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"Planxty" : Dundee University 1974 — DeepCutsArchive
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"Planxty" : Dundee University 1974

Johnny Moynihan
1970s1974Liveyoutube

The recording - and cassette tape - is now 46 years old, from when "Planxty" played a concert at Dundee University. This medley of tunes strongly featured Liam O'Flynn [ RIP ]. It was an unusual line up, including both Paul Brady and Johnny Moynihan, for certain, but no Christy Moore. It wouldn't have been Planxty without messrs Irvine and Lunny. The medley was : Slow air : "Sliabh na mBhan" - Air : "The Trip We Took Over The Mountain" - Slip jigs : "An Phis Fhliuch" - "The Foxhunter's" - [ with "sound effects" from the pipes ] - Reel : "The Dublin Reel". Unfortunately there is a lot of enthusiastic clapping from the audience throughout, but at least they were in time more than other audiences I've heard.

About Johnny Moynihan

John Moynihan is an Irish folk singer, based in Dublin. He is often credited with introducing the bouzouki into Irish music in the mid-1960s.

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Added 20 Apr 2026



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About This Footage

This footage of Johnny Moynihan and Planxty performing live at Dundee University in 1974 is a rare gem that offers a unique glimpse into the evolution of Irish folk music during its most fertile period. At this point, John Moynihan had already been experimenting with the bouzouki, an instrument he's often credited with introducing to Irish music in the mid-1960s.

The medley of tunes performed by Planxty on this evening is a testament to their innovative approach to traditional Irish music. The inclusion of Liam O'Flynn, whose mastery of the uilleann pipes added a distinctive layer to the group's sound, was a hallmark of Planxty's live performances during this era. Paul Brady and Johnny Moynihan's collaboration on this particular evening is also noteworthy, as it highlights their individual contributions to the group's music.

The absence of Christy Moore from this lineup might seem unusual at first glance, but it actually underscores the fluid nature of Planxty's membership during its early years. Despite the rotating cast of musicians, the core sound and spirit of the band remained intact, thanks in large part to the vision of Dónal Lunny and Thomas "Plaster" Irvine. Their commitment to pushing the boundaries of traditional Irish music was evident in their willingness to experiment with new instruments and arrangements.

The medley itself is a masterclass in dynamic contrast, moving seamlessly from the slow air of "Sliabh na mBhan" to the more driving rhythms of "An Phis Fhliuch" and "The Foxhunter's". The inclusion of "sound effects" from the pipes adds a playful touch, demonstrating O'Flynn's skill as both musician and showman. The enthusiastic clapping from the audience is almost deafening at times, but it only serves to underscore the infectious energy of Planxty's live performances.

This footage is significant not just because of its rarity – the recording itself is 46 years old – but also because it captures a pivotal moment in Irish folk music history. The mid-1970s were a time of great creative ferment, with musicians like Moynihan, Brady, and O'Flynn pushing the boundaries of traditional music while still honoring its roots. By watching this footage, viewers can gain a deeper appreciation for the evolution of Planxty's sound and the individual contributions of each musician.

One of the most striking aspects of this performance is the way it blends tradition with innovation. The use of the bouzouki, in particular, added a new dimension to Irish music, allowing for greater expressiveness and emotional depth. As Moynihan's playing on "The Dublin Reel" demonstrates, this instrument was not just a novelty but an integral part of the group's sound.

In watching this footage, viewers will be struck by the raw energy and camaraderie that defined Planxty's live performances during this era. The music is undeniably rootsy, but it's also clear that these musicians were driven by a desire to innovate and push their art form forward. This rare clip offers a unique glimpse into the creative process of one of Ireland's most influential folk groups, and its significance extends far beyond the confines of traditional Irish music itself.

Curated from public records and music databases.

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