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Performance - 9 July 2006 Back in the summer of 1988, when the newly born world music beast started chomping through the undergrowth of the mainstream music industry, our nations arts centres caught their first glimpses of South Africas Mahotella Queens. Touring just as the thick fog of apartheid was clearing (and in the company of gravel-voiced king of the groaners Mahlathini and the drum-tight Makgona Tsohle Band), the Queens introduced us to the potency of mbaqanga, the township jive so long denied us by cultural boycotts. Through their live shows, albums like Thokozile and Paris, Soweto, and even a collaboration with The Art Of Noise (remember them?), this Sowetan supergroup slayed us all, their songs of protest and resistance becoming the celebratory soundtrack of a new nation. A decade and a half on (and a good 40+ years from their embryonic days as a vocal trio), the Queens are still in joyous mood the passion, power and velvet-smoothness of their three-part vocals failing to show even the slightest trace of wear or tear. When it comes to the indestructible beat of Soweto, these three wonderful women are among its true pioneers.In A Few Words South African vocal diamonds
The Mahotella Queens is a South African female group established in 1964. The group is one of the most prominent specialising in mbaqanga, a style born in the recording studios of 1960s South Africa and the first genre in the country to utilise fully electric rhythm accompaniment. The Queens developed an upbeat and distinct identity which combined multi-part girl group harmonies with energetic stage choreography, the baritone male vocals of Simon 'Mahlathini' Nkabinde and intense backup from the...
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