A cover recorded as part of a new single release. Listen to it here: ORIGINALLY WRITTEN BY Danny Lilker, Charlie Benante, Scott Ian and Billy Milano GUITAR, BASS AND VOCALS Cassie Ojeda-Galaviz DRUMS PROGRAMMED WITH MT Power Drumkit 2
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In the dimly lit recording studio, Cassie Ojeda-Galaviz's fingers dance across the fretboard as she unleashes a blistering guitar solo on "Kill Yourself," a cover of the notorious S.O.D. track. The year is 2006, and this performance is part of a new single release by The Great Regression. What makes this clip so remarkable is not just its raw energy but also the fact that it's a rare glimpse into the world of female metal musicians at a time when they were still fighting for recognition.
At the time of filming, Ojeda-Galaviz was part of a relatively new wave of female metal artists who refused to be pigeonholed or marginalized. Her music with The Great Regression was a fusion of aggressive riffs and melodic hooks that resonated with fans across genres. This cover of S.O.D.'s "Kill Yourself" is more than just a tribute – it's an exercise in sonic destruction, with Ojeda-Galaviz delivering a performance that's both technically impressive and emotionally charged.
What sets this clip apart from other metal covers is its authenticity. Unlike many modern attempts to revive the spirit of thrash metal, The Great Regression's take on "Kill Yourself" is unapologetically raw and uncompromising. Ojeda-Galaviz's vocals are a perfect blend of snarl and scream, while her guitar work is a testament to her technical prowess. The production values may be modest, but the energy and intensity are palpable.
This footage is also significant because it highlights the often-overlooked contributions of female metal musicians in the early 2000s. While bands like Hole and Babes in Toyland were already gaining mainstream recognition, artists like Ojeda-Galaviz and her contemporaries were pushing the boundaries of what was possible within the genre. Their music may not have received the same level of attention as some of their male counterparts, but it's clear that they were just as influential and innovative.
Watching this clip, a viewer will get a sense of the raw power and intensity that defined metal in the early 2000s. They'll see a female artist unapologetically embracing her aggression and refusing to be typecast within the genre. Ojeda-Galaviz's performance is a masterclass in sonic destruction, with every note and riff delivered with precision and passion.
The use of MT Power Drumkit 2 for programming drums adds an interesting layer to this clip. While some might view it as a compromise or shortcut, it's clear that the band was more interested in capturing the spirit of live performance rather than adhering to traditional recording standards. This approach may not have been revolutionary at the time, but it speaks to the band's willingness to experiment and push boundaries.
In an era where metal music has become increasingly homogenized and commercialized, this clip serves as a refreshing reminder of what made the genre so exciting in the first place – its raw energy, sonic experimentation, and unapologetic intensity. Watching Cassie Ojeda-Galaviz shred on "Kill Yourself" is a visceral experience that will leave viewers breathless and eager for more.
Curated from public records and music databases.