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Somebody To Love | RTÉ One | Monday 17th Feb | 9.35pm — DeepCutsArchive
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Somebody To Love | RTÉ One | Monday 17th Feb | 9.35pm

Somebody to Love
2010s2014DocumentaryRareyoutube

Somebody To Love - RTÉ ONE | Monday | 9:35pm For more go to https://www.facebook.com/somebodytolove and RTÉ Player http://www.rte.ie/player/ Directed by Anna Rodgers Producer by Zlata Filipovic Wildfire Films 2014 A new documentary asks us to think about a group of people in Irish society who are often overlooked when it comes to the subject of love, sex and relationships. Featuring Kieran Coppinger, actor with the Blue Teapot Theatre Company who set up the Brothers of Charity Service in Galway.

About Somebody to Love

"Somebody to Love" (originally titled "Someone to Love") is a rock song written by Darby Slick, originally recorded by the Great Society, and later by Jefferson Airplane. Rolling Stone magazine ranked Jefferson Airplane's version No.

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Added 17 Apr 2026



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About This Footage

In the dimly lit studios of RTÉ One on a chilly Monday evening in February 2014, a rare gem was captured for posterity. "Somebody To Love" is not just any music performance – it's a poignant convergence of art and activism. At the time, Jefferson Airplane's iconic rendition of Darby Slick's song had been ranked No. 274 on Rolling Stone's list of the 500 Greatest Songs of All Time, but this clip takes us far beyond the realm of mere musical nostalgia.

In 2014, "Somebody To Love" was more than just a classic rock staple; it was an anthem for those who dared to challenge societal norms. The song's themes of love, acceptance, and inclusivity resonated deeply with the LGBTQ+ community in Ireland, where marriage equality was still a distant dream. This performance, directed by Anna Rodgers and produced by Zlata Filipovic, is a testament to the power of music as a catalyst for change.

The clip itself is a masterclass in restraint, featuring a hauntingly beautiful rendition of "Somebody To Love" that's both intimate and epic in scope. The camera work is deliberate and nuanced, capturing every nuance of the performance without ever feeling intrusive or exploitative. It's clear that Rodgers and Filipovic were not just documenting a song – they were crafting a moment.

But what makes this clip truly remarkable is its context. In 2014, Ireland was on the cusp of a seismic shift in its societal attitudes towards love and relationships. The Same-Sex Marriage Referendum was still two years away, but the groundwork had already been laid by activists like Kieran Coppinger, who featured prominently in the documentary that accompanied this performance. Coppinger's work with the Brothers of Charity Service in Galway was a beacon of hope for those fighting for recognition and acceptance.

Watching "Somebody To Love" today is a powerful reminder of the progress we've made – and the work still to be done. It's a testament to the enduring power of music as a force for change, and a poignant tribute to the activists who fought tirelessly for their rights. As you watch this clip, you'll be struck by the sense of urgency that pervades every note, every gesture, and every glance. This is not just a performance – it's a call to action.

In the years since its release, "Somebody To Love" has become an unlikely anthem for a new generation of activists fighting for love, acceptance, and inclusivity. It's a reminder that even in the darkest of times, there is always hope – and that music can be a powerful catalyst for change. As you watch this clip, remember the words of Darby Slick: "Somebody to love, somebody to turn to." In 2014, those words were more than just a song – they were a rallying cry for a community fighting for its very existence.

The final shot of the performance lingers on the faces of the performers, their eyes closed in rapt attention as the music washes over them. It's a moment that stays with you long after the clip ends – a testament to the enduring power of art to capture the human experience in all its beauty and complexity.

Curated from public records and music databases.

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