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Ariel Ramirez — Rare Clips — DeepCutsArchive — DeepCutsArchive
Ariel Ramirez

Ariel Ramirez

1921–2010Argentina

About Ariel Ramirez

Ariel Ramírez was an Argentine composer, pianist and music director. He was considered "a chief exponent of Argentine folk music" and noted for his "iconic" musical compositions.

Read more on Wikipedia →

Formed

1921 – 2010

Origin

Argentina

Discography

Misa Criolla

Misa Luba

Misa criolla (1966)

Misa criolla / Misa flamenca (1968)

Con piano y con charango (1969)

Altitud 2600 (1970)

La Zamba - Vol. II (1971)

Las Últimas Zambas (1980)

Misa por la paz y la justicia (1981)

Misa Criolla (1988)

De Nuevo los Valsecitos Criollos (1991)

Cuatro Rumbos (1992)

The Spanish Guitar (1996)

Misa Criolla a cappella (1997)

Recordando Valses (1998)


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Ariel Ramirez — Rare Footage & Clips

In the sweltering Argentine summer of 1966, a young composer named Ariel Ramírez poured his heart and soul into creating something truly unique – Misa Criolla, a Mass for choir and guitar that would go on to become an iconic representation of Latin American folk music. This album, released when Ramírez was just 45 years old, marked the beginning of a new era in classical music, one that blended traditional Argentine folk melodies with the grandeur of European choral traditions.

The significance of Misa Criolla cannot be overstated. It not only showcased Ramírez's mastery of fusion but also paved the way for future generations of composers to experiment with indigenous sounds and styles. The album's success was nothing short of meteoric, catapulting Ramírez to international acclaim and cementing his status as a leading figure in Argentine folk music.

A closer examination of Misa Criolla reveals a rich tapestry of influences, from the traditional Andean melodies that underpin many of the compositions to the subtle nods to European classical music. The album's use of guitar, an instrument traditionally associated with folk music, adds a layer of depth and complexity to the choral arrangements, creating a truly unique sonic experience.

One of the most striking aspects of Misa Criolla is its ability to evoke a sense of place and culture. Ramírez's use of indigenous melodies and rhythms transports listeners to the sun-baked plains of Argentina, immersing them in the country's rich musical heritage. The album's impact was not limited to the classical music world; it also helped to popularize Argentine folk music on a global scale, paving the way for future generations of musicians to explore their cultural roots.

The success of Misa Criolla spawned a series of subsequent albums that further solidified Ramírez's reputation as a master composer. Misa Luba (1968) and Con piano y con charango (1969) are notable examples of this period, showcasing the composer's continued experimentation with traditional sounds and styles. The latter album, in particular, features a range of instruments, including the charango, a small stringed instrument native to Bolivia.

Ramírez's work during this period was not limited to choral compositions; he also explored other genres, including jazz and folk-rock. His 1971 album La Zamba - Vol. II is a testament to his eclecticism, featuring a range of styles and influences that reflect the composer's boundless creativity.

The 1980s saw Ramírez return to his choral roots with the release of Las Últimas Zambas (1980) and Misa por la paz y la justicia (1981). These albums demonstrate the composer's continued commitment to exploring the intersection of traditional and classical music. The latter, in particular, features a range of choral pieces that reflect Ramírez's growing interest in social justice and human rights.

A closer examination of Ramírez's discography reveals a composer who was constantly pushing boundaries and experimenting with new sounds and styles. His 1988 re-release of Misa Criolla is a testament to his enduring legacy, cementing the album's status as a classic of Latin American folk music.

Throughout his long and storied career, Ramírez remained true to his artistic vision, refusing to compromise on his commitment to traditional Argentine folk music. His influence can be heard in the work of countless musicians who followed in his footsteps, from classical composers to rock bands. The significance of Ariel Ramírez's contributions to music history cannot be overstated; he was a true pioneer and innovator whose impact continues to resonate today.

In 2010, at the age of 89, Ramírez passed away, leaving behind a legacy that will continue to inspire generations of musicians to come. His iconic compositions – Misa Criolla, Misa Luba, Con piano y con charango, and countless others – remain an integral part of Latin American folk music's rich tapestry, a testament to the enduring power of his artistry.

As we reflect on Ramírez's remarkable career, one cannot help but be struck by the sheer breadth and depth of his contributions. From the early days of Misa Criolla to the later works that showcased his continued experimentation with traditional sounds and styles, Ramírez's music has left an indelible mark on the world of classical music.

The influence of Ariel Ramírez can be seen in countless musicians who have followed in his footsteps. His compositions continue to inspire new generations of composers, arrangers, and performers, ensuring that his legacy will endure for years to come.

Curated from public records and music databases.