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A Neon Jazz Interview with Montreal-based Jazz Trumpeter Jacques Kuba Séguin — DeepCutsArchive
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A Neon Jazz Interview with Montreal-based Jazz Trumpeter Jacques Kuba Séguin

Frida
2010s2019Interview


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Welcome to a new edition of the Neon Jazz interview series with Montreal-based Jazz Trumpeter Jacques Kuba Séguin .. He opened up about his latest 2019 CD Migrations .. This album is a collection of compositions based on interviews with people from various cultural communities in Quebec, Canada. He composes for his formations with variable geometry, Odd lot, Litania projekt, or in quintet and for 10 years, he has been playing regularly in Eastern Europe, especially in Poland. Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/

About Frida

Singer, best known from [a69866]. Frida was inducted into the Rock and Roll Hall of Fame, as a member of ABBA, in 2010. Born on November 15, 1945 in Ballangen, Norway. For more Frida releases, see Anni-Frid Lyngstad. Based in Sweden, Frida started her music career in 1958 as a jazz singer, under her given name '[a688940]'. In 1964 she married jazz musician Ragnar Fredriksson and had two children, [a325133] and Ann Lise-Lotte Fredriksson. The couple separated in 1968. In 1967 she won EMI's tale...

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About This Footage

This 18-minute interview with Montreal-based jazz trumpeter Jacques Kuba Séguin is a rare gem that offers a unique glimpse into the creative process of an accomplished artist. Recorded in 2019 as part of the Neon Jazz series, this footage provides valuable insight into Séguin's latest album, "Migrations", which features compositions inspired by interviews with individuals from various cultural communities in Quebec, Canada.

One of the most striking aspects of this interview is its focus on Séguin's approach to composition. By drawing inspiration from the stories and experiences of others, he creates music that is both deeply personal and universally relatable. This approach is particularly noteworthy in the context of jazz, a genre often associated with individual virtuosity rather than collaborative storytelling.

The album "Migrations" itself is a significant work, one that showcases Séguin's ability to craft compelling narratives through music. By incorporating elements from different cultural traditions, he creates a rich tapestry of sound that reflects the complexities of human experience. This interview provides a fascinating behind-the-scenes look at the creative process behind this album, offering listeners a deeper understanding of Séguin's artistic vision.

The Neon Jazz series itself is also worth noting, as it has been a stalwart presence in the jazz community since 2011. Hosted by Joe Dimino and engineered by John Christopher, this program has provided a platform for artists like Séguin to share their music and stories with a wider audience. The fact that this interview was recorded specifically for Neon Jazz highlights the importance of platforms like this one in promoting new and innovative music.

In terms of its historical significance, this footage is notable as a document of Séguin's career during a specific moment in time. Recorded just over two years ago, it captures his thoughts and reflections on his work at a particular juncture in his artistic trajectory. As such, it serves as a valuable resource for scholars and researchers interested in the development of jazz music.

Furthermore, this interview showcases Séguin's unique voice as an artist, one that blends elements of traditional jazz with more contemporary influences. His experiences playing in Eastern Europe, particularly in Poland, have clearly had a profound impact on his musical style, and this interview provides insight into how these experiences inform his creative process.

In short, this interview is a must-see for anyone interested in jazz music, composition, or the creative process. It offers a rare glimpse into the mind of an accomplished artist, one who is pushing the boundaries of what is possible within the genre.

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