Johnny Shines - live 1970

Johnny Shines recorded in the University of Washington Music Building, November 1970. In his early days, Shines was one of the top slide guitarists in Delta blues, with his own distinctive, energized style; one that may have echoed Johnson's spirit and influence, but was never an imitation. I don't make anything putting these videos together so please support the channel with the link here if you can its greatly appreciated! https://www.paypal.com/paypalme/bluesincolour 0:00 Sweet Home Chicago 2:45 Kind Hearted Woman John Ned Shines was born April 26, 1915, in Frayser, TN, and grew up in Memphis from the age of six. Part of a musical family, he learned guitar from his mother, and as a youth he played for tips on the streets of Memphis with several friends, inspired by the likes of Charley Patton, Blind Lemon Jefferson, Lonnie Johnson, and the young Howlin' Wolf. In 1932, he moved to Hughes, AR, to work as a sharecropper, keeping up his musical activities on the side; in 1935, he decided to try and make it as a professional musician. Shines had first met Robert Johnson in Memphis in 1934, and he began accompanying Johnson on his wanderings around the Southern juke-joint circuit, playing wherever they could find gigs; the two made their way as far north as Windsor, Ontario, where they appeared on a radio program. After around three years on the road together which made Shines one of Johnson's most intimate associates, along with Johnson's stepson Robert Jr. Lockwood the two split up in Arkansas in 1937, and never saw each other again before Johnson's death in 1938. Shines continued to play around the South for a few years, and in 1941 decided to make his way north in hopes of finding work in Canada, and from there catching a boat to Africa. Instead, when he stopped in Chicago, his cousin immediately offered him a job in construction, and Shines wound up staying. He started making the rounds of the local blues club scene, and in 1946 he made his first-ever recordings; four tracks for Columbia that the label declined to release. In 1950, he resurfaced on Chess, cutting sides that were rarely released. Meanwhile, Shines was finding work supporting other artists at live shows and recording sessions. From 1952-1953, he laid down some storming sides for the JOB label, which constitute some of his finest work ever. They went underappreciated commercially, however, and Shines returned to his supporting roles. In 1958, fed up with the musicians' union over a financial dispute, Shines quit the music business, pawned all of his equipment, and made his living solely with the construction job he'd kept all the while. Shines did, however, stay plugged into the local blues scene by working as a photographer at live events, selling photos to patrons as souvenirs. Eventually, he was sought out by blues historians, and talked into recording for Vanguard's now-classic Chicago/The Blues/Today! series; his appearance on the third volume in 1966 rejuvenated his career. Shines next cut sessions for Testament and Blue Horizon, which effectively introduced him to much of the listening public. The reception was much greater this time around, and Shines hit the road, first with Horton and Willie Dixon as the Chicago All-Stars, then leading his own band. In the meantime, his daughter died unexpectedly, leaving Shines to raise his grandchildren; concerned about bringing them up in an urban environment, he moved the whole family down to Tuscaloosa, AL. During the early '70s, Shines recorded for Biograph and Advent, among others, and enjoyed one of his most acclaimed releases with 1975's more Delta-styled Too Wet to Plow (for Tomato). He also taught guitar locally in Tuscaloosa in between touring engagements. Despite his own generally high-quality work, Shines was a fascinating figure to many white blues fans simply because of the mythology surrounding Robert Johnson, and he was interviewed repeatedly about his experiences with Johnson to the exclusion of discussing his own music and contemporary career; which understandably frustrated him after a while. That didn't stop him from rediscovering his roots in acoustic Delta blues, or including many of Johnson's classic songs in his own repertoire; in fact, during the late '70s, Shines toured and recorded often with Robert Jr. Lockwood, a teaming that owed much to Johnson's legacy if ever there was one. Unfortunately, in 1980, Shines suffered a stroke that greatly affected his guitar playing, which would never return to its former glories. Shines' health was failing, however, and he passed away on April 20, 1992, in a Tuscaloosa hospital. https://linktr.ee/blues.in.colour #colourised #bluesincolour #blueslegend #blues #bluesmusic #bluesmusician #bluessinger #bluessongsofalltime #bluessong #chicagoblues #bluesguitar #bluesguitarist #bluesguitarlesson #bluesguitars #deltablues #mississippiblues #robertjohnson

Added 24 May 2026