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Mojo Buford - Love Without Jealousy - from the lost LP Mojo Workin' — DeepCutsArchive
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Mojo Buford - Love Without Jealousy - from the lost LP Mojo Workin'

Willie DixonSonny Boy Williamson IMuddy WatersOtis Spann


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This is a sneak peak at both the Hohner harmonica plant and "Love Without Jealousy" from the upcoming lost Mojo Buford release "Love Without Jealousy." A lost studio recording from a legendary blues man! - Recorded in 1969, legitimately available for the first time ever! - The bluesman's best, captured in the studio! - Buford originals and tried-and-true tunes! Bluesman George “Mojo” Buford started blowing the harmonica in his teens, eventually linking up to tour with fellow Mississippian Muddy Waters. Adopting his nickname from ravenous crowds requesting Muddy’s “Got My Mojo Working,” Buford gained the attention of some gifted young rockers (including lead guitarist of The Trashmen!), who steered him into the studio for three smokin’ ‘69 sessions–the results of which we’re finally hearing for the first time! The songs here mostly came out of Buford’s live repertoire at the time, including (of course) “Got My Mojo Working” as well as “Love Without Jealousy,” a song Buford co-wrote that would appear on Waters’ 1973 album Mud In Your Ear. Several others in the sessions were Buford originals: the 12-bar nugget “Deep Sea Diver” and the funkier workouts “Lost Love” and “Stingin’ Bee Blues.” He also covered his pal Otis Spann’s “Blues Is a Botheration” and Sonny Boy Williamson II’s “Help Me,” co-written by Willie Dixon. In a roundabout, six-degrees-of-Minnesota-music way, it was the Trashmen connection that finally earned the rest of us the chance to hear these recordings. While scouring his vaults compiling the comprehensive four-CD Trashmen box set, Bird Call! (Sundazed) Mike Jann stumbled upon these reels. You could say it was ultimately him seeking “Surfin’ Birds” that led him instead to Mojo Workin’, and now we all get to enjoy it. Also available on CD! Includes: Help Me • Blues Is A Botheration • Lost Love • Deep Sea Diver • Love Without Jealousy • Rag Picker’s Blues • Got My Mojo Working • Stingin’ Bee Blues

About Willie Dixon

William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.

More about Willie Dixon→

Added 30 Mar 2026

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About This Footage

The discovery of a lost studio recording from 1969, featuring the legendary bluesman George "Mojo" Buford, is a treasure trove for music enthusiasts and historians alike. The clip, titled "Love Without Jealousy," is a rare gem that showcases Buford's unique style and contributions to the blues genre.

One of the most fascinating aspects of this footage is its connection to other influential artists of the time. Buford's harmonica playing and singing are reminiscent of his contemporaries, including Sonny Boy Williamson II and Willie Dixon, who also contributed to the recording sessions. The presence of these musical heavyweights adds a layer of significance to Buford's work, highlighting the collaborative spirit that defined the blues scene during this period.

The song "Love Without Jealousy" itself is a standout track, with its soulful melody and heartfelt lyrics. Co-written by Buford and Willie Dixon, it's interesting to note that the song would later appear on Muddy Waters' 1973 album Mud In Your Ear. This connection underscores the close relationships between these artists and the way they influenced each other's work.

The fact that this recording has been lost for so long only adds to its allure. The discovery of "Mojo Workin'" is a testament to the power of archival research and the importance of preserving musical history. Mike Jann, the compiler of the Trashmen box set, stumbled upon these reels while digging through his vaults, highlighting the serendipitous nature of such discoveries.

The inclusion of other notable tracks, such as "Blues Is A Botheration" (Otis Spann) and "Help Me" (Sonny Boy Williamson II), further enriches the value of this collection. These songs not only demonstrate Buford's versatility but also provide a glimpse into the musical landscape of the late 1960s.

Sting, the renowned musician and former Police frontman, is mentioned in passing as one of the gifted young rockers who steered Buford into the studio for these sessions. While this connection may seem tangential at first glance, it serves as a reminder that the blues genre has influenced countless artists across genres and generations.

The "Mojo Workin'" collection is more than just a lost recording – it's a window into the past, offering insights into the creative processes of some of the most influential musicians of the 20th century. As music enthusiasts continue to uncover hidden gems like this one, we are reminded of the importance of preserving our musical heritage and the stories that lie within.

Curated from public records and music databases.

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