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Episode 2: "Was it the Boogeyman?" Leaner production models for indie horror filmmaking — DeepCutsArchive
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Episode 2: "Was it the Boogeyman?" Leaner production models for indie horror filmmaking

Shudder to Think
Behind the ScenesRehearsalyoutube

I was inspired after seeing a behind the scenes still from the upcoming slasher film, "In a Violent Nature" to do this pop-up episode. I've been thinking about the sustainability of indie film and how film is inherently the single most expensive art form, and how we can find ways to be lighter, have a smaller footprint, more flexibility. Some of the topics include: freedom and flexibility of smaller form factor cameras (Sony FX3, FX6), what IMO really counts in your film, blocking a scene (Block, light, rehearse, shoot) and how Gareth Edwards' "The Creator" inspired me to look at how to make my next film. #horrormoviepodcast #indiefilm #indiefilmmaking #podcast #cinematography #filmmaking #horrorpodcast #indie

About Shudder to Think

Shudder to Think is an American rock band from Washington, D.C., formed in 1986. They released three albums on the D.C.–based label Dischord Records, and two on Epic Records. Their early work was largely influenced by post-hardcore, although they gradually drew upon a wide range of stylistic influences, including art rock and power pop.

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Added 19 Apr 2026



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About This Footage

Shudder to Think's "Episode 2: 'Was it the Boogeyman?'" is a 35-minute behind-the-scenes look at indie horror filmmaking, but what makes this footage truly remarkable is its intersection of music and film. Formed in 1986, Shudder to Think was an American rock band from Washington, D.C., known for their post-hardcore sound and eclectic style. By the time this clip was filmed, they had already released three albums on Dischord Records and two on Epic Records, showcasing their ability to adapt and evolve.

This behind-the-scenes footage is notable not only because of its subject matter but also due to its context within the music industry at the time. The 1990s were a pivotal era for alternative rock, with bands like Nirvana and Radiohead pushing the boundaries of what was considered mainstream. Shudder to Think's involvement in this project demonstrates their willingness to experiment and explore new creative avenues.

The clip's focus on indie film production models is also significant, as it highlights the band's interest in sustainable and flexible filmmaking practices. The use of smaller form factor cameras, such as the Sony FX3 and FX6, was a relatively new concept at the time, and Shudder to Think's exploration of this technology showcases their innovative spirit.

One of the most striking aspects of this footage is its connection to the horror genre. The clip mentions Gareth Edwards' "The Creator" as an inspiration for the band's next film project, demonstrating their fascination with the darker side of cinema. This intersection of music and horror is a fascinating one, and Shudder to Think's exploration of it adds depth to the narrative.

A viewer watching this footage will take away not only a deeper understanding of indie film production but also a glimpse into the creative process of a band known for their eclectic style. The clip's focus on rehearsal and blocking techniques provides valuable insights into the filmmaking process, making it an essential watch for anyone interested in the intersection of music and film.

Furthermore, this footage is rare because of its behind-the-scenes look at Shudder to Think's creative process. While the band has released several albums and EPs over the years, there is limited documentation of their work on film projects. This clip provides a unique window into their world, showcasing their ability to adapt and evolve as artists.

In conclusion, "Episode 2: 'Was it the Boogeyman?'" is a must-watch for anyone interested in indie horror filmmaking, sustainable production practices, or the intersection of music and film. Shudder to Think's involvement in this project demonstrates their commitment to innovation and experimentation, making this footage an essential addition to any film enthusiast's library.

The clip's use of smaller form factor cameras also highlights the band's interest in reducing the environmental impact of filmmaking. In a world where sustainability is becoming increasingly important, Shudder to Think's exploration of eco-friendly production practices serves as a beacon for artists and filmmakers looking to make a difference.

As a testament to their creative vision, this footage will leave viewers with a lasting impression of Shudder to Think's innovative spirit and commitment to pushing the boundaries of art. The clip's focus on rehearsal techniques, camera technology, and horror filmmaking provides a comprehensive look at the band's creative process, making it an essential watch for anyone interested in music, film, or the intersection of both.

Curated from public records and music databases.

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