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THE STOOGES self-titled debut is 50 years old today! I've chosen to upload the track real cool time to celebrate The Stooges is the debut studio album by American rock band The Stooges. It was released on August 5, 1969, by Elektra Records. Two songs, "I Wanna Be Your Dog" and "1969", were released as singles and the album peaked at number 106 on the Billboard album chart. "1969" was featured on Rolling Stone's list of the 100 Greatest Guitar Songs at #35. It is considered a landmark proto-punk album For their first album, the Stooges had intended to record five songs: "I Wanna Be Your Dog", "No Fun", "1969", "Ann" and "We Will Fall". The five songs were staples—and essentially the basis—of the Stooges' live set at the time. A typical Stooges song of the period would involve two minutes of composed song followed by several minutes of improvisation. Having assumed that the five songs as normally performed would cover requirements for the album, the Stooges were told by their record label Elektra that they needed more material. According to Iggy Pop, "We handed [the five-song version of the album] in and they refused it. They said, 'There aren't enough songs!' So we lied and said, 'That's OK, we've got lots more songs. Overnight, however, the group wrote three more songs, "Real Cool Time", "Not Right" and "Little Doll", and played them for the first time in the studio. "Asthma Attack", which had first been mentioned by Iggy Pop in a Trouser Press autodiscography interview, was also recorded during the sessions, but not discovered (or at least not used) until the 2010 Rhino Handmade box was compiled; it is not clear whether "Asthma Attack" was recorded along with the first five songs or not. An initial mix by producer John Cale, apparently resembling ex-Velvet Underground bandmate Lou Reed's "closet mix" of that band's eponymous third album from the same year, was rejected by Elektra. The mix as heard on the final product was done by Iggy Pop and Elektra Records president Jac Holzman. Four of Cale's original mixes would later appear on the bonus disc of a 2005 reissued version, with pitch correction applied to them. Five years later, all eight Cale mixes were released unaltered on the first disc of a 2010 collector's edition release of the album. This channel never has & never will carry advertisements the only ads you will find are those enforced by copyright claims & fair dues to those that are entitled I upload sorely for the love of the music Hope you find something to enjoy xx Big Thanks, Love on ya MT This video is dedicated to the principals behind the rock against racism movement Rock Against Racism was a groundbreaking movement which staged marches, festivals and concerts from 1976-81 with the aim of fighting racism through music If you enjoy the content of my channel please Like & Share the video's Subscribe & click the bell for notifications of uploads etc etc You know the drill MTRudeBoy claims no rights to sound or vision
Proto-punk is music that foreshadowed the punk rock genre, particularly rock music artists during the 1960s and early-to mid 1970s. A retrospective label, the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes.
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This 1969 footage is a rare and fascinating glimpse into the creative process of The Stooges, one of the pioneering bands in the proto-punk genre. The clip, titled "HAPPY 50th BIRTHDAY TO THE STOOGES ~ REAL COOL TIME", captures the band's live performance of "Real Cool Time" in a studio setting.
The significance of this footage lies not only in its rarity but also in the context of The Stooges' debut album, which was released on August 5, 1969. At the time, the band had intended to record five songs for their self-titled debut, but their label, Elektra, demanded more material. In response, The Stooges hastily wrote three additional songs, including "Real Cool Time", and performed them live in the studio.
This clip is a testament to the band's innovative approach to music-making. As described by Iggy Pop, a typical Stooges song of the period would involve two minutes of composed music followed by several minutes of improvisation. This experimental spirit is evident in "Real Cool Time", which showcases the band's ability to blend structured composition with free-form experimentation.
The footage itself is an intimate and unpolished capture of The Stooges' live performance. The camera captures the band's raw energy, with Iggy Pop's signature stage presence and antics on full display. The sound quality is rough around the edges, but it only adds to the clip's authenticity and charm.
This footage is also notable for its historical significance. Released in 1969, "The Stooges" was one of the first proto-punk albums, predating the punk rock genre by several years. As such, this clip provides a unique window into the development of punk music and its precursors.
Furthermore, this footage highlights the creative tension between The Stooges and their label, Elektra. According to Iggy Pop, the band was told that they needed more material for the album, leading them to hastily write new songs and perform them live in the studio. This clip captures the essence of that moment, when The Stooges were forced to adapt and respond to the demands of their label.
In conclusion, this 1969 footage is a rare and fascinating glimpse into the creative process of one of punk's pioneering bands. It showcases The Stooges' innovative approach to music-making, their raw energy and stage presence, and the historical significance of their debut album. As such, it is an essential watch for anyone interested in the development of punk rock and its precursors.
Curated from public records and music databases.
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