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it's been a while since i was here. life got in the way. i lost my sense of creativity, too. now i'm trying to start again. i watched blue last week. a rare thing, queer films about women/girls. this one was almost a treat, except, i felt a little detached from the lead and her love interest. as much as they displayed interiority -- their fears, failings, doubts -- i still felt estranged from them. i don't know why. visually, there lacked close-up shots, so that shows me something. also performance. not enough nuance in them, i think. despite this, i can sense the tenderness and care behind the scenes. the slow, quiet pace. the lack of gratuity that we so often see with films depicting queer girls or high school students in general. this film respected their subjects, and i appreciate it for that. i chose to emphasise the rare scenes where we see kayako's face in close-up. i needed to assert that she's the lead. i also wanted us to read the plot through her face. long shots did this as well, except their focus was on how their bodies told the story. in terms of colour, i wanted to keep the colour palate as cool as possible. this was easy since the film was already conscious of it. but, i still made sure to choose as many blue scenes/shots as possible. for the editing itself, it was so fun. so relaxing. i felt at ease returning to my keyboard. the editing process that i had abandoned for months came back to me with no contention. choosing the song was the tough bit. i needed something soft and gentle. the songs i had in my repertoire were a little too upbeat. and i didn't have a slow enough song in Japanese, so i opted for this 2004 korean song by sogyumo acacia band instead. it was perfect! the feminine vocals and minimal chords were what this youthful gl film needed. a raw, candid song for an equally raw, candid film. that's it, i suppose. (no it's not. one last thing: i just realised that the long shots are usually done when the two girls are together. as if we're not meant to see the details of their intimacy; like they're keeping it to themselves. their cute little secret.) from shelly . 19 february 2022
A are a British alternative rock band from Lowestoft, England, which formed in 1993. They have released 5 studio and 2 live albums, including their debut How Ace Are Buildings and the UK top 20 album Hi-Fi Serious. Single releases have also achieved chart success, with one UK top 10, four UK top 40, and seven UK top 100 singles. Shortly after releasing their fourth album, Teen Dance Ordinance, in 2005, the band took a hiatus. They reunited for a one-off gig in 2007, and have been touring sporad...
More about A (band)→Added
The 2002 footage of Sogyumo Acacia Band performing "Butterfly | Blue" is a rare and significant artifact in the discography of this Korean band, but it's also a fascinating glimpse into the creative process of artist Youth, who edited the clip. At the time of filming, A was an established British alternative rock band with two live albums to their name, including the UK top 20 album Hi-Fi Serious.
Youth's comments on editing the clip reveal a thoughtful and deliberate approach to storytelling. They emphasize the importance of close-up shots in conveying emotional intimacy, particularly when depicting queer characters. The lack of gratuity in the film is notable, as it respects its subjects without resorting to sensationalism. This restraint is all the more striking given the era's tendency towards explicitness.
The choice of song, "Butterfly | Blue" by Sogyumo Acacia Band, was a deliberate decision to match the tone of the film. The song's soft and gentle vocals, combined with its minimalist chords, create a raw and candid atmosphere that perfectly complements the on-screen action. This attention to detail is a hallmark of Youth's editing style.
The clip itself is a testament to the band's ability to craft emotive and nuanced performances. The long shots used in key scenes effectively convey the emotional dynamics between characters, often without needing close-ups. This restraint allows the viewer to focus on the subtle interactions between the two girls, creating a sense of intimacy that draws them into the story.
The fact that Youth chose to emphasize the lead character's face through close-up shots is significant, as it underscores their importance in telling the narrative. By doing so, they create a clear emotional anchor for the viewer, making the characters' experiences more relatable and engaging.
Watching this clip today offers a unique perspective on the creative decisions made by Youth at the time of filming. It's a rare glimpse into the process of editing, one that highlights the importance of attention to detail and a commitment to respecting the subject matter. As such, it remains a valuable artifact in the discography of Sogyumo Acacia Band and a testament to the enduring power of thoughtful storytelling.
The clip's significance extends beyond its technical merits, however. It offers a window into the creative process of Youth, who was grappling with their own sense of purpose and creativity at the time. The fact that they were able to find solace in editing this clip is a testament to the therapeutic value of creative work, even when faced with personal challenges.
Ultimately, watching "Butterfly | Blue" by Sogyumo Acacia Band offers a nuanced exploration of the intersection between music and storytelling. It's a reminder that the best creative works are those that respect their subjects, rather than exploiting them for sensational effect. As such, it remains a powerful and enduring artifact in the world of alternative rock.
Curated from public records and music databases.
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