‘Chuck-will’s-widow’ [Trailer]
A Trailer of Jem Cohen’s new short film ‘Chuck-will’s-widow,’ based on a chapter in Sam Stephenson’s ‘Gene Smith’s Sink.’ It’s September 1961 and W. Eugene Smith has recorded, with the myriad reel-to-reel tape machines set up in the “jazz loft,” a mysterious mimic of a Southern swamp bird, whistled five stories down on the sidewalk of Sixth Avenue’s desolate flower district in the middle of the night. “There’s a chuck-will’s-widow out there,” murmurs Smith. Many readers have felt that this spectral chapter is the heart of Stephenson’s unusual book. His collaboration with Cohen is a lyrical marriage of artists and subject matter, including the obsessive Smith and isolated world in the middle of the city.
About This Footage
The 1961 trailer for Jem Cohen's short film "Chuck-will's-widow" is a rare and intriguing artifact that offers a glimpse into the creative processes of two innovative artists: W. Eugene Smith and Sam Stephenson. The footage, clocking in at just under three minutes, is an isolated track that showcases the haunting soundscape that would become a central element of Cohen's film.
The clip itself is a trailer, designed to entice viewers with its enigmatic tone and atmosphere. However, it also serves as a time capsule, capturing the essence of a pivotal moment in American artistic history. The fact that this footage has been preserved and made available online is a testament to the dedication of archivists and curators who strive to make these hidden gems accessible to a wider audience.
One of the most striking aspects of "Chuck-will's-widow" is its connection to W. Eugene Smith, one of the most influential photographers of the 20th century. Smith's work often pushed the boundaries of documentary photography, and his involvement in this project suggests that Cohen was drawn to his innovative approach to storytelling. The fact that Smith recorded a "mysterious mimic of a Southern swamp bird" on the sidewalk of Sixth Avenue is a fascinating example of how art can be found in unexpected places.
The collaboration between Jem Cohen and Sam Stephenson is also noteworthy, as it highlights the intersection of photography, film, and literature. Stephenson's book "Gene Smith's Sink" provides the narrative framework for Cohen's short film, demonstrating the ways in which different artistic mediums can inform and enrich one another. The fact that this chapter has been singled out by readers as the heart of Stephenson's book underscores its significance within the broader context of American literary and artistic traditions.
The isolated soundscape at the center of "Chuck-will's-widow" is a key element in Cohen's film, and it's clear that he was drawn to the eerie, otherworldly quality of Smith's recording. The fact that this sound was captured in the midst of New York City's desolate flower district adds another layer of complexity to the narrative, highlighting the tension between urban and natural environments.
Ultimately, "Chuck-will's-widow" is a rare and captivating artifact that offers insights into the creative processes of two innovative artists. Its connection to W. Eugene Smith and Sam Stephenson makes it a significant addition to any collection of American artistic history, while its haunting soundscape continues to captivate viewers with its enigmatic tone and atmosphere.
Curated from public records and music databases.
About L.A.B.
L.A.B. is a New Zealand reggae band formed in Whakatāne, Bay of Plenty in 2016. Its founding members are Brad Kora and Stuart Kora of the band Kora. They soon engaged Joel Shadbolt on lead vocals and guitar, Ara Adams-Tamatea, formerly of Katchafire, as bassist, and Miharo Gregory as keyboardist. The band mostly composes reggae music, with a mix of electronic, blues, rock and funk music.
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