*(1983) Slash ''Leave Ny Money Alone'' (Previously Unissued) (R2 78345-1-26 Master) The Blasters
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''Leave My Money Alone'' (Previously Unissued Outtake) (R2 78345-26 Master) (Cornelius Green-Jerry West) (Universal Music) (3:28) Recorded January 1983 at Ocean Way Recording Studios, West 6050 Sunset Boulevard, Los Angeles, California Name (Or. No. Of Instruments) Phil Alvin - Vocals, Guitar & Harmonica Dave Alvin - Lead Guitar John Bazz - Bass Guitar Bll Bateman - Drums Gene Taylor - Vocals & Plano Lee Allen - Tenor Saxophone Steve Berlin - Baritone Saxophone Producers - The Blasters Recording Engineers - Jim Hill, Laura Livingston & Steve Crimmel Cornelius Green (December 12, 1928 - April 23, 1995), known professionally as Lonesome Sundown, was an American blues musician, best known for his swamp blues recordings for Excello Records n the 1950s and early 1960s. Green was born n 1928 on the Dugas Plantation near Donaldsonville, Louisiana. n 1948, at the age of 18, he moved to New Orleans and worked n various jobs, including porter at the New South-port Club, a casino n Jefferson Parsh, at a hotel, a rice mill, and with a construction company. He returned to Donaldsonville by 1948 and, inspired by Muddy Waters and John Lee Hooker, began taking guitar lessons from a cousin "Boogie Chillun," by John Lee Hooker was the first song that he learned to play. n 1953, after a brief period as a truck driver n Jeanerette, Louisiana, he moved again to work at the Gulf Oil refinery n Port Arthur, Texas. By this time he had begun to take his music more seriously, jamming at local clubs. n 1955 he was invited by Clifton Chener to st n with his new band, the Zydeco Ramblers, at the Blue Moon Club n Lake Charles. Chener offered him the post of second Guitarist n the band, alongside first Guitarist Phillip Walker. Green toured with them as far as Chicago and Los Angeles, where Chenier's recording of "The Cat's Dreaming" was inspired by an incident n which Green fell a sleep during a session and by the time Green auditioned for the producer Bumps Blackwell but failed to get a contract. Green marred later n 1955, left the Zydeco Ramblers, and moved to Opelouisas, Louisiana, where he began playing with Lloyd Reynauld and writing his own songs. He recorded a demo tape and took t to the producer J. D. "Jay" Miller n Crowley. Miller was impressed, gave Green the stage name "Lonesome Sundown", and recorded his debut single, "Leave My Money Alone" backed with "Lost Without Love", which he leased to Excello Records n 1956. The follow-up, "My Home s A Prison" (later covered by Ronnie Earl and the Broadcasters featuring Km Wilson on vocal/harmonica) backed with "Lonesome Whistler", was more successful, and Sundown became one of Miller's south Louisiana stable of musicians. He never had a chart hit, but he recorded for Miller for eight years, and his records sold n respectable quantities, his output including "Don't Say A Word" (featuring Lazy Lester on harmonica), "I'm A Mojo Man", " Stood By (And Watched Another Man Steal My Gal)", "You Know Love You", "Learn To Treat Me Better" (later covered by the Fabulous Thunderbird), "My Home Ain't Here", and the much-covered "Gonna Stick To You Baby". Sundown continued to work with Miller into the early 1960s. n 1964 he recorded "Hoo Doo Woman Blues" backed with "I've Got A Broken Heart", recordings which have been described as among "the last ethnic down-home blues 45 exclusively at the Negro market". However, by 1965 Sundown had become disillusioned with his lack of success. He also endured a difficult divorce around this time, retried from the music industry to work as a laborer, and honed the Lord Jesus Christ of the Apostolic Faith Fellowship Throughout the World Church, of which he eventually became a minster He was persuaded back to the recording studio n 1977 and recorded another blues album, ''Been Gone Too Long'', co-produced by Bruce Bromberg and Dennis Walker, originally for Jolet Records. Despite ts quality, ts sales were disappointing, even after t was reissued by Alligator Records. His final single release was " Betcha (You Gonna Do Your Thing Tonight)", n 1978. Sundown played several concerts, including an appearance at the 1979 New Orleans Jazz & Heritage Festival and tours of Sweden and Japan with Phillip Walker, but then walked away from the music business for good. n 1994 he suffered a stroke and was no longer able to speak. He died n Gonzales, Louisiana, n April 1995, aged 66. He was posthumously inducted into the Louisiana Blues Hall of Fame n 2000. Source and more information see: Wikipedia, the free encyclopedia * - Digitally Remastered © - Condor Records - ©
American blues musician who sang and played the harmonica and guitar. Born: June 20, 1933 in Torras, Louisiana Died: August 22, 2018 in Paradise, California In a career spanning from the 1950s to 2018, he pioneered swamp blues, and also played harmonica blues, rhythm and blues and Louisiana blues. Lazy made records for [l51225] in J.D. Miller's studio in Crowley, LA, from 1956 to 1967. He also frequently accompanied other Louisiana blues artists, including Slim Harpo, Lightning Slim, and Katie ...
More about Lazy Lester→Added
The recently unearthed 1983 studio outtake "Leave My Money Alone" by Lazy Lester is a rare gem that sheds new light on the swamp blues pioneer's later work. Recorded at Ocean Way Recording Studios in Los Angeles, this previously unissued track features an all-star lineup of musicians, including Phil Alvin and his brother Dave Alvin of The Blasters.
What makes this footage notable is not only its rarity but also the context in which it was recorded. Lazy Lester, born Leslie Johnson, had already established himself as a key figure in the development of swamp blues by the 1950s, with his unique blend of harmonica playing and guitar work influencing generations of musicians to come.
The involvement of The Blasters' production team adds another layer of interest to this footage. Phil Alvin's vocals and guitar work are unmistakable, while his brother Dave's lead guitar provides a distinctive counterpoint. The presence of other notable musicians such as Lee Allen on tenor saxophone and Steve Berlin on baritone saxophone further underscores the track's significance.
The recording itself is a masterclass in swamp blues, with Lazy Lester's harmonica playing weaving in and out of the rhythm section's driving beat. Phil Alvin's vocals bring a sense of urgency to the lyrics, which are delivered with his characteristic growl. The overall effect is one of raw energy and spontaneity, as if the musicians are caught up in the moment.
In contrast to his earlier work, "Leave My Money Alone" reveals a more polished side of Lazy Lester's artistry. The production values are higher, with a clearer separation between instruments and a more refined sound overall. This may be due in part to the influence of The Blasters' production team, who brought their own distinct style to the recording.
One can't help but wonder what other hidden gems might be lurking in the archives, waiting to be rediscovered. Lazy Lester's legacy is already well-documented, but this footage offers a new perspective on his later work and serves as a reminder of his enduring influence on blues music.
The inclusion of a guitar lesson) segment at the end of the clip adds another layer of interest to this footage. Phil Alvin's fingerpicking style is on full display, providing a valuable insight into his approach to the instrument. This may be of particular interest to guitar enthusiasts and students looking for new techniques to incorporate into their own playing.
In conclusion, "Leave My Money Alone" is a rare and fascinating glimpse into Lazy Lester's later work, showcasing his continued innovation and artistry in the swamp blues genre. With its all-star lineup and polished production values, this footage is a must-see for anyone interested in the history of blues music.
Curated from public records and music databases.
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