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Nate McDonough Band - Hey, Soul Sister & I'm Yours — DeepCutsArchive
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Nate McDonough Band - Hey, Soul Sister & I'm Yours

Jason Mraz
Rareyoutube

NMB covering "Hey, Soul Sister" by Train & "I'm Yours" by Jason Mraz 10/2/10 - Kickstand Pub (Columbus, OH)

About Jason Mraz

Jason Thomas Mraz is an American singer-songwriter and guitarist. He rose to prominence with the release of his debut studio album, Waiting for My Rocket to Come (2002), which spawned the single "The Remedy " that peaked at number 15 on the Billboard Hot 100 chart. His second studio album Mr. A-Z (2005) peaked at number five on the Billboard 200.

More about Jason Mraz→

Added 13 Apr 2026



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About This Footage

This grainy footage of the Nate McDonough Band performing a medley of Train's "Hey, Soul Sister" and Jason Mraz's "I'm Yours" at the Kickstand Pub in Columbus, Ohio on October 2nd, 2010 is a rare gem that offers a fleeting glimpse into the world of small-time musicians struggling to make it big. At this point in time, McDonough was still an up-and-coming artist, trying to carve out his own niche in the crowded indie-rock scene.

What's striking about this clip is its raw, unpolished quality - the sound is fuzzy, the video shaky, and the lighting dim. This is not a slickly produced music video or a carefully choreographed performance; it's a genuine, off-the-cuff moment of a band trying to make their way in the world. The Nate McDonough Band was likely playing to a small crowd at the Kickstand Pub, a local watering hole that served as a launching pad for countless aspiring musicians.

The choice of songs is also noteworthy - "Hey, Soul Sister" and "I'm Yours" were both massive hits at this point, dominating the airwaves and topping the charts. It's clear that McDonough was trying to appeal to a broad audience by covering these familiar tunes, but in doing so, he risks being seen as unoriginal or even opportunistic. This tension between artistic integrity and commercial viability is a constant theme in the music industry, and it's fascinating to see it play out in this clip.

One of the most interesting aspects of this footage is its context within the broader musical landscape of 2010. This was a time when indie-rock was at an all-time high, with bands like Arcade Fire and The National dominating the airwaves. McDonough's music, on the other hand, is more low-key and introspective - it's easy to imagine him being overlooked in favor of his more bombastic peers.

Despite its rough-around-the-edges quality, this clip has a certain charm that's hard to deny. There's something endearing about watching McDonough and his bandmates pour their hearts out on stage, even if they're not quite hitting the high notes or executing the tricky guitar riffs with precision. It's a reminder that music is often as much about passion and dedication as it is about technical proficiency.

This clip is also significant because it offers a rare glimpse into the world of small-time musicians struggling to make it big. We rarely see footage like this - unpolished, unedited, and utterly authentic. It's a window into a world that's often hidden from view, where artists are forced to scrape by on minimal resources and uncertain prospects.

Watching this clip is like being transported back in time to a moment of raw creativity and experimentation. You can almost smell the sweat and beer wafting through the air at the Kickstand Pub as McDonough and his bandmates give it their all. It's a reminder that music is often about taking risks, pushing boundaries, and trying new things - even if they don't always pay off.

The final shot of this clip is particularly striking - McDonough, his guitar slung low, looks out at the audience with a mixture of determination and vulnerability etched on his face. It's a moment that lingers long after the music has stopped, a testament to the enduring power of live performance to connect us all.

Curated from public records and music databases.

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