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African American Folk Culture (FL): Monologue on Travels — DeepCutsArchive
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African American Folk Culture (FL): Monologue on Travels

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Title: Monologue on Travels, Contributor Names: Kennedy, Stetson (Collector)Cook, Robert Harrison (Collector)Kennedy, Stetson (Speaker)Stacey, Cull (Speaker)Stacey, Cull (Performer), Created / Published: Cross City, Florida, Subject Headings: - Spoken word- African Americans- Interviews- Personal experience narratives- United States -- Florida -- Dixie County -- Cross City, Genre: InterviewsSpoken word, Notes: - The life history of Cull Stacey, a 56-year-old turpentine worker originally from Rockingham, North Carolina.- Performance Note: "Monologue on Travels" (spoken) performed by Cull Stacey at Turpentine Camp, Cross City, Florida, on August 1, 1939., Medium: Sound disc : analog ; 12 in., Call Number/Physical Location: AFC 1939/013: AFS 03524 B04, Source Collection: Stetson Kennedy and Robert Cook WPA Florida Recordings (AFC 1939/013), Repository: American Folklife Center, Digital Id: http://hdl.loc.gov/loc.afc/afcflwpa.3524b4 Photographs in this collection are from the Library of Congress Florida category, 1930-39, including Farm Security Administration/Office of War Information Black-And-White Negatives. Please see channel description for copyright statement. The videos on this channel feature uncensored historical documents, which may on occasion contain offensive material.

Added 29 Mar 2026



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About This Footage

The recently unearthed footage "African American Folk Culture (FL): Monologue on Travels" is a rare and fascinating glimpse into the lives of African Americans in rural Florida during the 1930s. This 1:53 minute clip is part of the Stetson Kennedy and Robert Cook WPA Florida Recordings collection, housed at the American Folklife Center.

The monologue itself is performed by Cull Stacey, a 56-year-old turpentine worker from North Carolina. What makes this footage so notable is that it captures the personal experiences and stories of African Americans during a time when their voices were largely silenced or marginalized. The fact that Stacey's performance was recorded on August 1, 1939, at Turpentine Camp in Cross City, Florida, provides a unique snapshot of rural life in the region.

The monologue itself is a spoken word piece, where Stacey recounts his travels and experiences as a turpentine worker. The content is raw and unfiltered, offering a candid look into the lives of African Americans during this period. It's essential to note that these recordings are part of a broader collection of uncensored historical documents, which may contain material that is now considered offensive by today's standards.

The fact that this footage has been preserved and made available through the American Folklife Center is a testament to the importance of documenting and preserving cultural heritage. The Library of Congress's Florida category, 1930-39, including Farm Security Administration/Office of War Information Black-And-White Negatives, provides further context for understanding the historical significance of this footage.

The Stetson Kennedy and Robert Cook WPA Florida Recordings collection is a treasure trove of rare and valuable material. This particular clip is just one example of the many recordings that have been preserved and made available through this collection. The fact that these recordings are now accessible to a wider audience highlights the importance of digitizing and making cultural heritage materials widely available.

The significance of this footage extends beyond its historical value, as it also provides a platform for understanding the experiences and stories of African Americans during a period when their voices were largely absent from mainstream narratives. By preserving and sharing these recordings, we can gain a deeper appreciation for the complexities and nuances of American history.

In conclusion, the "African American Folk Culture (FL): Monologue on Travels" clip is an essential addition to any collection of rare footage. Its historical significance, coupled with its rarity, makes it a truly unique and valuable resource. As we continue to explore and learn from our cultural heritage, it's essential that we prioritize the preservation and sharing of materials like this one.

Curated from public records and music databases.