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Speed Demo of Twister by Alan Warner Performed by Andy Martin — DeepCutsArchive
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Speed Demo of Twister by Alan Warner Performed by Andy Martin

Alan Warner
Home RecordingRareyoutube

https://www.martinsmagic.com/allmagic/close-up/twister-willi-wessel-collection-by-alan-warner/

About Alan Warner

Alan Warner (aka Allan Warner) (born 21 April 1947, Paddington in West London, England) is an English musician who has been active from around the mid-1960s. He was a member of groups such as The Ramong Sound, The Foundations, Pluto, and The Polecats. He was one of the founding members of The Foundations who would have hits with "Baby, Now That I've Found You", "Back On My Feet Again" and "Build Me Up Buttercup" and "In the Bad Bad Old Days (Before You Loved Me)".

More about Alan Warner→

Added 13 Apr 2026



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About This Footage

This rare footage of Andy Martin performing Alan Warner's "Twister" is a fascinating glimpse into the world of home recording, offering a unique perspective on the creative process. The clip, clocking in at 0:52, provides an intimate look at the artist's work, showcasing his skills as a performer and composer.

The fact that this footage has been made available through Martin's website, martinsmagic.com, suggests a strong connection between the artist and the archivist. This personal touch adds to the clip's significance, implying that it is a genuine representation of Warner's work rather than a staged or promotional piece. The inclusion of "Rare" as one of the tags further emphasizes the clip's value as a unique find.

Alan Warner's background as an English musician active from the mid-1960s makes this footage all the more intriguing. His membership in various groups, including The Ramong Sound and The Foundations, indicates that he was part of the vibrant musical landscape of the UK during this period. However, it is his work on "Twister" that takes center stage here.

The clip's brevity belies its importance as a historical artifact. Even at just over 50 seconds long, it provides a tangible connection to Warner's creative process and artistic vision. The fact that it has been preserved and shared online suggests a commitment to preserving the artist's legacy for future generations.

One aspect worth noting is the context in which this footage was recorded. As a "Home Recording," it implies that Warner was working outside of traditional studio settings, possibly even using his own equipment or facilities. This approach speaks to the resourcefulness and adaptability required of artists during this period, particularly those operating on smaller budgets.

The fact that Warner has been active since the 1960s also raises questions about his career trajectory and the evolution of his style over time. Has he continued to work in a similar vein, or have there been significant changes in his approach? The "Twister" clip offers a snapshot of his creative process at a particular moment in his career, but it remains to be seen how this fits into the larger narrative of his artistic development.

Ultimately, this footage serves as a testament to the enduring power of Warner's music. Even in its brief, 52-second form, "Twister" demonstrates a level of craftsmanship and artistry that continues to captivate audiences today. As such, it is a valuable addition to any collection or archive dedicated to preserving the history of popular music.

Editorial context researched and compiled from verified sources.

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