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Live at North Star Bar Rochester, Minnesota http://www.myspace.com/spacebike Formed in 1994, the trio of Casey Virock (guitar, vocals), David Reinders (bass), and Brian Meusy (drums), wasted no time getting their s**t together. Armed with a Tascam 388 8-track recorder, they quickly rehearsed and recorded a 7-song demo, jumped into a Ford Econoline van and played out of town as much as their crappy jobs would allow. Before the end of the year they played across the U.S., performed at the Independent Music Seminar in San Diego and shared the stage with Babes in Toyland, Everclear, Possum Dixon, Buck Pets, and Tripmaster Monkey. In 1995, Space Bike saw the release of the "Carnival"/"In a Jar" 7" single in clear vinyl on Zero Budget Records. The record was released to hundreds of college radio stations and press outlets. Many fine reviews and shows followed. The single found it's way into a used bin in a record store in Los Angeles where it was picked up by Chris Cass of Che' Records (London, UK). He liked it. Papers were signed and Space Bike released a split 7" single with London band Ligament on shiny silver vinyl. The single reached 23 on the UK Melody Maker singles chart and was aired by the famous British D.J., Mr. John Peel. More shows, more nice reviews. Another gatefold double split 7" with Bombpop, Hick, and Norm's Headache was released on Zero Budget Records in March of 1996. In 1997, Spacebike played with the Melvins, Babes in Toyland, Everclear, Walt Mink, The Poster Children, and a Miniature. In November, they released a seven song EP on compact disc to very nice reviews indeed. They added Jon Nygren on guitar, played with The Descendents, Frank Black, and No Knife. Spacebike broke up in 1998. .. ..The sound of Space Bike lives on in Casey and Dave's new band "Porcupine"... ....www.porcupineband.com.. LA CROSSE, Wisconsin, US
Possum Dixon was an American rock band, which existed between 1989 and 1999. Fronted by singer-songwriter and bassist Rob Zabrecky, the group's neo-new wave pop and post punk style first appeared among a string of early independently released 7 inch singles and on their self-titled debut on Interscope Records in 1993. Zabrecky's lyrical content often described love lost and slacker life in Los Angeles.
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In the dimly lit North Star Bar in Rochester, Minnesota, a fledgling trio took to the stage in 1994. The grainy footage of SpaceBike's performance, captured on a low-fi camera, is a time capsule of the band's early days. The clip, titled "Wind Monkey," offers a rare glimpse into the lives of Casey Virock, David Reinders, and Brian Meusy as they navigated the DIY music scene.
At this point in their career, Possum Dixon was already making waves with their neo-new wave pop and post-punk sound. Their self-titled debut on Interscope Records had dropped just a year prior, and Rob Zabrecky's distinctive vocals were becoming synonymous with the band's laid-back, California-inspired aesthetic. Meanwhile, SpaceBike was forging its own path, armed with a Tascam 388 8-track recorder and a determination to create their own music on their own terms.
The footage of "Wind Monkey" is remarkable not only for its rarity but also for its candid portrayal of the band's rehearsal process. The trio's energy is palpable as they rip through a setlist that blends catchy hooks with a raw, unpolished edge. The camera captures every sweat-drenched detail, from Virock's frenetic guitar work to Reinders' thumping bass lines.
What makes this clip significant is its representation of the early 1990s indie music scene. Bands like SpaceBike and Possum Dixon were part of a thriving underground movement that prized creativity over commercial appeal. This ethos was reflected in their DIY approach to recording and releasing music, which often involved self-financed projects and small-press releases.
The "Wind Monkey" clip is also notable for its inclusion on the YouTube page dedicated to SpaceBike's music. The band's discography may be sparse, but their influence can be seen in the subsequent work of Casey Virock and David Reinders, who went on to form Porcupine. Their sound, which blended elements of post-punk and indie rock, was a direct continuation of the sonic experimentation that characterized SpaceBike's early days.
As viewers watch this footage, they'll gain insight into the band's creative process and the DIY ethos that defined their era. They'll see the raw energy and enthusiasm that drove these young musicians to create music on their own terms. And they'll be reminded that even in the most obscure corners of the indie scene, there lies a rich history waiting to be uncovered.
The dimly lit North Star Bar, where this footage was captured, is just one of many underground venues that played host to SpaceBike's early performances. The band's time on stage was short-lived, but their influence can still be felt in the music they left behind. As the "Wind Monkey" clip fades to black, it leaves behind a haunting image: three young musicians, fueled by creativity and determination, chasing their dreams in the dimly lit recesses of the indie scene.
Curated from public records and music databases.