and historical significance.
In many ways, this footage is a testament to the power of independent music in the pre-internet era. Without the benefit of social media or streaming platforms, bands like Space Bike and Possum Dixon relied on grassroots promotion and word-of-mouth to build their fanbase. Their story serves as a reminder that even in the absence of mainstream recognition, artists can still create meaningful music and connect with audiences through their live performances.
The clip's brevity – clocking in at 1:56 minutes – only adds to its allure, making it an enticing preview for those interested in exploring the lesser-known corners of 1990s rock. As such, this rare footage is a valuable addition to any collection of archival music recordings, offering a unique glimpse into the lives and careers of two bands that operated on the fringes of the mainstream music scene.
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