Skip to main content
DeepCutsArchive
BrowseArtistsTimelineMapDecadesSubmit

DeepCutsArchive

Preserving the footage that shaped music history. Rare clips, studio sessions, and moments lost to time.

BrowseArtistsGenresDecadesLocationsSubmit a ClipAboutContactEditorial PolicyArticles

© 2026 DeepCutsArchive. All footage remains the property of its original creators.

Privacy PolicyTerms of UseSupport

Developed with love as a personal project by Jamie McDonnell

ui-ux-design.comai-consultancy.company
Doo wop Song "YOU BABY YOU" recorded live by UK doo-wop group The Metrotones — DeepCutsArchive
PreviousUse arrow keysNext
0 views
Share this clip

Doo wop Song "YOU BABY YOU" recorded live by UK doo-wop group The Metrotones

doo wop at
1950s1957TV Appearance


Know someone who'd love this clip?

Share it with friends and fellow fans.

Share this clip

Keep Exploring

1960sAll ArtistsAll GenresAll DecadesBrowse by Tag
Lesson
Studio
Rare
Live
youtube

Doo-wop group The Metrotones' live album, "Let's Fall In Love", available from iTunes http://itunes.apple.com/us/album/metrotones-live-lets-fall/id482711774 NOW! http://www.youtube.com/watch?v=l7QuBrBQRFc http://www.themetrotones.co.uk Influenced by rhythm and blues, dop-wop was a vocalized harmonized genre using phonetic syllables (doo-wop) without obvious meanings to bring in rhythm and harmonic arrangements. Primarily an African American music genre, it became popular throughout the 50's and the 60's as a separate genre. Thinking about Doo Wop at the time, one had to think also about street corner youngsters, who formed into groups of 5 or 6 individual and who would harmonize to the sounds of doo-wop for the fun of it. These youngsters owed much of their music background to the teaching and music of the local black churches and as such were particularly adept at adapting to this new vocal genre. They brought fun and a carefree philosophy to music. This particular attitude also meant that they could be manipulated and indeed taken advantages off by a variety of the music industry's business people such as agents, and record companies' contact people. It was even a common policy for label owners to list their own name (instead of the name of the musicians) as the actual composer of the music since he was already known in the music industry and would make the marketing of the record much easier, or so he told them. Record companies often times had these inexperienced youngster sign contracts allowing for the payment of studio and promotional costs to be met by the artists themselves! Furthermore, they also had to agree that they would be paid on a session basis rather than on the number of records sold. To make matter worse, musicians often times had to perform for free on major shows and even had to pay in order to feature on TV shows. Also, all rights to the original songs had to be released to the record companies, and agents took 50% of their earnings. The tragedy in this is that in all likelihood, the groups would have been able to survive and might have gone on to produce more music had they not been so cheated by their own record companies. These companies for the most part were startups themselves, and hence would have been more likely to have benefited from relationships and practices that did not alienated the artists they were representing. Some of doo wop groups included: The Dubs, who with lead vocalist Richard Blandon released "could this be magic". Although it was not a huge hit back in 1957 when it was first released, it nevertheless has endured as one of doo wop classics. The Duprees, one of the finest Italian doo wop made delightful doo wop harmonies, none more than the very successful "you belong to me" who had previously been recorded by Patty Page, Jo Stafford, Dean Martin and Joni James. The Elegants, a New York doo wop music group that became famous for the most gorgeous "Little Star" released in 1958. This title topped both R&B and Pop charts. They were a White ensemble led by Vito Picone "In the Still of the Night" is another doo wop gem, released in 1954 by The Five Satins. Known as a true classic of this music genre, "In the Still of the Night" was created in the basement of a local church. Fred Harris was the leader of the group and actually had already been drafted by the army and was stationed in Japan when his song hit the charts. Doo Wop music has held and continues to hold a special place in the hearts of music lovers everywhere. Known in some circles as the "Music of the Streets" its popularity diminished with the introduction of British early rock otherwise known as the British Invasion in the mid 1960's. Doo Wop has an international and varied audience. Concerts and events are still being organized today and continue to enthrall an audience that combines both the older with their grand-kids they often times bring to see the show. I aim to provide music oldies and doo wop music at the very best price possible, whilst maintaining the ultimate in customer service. My doo wop Music [http://www.themusicmama.com/doo-wop-c-24.html] CD's are fully covered by an unconditional guarantee. Article Source: http://EzineArticles.com/?expert=Debbie_O'Hara Article Source: http://EzineArticles.com/1094960

About doo wop at

"Doo Wop (That Thing)" is a song by American rapper and singer Lauryn Hill from her debut solo studio album, The Miseducation of Lauryn Hill (1998). It was written and produced by Hill. The song was released to radio as her solo debut and lead single from The Miseducation of Lauryn Hill on August 10, 1998, by Ruffhouse Records and Columbia Records. No commercial release was originally intended for the single in the US, but limited-quantity physical formats were issued two months later, on Octobe...

More about doo wop at→

Added 24 May 2026

More from 1950s
All tv-appearance

More from doo wop at

View all →
Thumbnail for Mark Tiemersma, "Doo Wop Ditti" by doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the1:16

Mark Tiemersma, "Doo Wop Ditti"

doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the

2010sRare
Thumbnail for Tip the Van does doo-wop by doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the1:04

Tip the Van does doo-wop

doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the

TourRare
Thumbnail for The Five Superiors - There's A Fool Born Everyday (Doo Wop) by doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the2:45

The Five Superiors - There's A Fool Born Everyday (Doo Wop)

doo wop a, doo wop at, doo wop, doo wop at the g, doo wop at the

1960sRare
Thumbnail for 『Doo Wop』2018.12.27(Thu)[Dance Showcace] KUMA-GUMI by doo wop at4:13

『Doo Wop』2018.12.27(Thu)[Dance Showcace] KUMA-GUMI

doo wop at

2010sRare

More from the 1950s

View all →
Thumbnail for Jerry Lee Lewis  Crying Time by The Sound, Wino, Keith Richards, Stew, Jimmy Page, Jerry Lee Lewis, Little Richard, Rod Stewart, Mick Jagger, Willie Nelson, Chuck Berry, Youth3:47Advisory

Jerry Lee Lewis Crying Time

The Sound, Wino, Keith Richards, Stew, Jimmy Page, Jerry Lee Lewis, Little Richard, Rod Stewart, Mick Jagger, Willie Nelson, Chuck Berry, Youth

1950sTV AppearanceStudio
Thumbnail for Willie Nix - Seems Like A Million Years (take 1) by Joe Willie Wilkins2:52

Willie Nix - Seems Like A Million Years (take 1)

Joe Willie Wilkins

1950sRare
Thumbnail for Willie Nix - Baker Shop Boogie - 1953 Blues - SUN 179 by Joe Willie Wilkins2:50

Willie Nix - Baker Shop Boogie - 1953 Blues - SUN 179

Joe Willie Wilkins

1950sRare
Thumbnail for Mix Tape: The Blues Came Down From Memphis (1977...) by Joe Willie Wilkins37:25

Mix Tape: The Blues Came Down From Memphis (1977...)

Joe Willie Wilkins

1950s